GALERIE DIDIER
DEVILLEZ
53 rue Emmanuel
Va
1050
Bruxelles (Belgique)
Tél./Fax +32 (0)475 931
935
dimanche 24 novembre 2013
mercredi 20 novembre 2013
LIZIERES : PIQUE-NIQUE #09 "Habiter"
Pique-nique
"Habiter"
Les Amis
de LIZIERES sont heureux de vous convier au Château d’Epaux-Bézu
pour un
pique-nique "Habiter"
Le
dimanche 24 novembre 2013
Au
programme à LIZIERES :
Les
Amis de LIZIERES sont heureux de vous accueillir pour une nouvelle édition du
pique-nique "Habiter".
Cette
journée sera l'occasion de présenter le rendu du travail de résidence de
l'artiste Magali Poutoux, résidence soutenue par la DRAC de Picardie.
La
journée sera animée par Magali Poutoux, artiste, Pedro Serra, psychiatre et
psychanaliste et Ramuntcho Matta, artiste et directeur de LIZIERES.
Les
participants seront accueillis dès 11h à LIZIERES pour partager un pique-nique
"Habiter" proposé par Emilie Le Gulvout.
L'après-midi
se poursuivra par des discussions et des échanges sur la thématique de l'habitat
et nos façons d'habiter.
Magali
Poutoux présentera le travail issu de sa résidence de création à LIZIERES durant
laquelle elle a choisi de concentrer ses recherches sur un travail de terrain,
d'enquêtes et de rencontres avec les habitants d'Epaux-Bézu.
Son
installation "Généalogie de l'habitat" livre un regard sensible sur l'histoire
de quatre lieux existants à Epaux-Bézu en mêlant le son, le dessin, la
photographie et la sculpture.
Ces
habitats choisis comme point de départ à son projet transmettent leur histoire à
travers les différents médiums choisis et ce grâce à la complicité de leurs
habitants qui se sont prêtés au jeu de cette rencontre entre "l'artiste en
résidence au château" et la vie de leurs habitats.
~ INFOS
PRATIQUES ~
TARIFS
:
Tarif plein :
15 euros (ou plus) + la cotisation aux Amis de LIZIERES pour les non
adhérents.
Tarif réduit
pour les habitants de l’Aisne : 5 euros + la cotisation aux Amis de LIZIERES
pour les non adhérents
Réservez dès
à présent vos places à cette adresse : reservation@lizieres.org
Nous vous
adresserons un formulaire d’inscription ainsi que les modalités de règlements en
retour.
Pour adhérer
à l'association des Amis de LIZIERES ou renouveler votre adhésion,
veuillez
compléter et nous retourner le bulletin d'adhésion 2013, accompagné de votre
règlement,
disponible en
ligne à l'adresse suivante:
http://www.lizieres.org/v3/wp-content/uploads/2013/03/formulaire-adhésion-2013.pdf
Pour se
rendre à LIZIERES :
en voiture
:
depuis Paris,
prendre l’autoroute de l’Est vers METZ/NANCY > continuer sur l’A4 >
prendre la
sortie 20 CHATEAU-THIERRY > prendre la D1, direction SOISSONS (passer
BEZUET)
puis
emprunter la D87 jusqu’à EPAUX-BEZU (86 kms).
Prévoir une
arrivée au Château d’Epaux vers 11h et un départ vers 16h.
en train
:
Départ de
Paris Gare de l’Est à 10h36, arrivée à Château-Thierry à 11h22
Départ de
Château-Thierry à 17h01, retour à Paris à 17h53
Depuis
Château-Thierry, taxi ou navette peuvent être mis en place pour votre
arrivée,
n’oubliez pas
de nous le préciser lors de votre réservation.
LIZIERES, au
coeur du village d’Epaux-Bézu, se trouve sur la route de BUIRE
dans l’ancien
domaine du Château d’Epaux (11, allée du Comte de Lostanges – 02400
EPAUX-BEZU).
--
Pour
LIZIERES,
Pedro Serra,
président de l'association des amis de LIZIERES
Ramuntcho
Matta, directeur du Centre de cultures et de ressources
LIZIERES
Les amis
de LIZIERES
association à
but non lucratif créée le 18 septembre 2009 pour permettre au projet LIZIERES de
voir le jour.
