samedi 16 novembre 2013

Interzone Editions: Publishing


  An experiment of a non-Aristotelian economy  
 
 
E-books
In French:
Isabelle AUBERT-BAUDRON:
Des systèmes de contrôle: to be published. 
Le Carrefour des Impasses : to be published, old version on line. 
Translations of extracts  from  Science and Sanity by Alfred Korzybski. Translated with the permission of Alfred Korzybski Literary Estate.
Interzone anthology:
 
In English: 
Interzone anthology: The Time of the Naguals : on line in pdf format.
- Tome 1 : Around Burroughs and Gysin: 106 pages (several texts are not published in the French tome and reciprocally).
- Tome 2: Research: 163 pages
- Tome 3: Cut-ups: 92 pages
- Tome 4: Poems: 150 pages (anglais, espagnol, français)  
- Tome 5: Short stories : 117 pages
- Tome 6 : Theatre , 64 pages
- Tome 7 : Interzone , 127 pages
Printed versions
Social sciences:
 
Literature and research:
Le Temps des Naguals - Autour de Burroughs et Gysin , une anthologie du réseau Interzone, textes inédits de William Burroughs et Brion Gysin, traductions Isabelle Aubert-Baudron. ISBN : 978-2-9531513-6-7
 
Children’s story:
Stella Matutina, textes and  illustrations by Marylis : Christmas tale
in French ISBN 978-2-9531513-3-6
Stella Matutina, English translation: Isabelle AUBERT-BAUDRON & Paul O'DONOVAN - ISBN 978-2-9531513-4-3
 
Comic books:
José ALTIMIRAS & François DARNAUDET:
Le Taxidermiste - ISBN 978-2-9531513-1-2
The Taxidermist : English translation : Isabelle AUBERT-BAUDRON and Ken GAGE - ISBN 978-2-9531513-2-9
To be published: DE TAXIDERMIST – Dutch translation: Peter VAN DE LEUR.
 
Music
Interzone: Interzone CD1
 
 
 


Tonite! Norton Records Hurricane Sandy First Annual Weekend Ball Nov 15-16

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blogger facebook
POUNDERS-1
POUNDERS-2
DOUBLE DYNAMITE FAST ACTION
WEEKEND RIOT DELUXE
NORTON "20POUNDERS" SERIES BLASTS OFF NOW!
Two big Brooklyn venues set the scene to rattle the rafters one long, wet year after the wrath of Hurricane Sandy-- with seven big acts and three boss jocks on two wild nights! Plus two big download sets blast off today to set your cranium into Norton mode, thanks to our super friends at The Orchard!

Friday Nov 15 BASH NIGHT #1

Friday Nov 15 BASH NIGHT #1 Scenic Presents at the Warsaw!
Flamin' Groovies, Sonics, Daddy Long Legs, plus DJ's Todd-O-Phonic Todd and Josh Styles! Click for Friday Tickets Warsaw!

Saturday Nov 16 BASH NIGHT #2

Saturday Nov 16 BASH NIGHT #2 Brooklyn Bowl!
Reigning Sound with special guest La La Brooks of the Crystals, A-Bones with Mick Collins, Bloodshot Bill, plus New York Night Train Soul Clap with DJ Jonathan Toubin! Click for Saturday Tickets Brooklyn Bowl!
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Release date October 15
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Dig all the great Sonics sounds!
45-181_flamin_groovies
Dig all the Flamin Groovies sounds!
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Daddy Long Legs!
45-9642
Reigning Sound!
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The A-Bones stax-o-wax!
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Bloodshot Bill waxes em down!
pounders

mercredi 13 novembre 2013

Marie Martin-Pécheux : “BIOÉCONOMIE ET SOLIDARISME – POUR UNE ÉCONOMIE AU SERVICE DE LA VIE"



A lire d’urgence le livre de Marie Martin-Pécheux :
BIOÉCONOMIE ET SOLIDARISME – POUR UNE ÉCONOMIE AU SERVICE DE LA VIE
D’un monde "libéral" à un monde libéré”.
Préface d’Albert JACQUARD.