11, allée
du comte de Lostanges - 02400 EPAUX-BEZU / +33 (0)9 51 07 13 74
pour plus
de renseignements : www.lizieres.org
/ amis@lizieres.org
mardi 19 novembre 2013
Charley Plymell and Gerard Malanga, photos by Paul Hennessy: release of "Benzedrine Highway".
More photos by Paul Hennessy at http://www.phennessy.com/
Photos
taken by Paul Hennessy of Orlando,
Florida, on Nov 8, 2013 at the Jefferson Market Library in NYC. The event
was a poetry reading by Charley in connection with the release of his book, "Benzedrine
Highway". Gerard Malanga introduced Charley and read several of his poems
as well.
The photo of the event announcement was taken in the lobby of the Library.
Charley Plymell
Charley and Miriam Linna, Charley's book publisher at Kicks Books
Gerard Malanga
The photo of the book shelf was taken the same day at The Strand bookstore in
NYC
lundi 18 novembre 2013
Jean Azarel: Que la note soit ZALée ! Zone d'Autonomie Littéraire 2013 - SQUEEZE - interview Jean Azarel
Bonsoir,
En espérant avoir le plaisir de vous voir samedi 23 salle Pétrarque à Montpellier, passage à 2O H : http://www.youtube.com/watch?v=1FzcfmH0l44
Ou un de ces jours prochains pour la sortie de "Waiting for Tina"
Bien à vous toutes et tous
Jean
Retrouvez lors de la ZAL 2013 à 20h, Jean Azarel + KERITY : Textes aspirés + Musique inspirée
--Zone d'Autonomie Littéraire--
ZAL du 23 NOV 2013 salle Pétrarque à MONTPELLIER - Entrée libre.
Organisée par http://www.revuesqueeze.com
Evènement Facebook ici : https://www.facebook.com/events/407331426038287/?ref=23
9 heures de scène continue autour du texte, de 14H à 23H, d'ouvrages venus d'ailleurs, de rencontres improbables, de performances hétéroclites, de lectures audacieuses et de cocktails à la louche : la Zone d'Autonomie Littéraire convoque les écrivains en place et les auteurs en devenir, les grands et les petits lecteurs, les passionnés de tout poil et encore plus de curieux, pour taper sur les clous de la création littéraire et repousser le bord des horizons.
-- Jean Azarel --
http://www.autour-des-auteurs.net/fiches/azarel.html
http://jeanazarel.bandcamp.com
samedi 16 novembre 2013
Interzone Editions: Publishing
E-books
Isabelle AUBERT-BAUDRON:
Des systèmes de contrôle: to be published.
Le Carrefour des Impasses
: to be published, old version on line.
Revue Objectifs : Objectifs 1 , Objectifs
2 , Objectifs
3 , Objectifs
4 , Objectifs
5 , Objectifs
6, Objectifs
7
Translations of extracts from Science and Sanity by Alfred Korzybski. Translated with the permission of Alfred Korzybski Literary
Estate.
Interzone anthology:
Le Temps des Naguals: Autour de
Burroughs et Gysin: également disponible en version imprimée (Interzone Editions): 135 pages.
In English:
- Tome 1 : Around Burroughs and
Gysin: 106 pages (several texts are not
published in the French tome and reciprocally).
Printed versions
Social sciences:
Alfred KORZYBSKI: SEMINAIRE DE SEMANTIQUE GENERALE 1937:
Transcription des Notes des Conférences de Sémantique Générale Données à Olivet
College - Translation: Isabelle AUBERT-BAUDRON- ISBN
978-2-9531513-05.
Literature and research:
Le Temps des Naguals - Autour de Burroughs et Gysin , une anthologie du
réseau Interzone, textes inédits de William Burroughs et Brion Gysin,
traductions Isabelle Aubert-Baudron. ISBN : 978-2-9531513-6-7
Children’s story:
Stella Matutina, textes and illustrations by Marylis : Christmas tale
in French ISBN 978-2-9531513-3-6
Stella Matutina, English translation: Isabelle AUBERT-BAUDRON & Paul
O'DONOVAN - ISBN 978-2-9531513-4-3
Comic books:
José ALTIMIRAS & François DARNAUDET:
Le Taxidermiste - ISBN
978-2-9531513-1-2
The Taxidermist : English translation :
Isabelle AUBERT-BAUDRON and Ken GAGE - ISBN 978-2-9531513-2-9
To be published: DE TAXIDERMIST –
Dutch translation: Peter VAN DE LEUR.