mardi 12 novembre 2013

Galerie Ecritures: Vernissage de l'expo "parpaléminvid" de Gérard Guyomard

 
Vernissage de l'expo "parpaléminvid" de Gérard Guyomard
Samedi 16 novembre 2013 à partir de 10 h 30 en présence du peintre

Galerie ECRITURES 1 rue Pierre Petit 03 100 MONTLUCON   
http://www.koifaire.com/auvergne/galerie,ecritures-15609.html
 facebook  http://www.facebook.com/galerie.ecritures

A.D. WINANS: POEM FOR THE FRIEND WHO TOLD ME I NEED TO STOP DWELLING ON THE PAST



a friend of mine tells me
I need to stop dwelling on the past
that nostalgia is an anchor
that will weigh me down
he's like the lyric
to that Hank Williams song
"I saw the light, "I saw the light."
a song he sang to Minnie Pearl
his feet sticking out the side
of an open convertible
on its way to Memphis
I'm still groping for that light
a hundred shadows from my past
hitch-hiking along for the ride


angels have traded in their wings
for a ticket to my dreams
the phantom of the opera
has a front row seat in my nightmares
mutilated poems wrap them self in my arms
pit tomorrow against yesterday
nomadic thoughts camp inside
my brain cells
master to none  servant to many


old flame's light burned out torches
in my loins
there is no place to flee
no resting stop at the end
of a long journey
from here to nowhere

I spend the afternoon
at Martha's coffee shop
with hot coffee and a newspaper
for company
tomorrow those same newspaper lines
will be past history
should I pretend they never existed?


I am ten months into
my seventy-seventh year
winter will soon be here
with her cold claws and heavy rain
forcing her way into the walls of my mind

were she of human flesh
she would crack open
my memory vault
find miles of past memories
that flow like Li Po poems
down a river old as time
should I ignore her
tell her to come back next winter
that now isn't the time?


I have written one too many memorial poems
for friends who have passed-away
should I shut them out of my mind
focus on tomorrow
build a graveled  path that leads
to the promised land?


my emotions are trapped in quicksand
no place to run
no place to hide
endless chatter comes from
the 4-walls where
death hides between the cracks


the past is my lover
she clings to my body
like a child to a mother's bosom
she sleeps in my memory cells
like a phantom bank that accepts
only deposits  refuses withdrawals

I think of her
like I think of San Francisco
the city of my birth
the salt air smell at ocean beach
the Marina Greens
north beach and the fillmore
all filled with memories
my past is my present
the future a gypsy fortune teller


my existence
a slow chugging locomotive
on an anonymous journey
known only to the conductor
punching invisible tickets in the hands
of faceless passengers
 
A.D. WINANS


On Rusty Truck: Veterans Day (2013) by Bradley Mason Hamlin

This day go on me before I knew it.  But I just received this Poem honoring Veterans
and couldn't let it sit..so take a look.
I am reminded today of the Nam vets I knew and know--friends that died either  there or when they got back--some still alive barely but died and didn't know it.  The guys that cry late at night from nightmares.  I think about these Vets because I went to school with them, worked with them, grew up with them.  All combat veterans are heroes, I thank all who served in whatever capacity. 

Taught my kiddos in school today about real heroes today when we had about 30 vets in for brunch and to honor them.  When the program was over--every student in the school went by their tables and shook their hand.  Some of the WWII guys had tears.  No need for background checks--I know where these guys came from and where they've been.
 
scot
 
 
 
 

dimanche 10 novembre 2013

François Darnaudet * Catherine Rabier Noire 57. Zombies Gore

D'après Charles Dexter Philippe Ward, c'est effectivement sorti ! Included Andernos Trap, Collioure Trap, Trappes Trap et une étude de Daredevil DD David Didelot, mister Vidéotopsie Fanzine Cinéma
 
 
 
  
François Darnaudet * Catherine Rabier Noire 57. Zombies Gore ISBN-13: 978-1-61227-234-4 240 pages http://riviereblanche.com/zombiesgore.htm  Cet hiver, à Ander...nos, les zombies ont remplacé les vendeurs de chichis et de glaces. Le piège andernosien va se refermer sur ses habitants pour la réédition d'Andernos Trap. A Collioure, les morts-vivants sont accompagnés par les jonglômes, des monstres à tête de rhinocéros. C'est le retour éditorial de Collioure Trap. Quant aux deux collectionneurs qui s'affrontent du côté de Paris, leurs aventures meurtrières sont totalement inédites. En sus, David Didelot nous offre une analyse historique de la collection Gore du Fleuve Noir. Mon tout forme ZOMBIES GORE. COLLIOURE TRAP (Darnaudet & Rabier) ANDERNOS TRAP (Darnaudet) TRAPPES TRAP (Darnaudet - inédit) POSTFACE de David Didelot.
 

Victor Bockris: ON THE DEATH OF LOU REED

https://www.facebook.com/victor.bockris/posts/10201060012643630


 Dear Friends,

I have been thinking about Lou Reed for the last week and wondering how his death has effected you, and how it’s effecting his wife Laurie and all the other people who love him. I was blessed by Lou’s friendship in the mid to late seventies, he taught me a lot about how to live on the wild side. I didn’t really see much of him after 1980, but I kept listening to the music. In 1983 Omnibus Press in London published Uptight: The Velvet Underground Story by myself and Gerard Malanga, who played a crucial role in bringing Andy Warhol to the Velvet Underground. After Andy died I went to St Anne’s in Brooklyn to see Lou and John’s first performance of Songs for Drella in 1988. I was back stage with Billy Name when he introduced Lou to La Monte Young! Things heated up in 1992 when I started work on Transformer: The Lou Reed Story. When the book came out in 1995, journalists from several countries told me when they asked Lou for an interview he asked them if they’d read my book. If they hadn’t, he told them to read it and then come back for an interview. I always dug Lou. When I published a suite of poems from his book All The Pretty People in The Coldspring Journal in 1976, he won a prize given to him at the Gotham Book Mart by Senator Eugene McCarthy, poet and hero of the anti-war movement in 1968. I could go on, but not here. I have been awakened from the dream of life by Lou Reed’s death. Tomorrow I am going to start rewriting and updating my biography of Lou. This time I think I’ll be able to ride that satellite of love up to the stars.

The last thing Lou says in Transformer is, “If you line the songs and play them, you should be ale to relate and not feel alone. I think it’s important that people don’t feel alone.”

Victor Bockris

Ball of Wax 33 Songs: Virgin of the Birds – “Victor Bockris”


Ball of Wax 33 Songs: Virgin of the Birds – “Victor Bockris”
http://ballofwax.org/tag/victor-bockris/

The songs by Victor Bockris are  on line at
http://chinasearecordings.bandcamp.com/album/summer-palace

https://www.facebook.com/victor.bockris


Bob Branaman and Brigtte Moos: OPENING RECEPTION: A Diamond Light at the Memory Palace

 
 
 
Saturday November 16th  15:00 (PST)
 

Join us for a free reception to celebrate the art of Robert Branaman and Brigtte Moos!!

Beat Generation poet, painter, and film producer Bob Branaman continues to make avantgarde art today. Branaman joined the Beatniks in San Francisco in the 1950s, part of the Kansas Vortex, which included Charles Plymell and Michael McClure, and soon made his name as a hep cat. He outlived many of his bohemian contemporaries, despite his bad habits. Over the years he has collected a great deal of stories and ephemera from that time period and because he has outlived most of his beat contemporaries he is in many ways an archivist and one of the last voices of the Beat Generation.

Birgitte Moos is an Artist from Copenhagen, Denmark, working in Los Angeles and Copenhagen.

Birgitte works in an unconventional, interdisciplinary manner to combine art, theory and function. Utilizing the vibrant space and surroundings of the City Birgitte exhibits visual art works often focusing on the totality of an environment reflecting all aspects of her art and vice versa.
Holding an MFA in set design from Denmark’s Royal College of Fine Arts in Copenhagen, Birgitte also studied painting and set design at The Berlin University of Arts under Achim Freyer who recently staged The Ring Cycle at the LA Opera.