Music
Tonite! Norton Records Hurricane Sandy First Annual Weekend Ball Nov 15-16
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mercredi 13 novembre 2013
Marie Martin-Pécheux : “BIOÉCONOMIE ET SOLIDARISME – POUR UNE ÉCONOMIE AU SERVICE DE LA VIE"
A lire d’urgence le livre de Marie Martin-Pécheux :
“BIOÉCONOMIE ET SOLIDARISME – POUR UNE ÉCONOMIE AU SERVICE DE LA VIE
D’un monde "libéral" à un monde libéré”.
Préface d’Albert JACQUARD.
En ligne dans le site de l’auteure http://bioeconomie.pagesperso-orange.fr/ en pdf à http://bioeconomie.pagesperso-orange.fr/BioeconomieetSolidarisme.pdf
mardi 12 novembre 2013
Galerie Ecritures: Vernissage de l'expo "parpaléminvid" de Gérard Guyomard
Vernissage de l'expo "parpaléminvid" de Gérard
Guyomard
Samedi 16 novembre 2013 à partir de 10 h 30 en présence du peintre
Galerie ECRITURES 1 rue Pierre Petit 03 100 MONTLUCON
http://www.koifaire.com/auvergne/galerie,ecritures-15609.html
facebook http://www.facebook.com/galerie.ecritures
Samedi 16 novembre 2013 à partir de 10 h 30 en présence du peintre
Galerie ECRITURES 1 rue Pierre Petit 03 100 MONTLUCON
http://www.koifaire.com/auvergne/galerie,ecritures-15609.html
facebook http://www.facebook.com/galerie.ecritures
A.D. WINANS: POEM FOR THE FRIEND WHO TOLD ME I NEED TO STOP DWELLING ON THE PAST
a friend of mine tells me
I need to stop dwelling on the past
that nostalgia is an anchor
that will weigh me down
he's like the lyric
to that Hank Williams song
"I saw the light, "I saw the light."
a song he sang to Minnie Pearl
his feet sticking out the side
of an open convertible
on its way to Memphis
I'm still groping for that light
a hundred shadows from my past
hitch-hiking along for the ride
I need to stop dwelling on the past
that nostalgia is an anchor
that will weigh me down
he's like the lyric
to that Hank Williams song
"I saw the light, "I saw the light."
a song he sang to Minnie Pearl
his feet sticking out the side
of an open convertible
on its way to Memphis
I'm still groping for that light
a hundred shadows from my past
hitch-hiking along for the ride
angels have traded in their wings
for a ticket to my dreams
the phantom of the opera
has a front row seat in my nightmares
mutilated poems wrap them self in my arms
pit tomorrow against yesterday
nomadic thoughts camp inside
my brain cells
master to none servant to many
old flame's light burned out torches
in my loins
there is no place to flee
no resting stop at the end
of a long journey
from here to nowhere
I spend the afternoon
at Martha's coffee shop
with hot coffee and a newspaper
for company
tomorrow those same newspaper lines
will be past history
should I pretend they never existed?
at Martha's coffee shop
with hot coffee and a newspaper
for company
tomorrow those same newspaper lines
will be past history
should I pretend they never existed?
I am ten months into
my seventy-seventh year
winter will soon be here
with her cold claws and heavy rain
forcing her way into the walls of my mind
were she of human flesh
she would crack open
my memory vault
find miles of past memories
that flow like Li Po poems
down a river old as time
should I ignore her
tell her to come back next winter
that now isn't the time?
I have written one too many memorial poems
for friends who have passed-away
should I shut them out of my mind
focus on tomorrow
build a graveled path that leads
to the promised land?
my emotions are trapped in quicksand
no place to run
no place to hide
endless chatter comes from
the 4-walls where
death hides between the cracks
the past is my lover
she clings to my body
like a child to a mother's bosom
she sleeps in my memory cells
like a phantom bank that accepts
only deposits refuses withdrawals
I think of her
like I think of San Francisco
the city of my birth
the salt air smell at ocean beach
the Marina Greens
north beach and the fillmore
all filled with memories
my past is my present
the future a gypsy fortune teller
like I think of San Francisco
the city of my birth
the salt air smell at ocean beach
the Marina Greens
north beach and the fillmore
all filled with memories
my past is my present
the future a gypsy fortune teller
my existence
a slow chugging locomotive
on an anonymous journey
known only to the conductor
punching invisible tickets in the hands
of faceless passengers
a slow chugging locomotive
on an anonymous journey
known only to the conductor
punching invisible tickets in the hands
of faceless passengers
A.D. WINANS
On Rusty Truck: Veterans Day (2013) by Bradley Mason Hamlin
Hey All
and couldn't let it sit..so take a look.