As a Visual Artist and Set Designer, Birgitte has been involved in numerous projects in theater, short films, videos, performances and gallery exhibitions internationally, also lecturing in set design, amongst projects such as Zentropa Productions by Danish Filmdirector Lars von Trier.

In 2011 Birgittes set design for the staging of ‘The Arsonists’ at The Odyssey Theater in Los Angeles was nominated as set design of the year by LA Weekly. In 2012 Birgitte was selected from thousands as a finalist in the Saatchi Gallery’s Open Call for Abstract Art. In April this year she was the Featured Artist at the Downtown Artwalk curated out of Artists from all LA.
 
 
 
 


vendredi 8 novembre 2013

Isabelle Aubert-Baudron: Aristotelian and non-Aristotelian economies


On line in the blog Pour une économie non-aristotélicienne    :


A comparison between market economy, based upon the antique postulates (450 BC), and a restructuration based upon Alfred Korzybski's general semantics (XX° century).

For more information about the evolution of this research, undertaken in 1999 in the framework of the network Interzone :

- A non-Aristotelian economy

- Restructuration: Une économie non-aristotélicienne

mardi 5 novembre 2013

Cédric Cavenaille: Pictsound

 
 
Pictsound est un studio graphique pour le print et le web installé à Albi - Tarn - Midi-Pyrénées.www.studio-graphique-pictsound.fr
Description
Réalisation de documents imprimés ou de site internet. Création de logo, d'identité visuelle. PAO. Illustration. Signalétique. Édition.
 
Logo Pictsound:
 
Pictsound 2013:
 
 
9, Cloître St-Salvy
81000 Albi
Tél. 06 98 28 36 63

jeudi 31 octobre 2013

Laurent Beysson: vidéo Showreel V2.1.1

On line at http://vimeo.com/77983570

 

Laurent Beysson is a conceptor, motion designer and developer of 3D real-time environments for design, culture and communication.

Kicks Books • Norton Records: Charles Plymell Book Blast Nov 8 NYC

KicksBooksLogo
plymell 1

IN PRINT & IN PERSON • FRIDAY NOV. 8 NYC

charley car
Join the Kicks Books crew in celebrating the publication of BENZEDRINE HIGHWAY by America's last standing, guns-blazing, full throttle roadmaster versificator Charles Plymell at a very special evening at NYC’s historic Jefferson Market Library NYPL on Friday, November 8, at 7:30 PM.
425 Sixth Avenue, NYC (at 10th Street)!
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Charley Plymell, goin' to Kansas City 1950
Malanga
Gerard Malanga
Charles Plymell will be introduced by his friend, fellow legend, poet, artist, and photographer, Gerard Malanga, who's been there and back. We're gassed to have him aboard.
Admission to this event is free to the public. Books will be available for purchase. Come meet Charles and Gerard!
plymell1
Poet/author/artist/small press publisher (legend!) Charles Plymell roared out of Kansas with tires blazing while the Beat scene was still in training wheels. Weaned on jump blues, true grit and Dr. Gimmy Gommy’s Goodies, Plymell redefined the fast track with blunt force, map zap and brute strength forged of desperation and attitude.
Born on the high plains in Finney County, Kansas in 1935 in a converted chicken coop during one of the blackest dust storms of the day, he would spend his sprouting years kicking up even more sand. His father was a cowboy born in the Indian Territory; his mother was of Plains Indian descent. Life on the loose held more appeal than classrooms for young Charles, who dropped out after ninth grade. He worked at various laboring jobs throughout the western states, then racing the highway between Los Angeles and Kansas City during his hipster years, stoked on hillbilly howls and race music-- R&B, blues, and jazz.
LOSER LABEL
Charles Plymell lived in San Francisco in the early 1960’s, sharing a house with Allen Ginsberg and Neal Cassady. His writings from this period were published in his first book APOCALYPSE ROSE, which appears complete in BENZEDRINE HIGHWAY, along with his killer roadmaster autobio THE LAST OF THE MOCASSINS.
Plymell raised a lifelong ruckus with a wild bunch that included friends Ginsberg, Cassady, William S. Burroughs, and Jack Kerouac-- and a cast of thousands.
KB8 Plymell cover
Charles Plymell eventually settled in upstate New York. He has published, printed, and designed umpteen underground magazines and books with his wife Pamela Beach. He put Ray Bremser and Herbert Huncke, whom he identified with from the hipster 1950s, into print, and was influential in the underground comix scene, establishing artists such as Robert Crumb and S. Clay Wilson, whom he first published in Lawrence, Kansas. Plymell was the first printer of Robert Crumb's Zap Comix.
Charles Plymell opposes the National Endowment for the Arts and has criticized it in print, claiming it has become a politicized, unjust system feeding on its own mediocrity and self-contradiction. His views were mentioned in the New York Times in "Notes on People" and again in "Washington Talk". He was subsequently blacklisted and has never received any funding from any federal, state, or academic agency to pursue his creativity.

PLYMELL IS ON THE AIRWAVES OCTOBER 26!

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RADIO BALLYHOO! Dig honkin' rhythm & blues sounds "Picked By Plymell" as he chats live with Fool's Paradise Show host Rex and the Kicks/Norton crew at WFMU on Saturday Oct. 26. The show begins at 1 PM (EST), and Charles is scheduled for a 2 PM call-in. We are EXCITED! Tune in for this segment -- direct from the Wichita Vortex!
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Kicks Books is the world's only publisher to issue a fragrance with each book. Two fragrances are available for BENZEDRINE HIGHWAY . LOSER represents LAST OF THE MOCASSINS and is aimed for gents. The fragrance, APOCALPYSE ROSE is available in four different floral packages for the ladies, one for every mood.
Kicks Books now presents BENZEDRINE HIGHWAY, which includes the first ever republication of Plymell’s long out of print first book of poetry, APOCALYPSE ROSE, his first prose book, LAST OF THE MOCASSINS, and a new autobiographical introduction which speeds you into the wild world of Charles Plymell where his words warp one’s horizontal, and stand one’s vertical on its pointed little head.
Benzedrine Highway is published by Kicks Books, Box 646 Cooper Station, NYC 10276
For further information, or to arrange an interview with the author, kindly contact Paige Turner at Kicks Books headquarters.
kicksbooks.com • (917) 671-7884 • nortonrec@aol.com
Also by Charles Plymell:
Apocalypse Rose, Dave Haselwood Books, San Francisco, CA, 1966. Neon Poems, Atom Mind Publications, Syracuse, NY, 1970; The Last of the Moccasins, City Lights Books, San Francisco, CA, 1971; Mother Road Publications, 1996; Moccasins Ein Beat-Kaleidoskop, Europa Verlag, Vienna, Austria, 1980; Over the Stage of Kansas, Telephone Books, NYC, 1973; The Trashing of America, Kulchur Foundation, NYC, 1975; Blue Orchid Numero Uno, Telephone Books, 1977; Panik in Dodge City, Expanded Media Editions, Bonn, W. Germany, 1981; Forever Wider, 1954-1984, Scarecrow Press, Metuchen, NJ, 1985; Was Poe Afraid?, Bogg Publications, Arlington, VA, 1990; Journals From Lysidia, synaethesia press, 1999; Hand on the Doorknob, Water Row Books, Sudbury, MA, 2000; Some Mother’s Sons, Cherry Valley Editions, Cherry Valley, NY, 2005; Choix de Poemes, Wigwam, Rennes, France, 2007; Mindeater, Verlag Peter Engstler, Germany, 2009; Eat Not Thy Mind, Glass Eye Books/Peace Eye Library, Northampton, MA 2010; Animal Light, Peter Engstler Verlag, Germany, 2011; Tent Shaker Vortex Voice , Bottle of Smoke Press, Dover, Delaware, 2012; Benzedrine Highway, Kicks Books, 2013.