I am reminded today of the Nam vets I knew and know--friends that died
either there or when they got back--some still alive barely but died and didn't
know it. The guys that cry late at night from nightmares. I think about these
Vets because I went to school with them, worked with them, grew up with them.
All combat veterans are heroes, I thank all who served in whatever capacity.
Taught my kiddos in school today about real heroes today when we had about 30 vets in for brunch and to honor them. When the program was over--every student in the school went by their tables and shook their hand. Some of the WWII guys had tears. No need for background checks--I know where these guys came from and where they've been.
Taught my kiddos in school today about real heroes today when we had about 30 vets in for brunch and to honor them. When the program was over--every student in the school went by their tables and shook their hand. Some of the WWII guys had tears. No need for background checks--I know where these guys came from and where they've been.
scot
dimanche 10 novembre 2013
François Darnaudet * Catherine Rabier Noire 57. Zombies Gore
François Darnaudet * Catherine Rabier Noire 57. Zombies Gore ISBN-13: 978-1-61227-234-4 240 pages http://riviereblanche.com/
Victor Bockris: ON THE DEATH OF LOU REED
https://www.facebook.com/victor.bockris/posts/10201060012643630
Dear Friends,
I have been thinking about Lou Reed for the last week and wondering how his death has effected you, and how it’s effecting his wife Laurie and all the other people who love him. I was blessed by Lou’s friendship in the mid to late seventies, he taught me a lot about how to live on the wild side. I didn’t really see much of him after 1980, but I kept listening to the music. In 1983 Omnibus Press in London published Uptight: The Velvet Underground Story by myself and Gerard Malanga, who played a crucial role in bringing Andy Warhol to the Velvet Underground. After Andy died I went to St Anne’s in Brooklyn to see Lou and John’s first performance of Songs for Drella in 1988. I was back stage with Billy Name when he introduced Lou to La Monte Young! Things heated up in 1992 when I started work on Transformer: The Lou Reed Story. When the book came out in 1995, journalists from several countries told me when they asked Lou for an interview he asked them if they’d read my book. If they hadn’t, he told them to read it and then come back for an interview. I always dug Lou. When I published a suite of poems from his book All The Pretty People in The Coldspring Journal in 1976, he won a prize given to him at the Gotham Book Mart by Senator Eugene McCarthy, poet and hero of the anti-war movement in 1968. I could go on, but not here. I have been awakened from the dream of life by Lou Reed’s death. Tomorrow I am going to start rewriting and updating my biography of Lou. This time I think I’ll be able to ride that satellite of love up to the stars.
The last thing Lou says in Transformer is, “If you line the songs and play them, you should be ale to relate and not feel alone. I think it’s important that people don’t feel alone.”
Victor Bockris
Dear Friends,
I have been thinking about Lou Reed for the last week and wondering how his death has effected you, and how it’s effecting his wife Laurie and all the other people who love him. I was blessed by Lou’s friendship in the mid to late seventies, he taught me a lot about how to live on the wild side. I didn’t really see much of him after 1980, but I kept listening to the music. In 1983 Omnibus Press in London published Uptight: The Velvet Underground Story by myself and Gerard Malanga, who played a crucial role in bringing Andy Warhol to the Velvet Underground. After Andy died I went to St Anne’s in Brooklyn to see Lou and John’s first performance of Songs for Drella in 1988. I was back stage with Billy Name when he introduced Lou to La Monte Young! Things heated up in 1992 when I started work on Transformer: The Lou Reed Story. When the book came out in 1995, journalists from several countries told me when they asked Lou for an interview he asked them if they’d read my book. If they hadn’t, he told them to read it and then come back for an interview. I always dug Lou. When I published a suite of poems from his book All The Pretty People in The Coldspring Journal in 1976, he won a prize given to him at the Gotham Book Mart by Senator Eugene McCarthy, poet and hero of the anti-war movement in 1968. I could go on, but not here. I have been awakened from the dream of life by Lou Reed’s death. Tomorrow I am going to start rewriting and updating my biography of Lou. This time I think I’ll be able to ride that satellite of love up to the stars.
The last thing Lou says in Transformer is, “If you line the songs and play them, you should be ale to relate and not feel alone. I think it’s important that people don’t feel alone.”
Victor Bockris
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