pdf : Invit-Carrade-2014 light
mardi 27 mai 2014
L’An 01 : à voir et revoir
Film de Jacques Doillon, Alain Resnais et Jean Rouch, 1973, tiré de la bande dessinée de Gébé.
Fiche du film sur Allo Ciné
Version intégrale sur You Tube, sous-titres en anglais : http://www.youtube.com/watch?v=QAe6D776kbQ & http://youtu.be/QAe6D776kbQ
–English
L’An 01 is a french film from 1973, directed by Jacques Doillon, Gébé, Alain Resnais and Jean Rouch. It is an adaptation from comics "L’An 01" by Gébé.
"They say, progress is happiness. So we make a step forward, and that’s progress, but it’s never happiness. What if we made a step aside?"
–French
L’An 01 est un film français de 1973, réalisé par Jacques Doillon, Gébé, Alain Resnais et Jean Rouch. Il est adapté de la bande dessinée L’An 01 de Gébé.
"On nous dit, le progrès, c’est le bonheur. Alors on fait un pas en avant, et c’est le progrès, mais c’est jamais le bonheur. Et si on faisait un pas de côté?"
Nadia - New Arabic/Lebanese song: http://youtu.be/XbXHgnlF6jY
Press Communiqué
May 2014
New Arabic/Lebanese song
Nadia - "Khamsou Daka2ek Fi Bayrout"
English title: "5 minutes in Beirut"... and we went crazy!
On YouTube: http://youtu.be/XbXHgnlF6jY
Lyrics: Nadia__Khamsou_Daka2ek_fi_Bayrout__2014
May 2014
New Arabic/Lebanese song
Nadia - "Khamsou Daka2ek Fi Bayrout"
English title: "5 minutes in Beirut"... and we went crazy!
On YouTube: http://youtu.be/XbXHgnlF6jY
- Voice: Nadia (The second single by Nadia)
- Lyrics and music: Ricardo Mbarkho
- Recording and Mastering: Studio L-Maestro -- Maroun Abou Diwan, Lebanon
(2013-2014)
- Coral: Catherine Abi Haydar, Rita Abi Haydar, Jouly Abou Diwan, Thérèse
Abou Diwan, Rima Daoud, Karen Majdalani, Elise Nakouzi and Rima Saab
This song was written by Ricardo Mbarkho in 2012 while he was playing with
children at home. The music and lyrics were almost done in the same time,
inspired by the popular perception of the city, when people go out in Beirut and
had to handle the good and bad things they might encounter. The song talk about
a couple who went out for a date in Beirut and went crazy. The song express love
and foulness, cool madness that makes people escape from daily burdens to find
in Beirut a way to forget troubles and keep on for love... even for 5
minutes.
This song was first released on YouTube in a homemade version, in 2012,
sung by Nadia with a low budget microphone and normal computer requirements.
Then Maestro Maroun Abou Diwan, once he listened to the song, invited both
Ricardo Mbarkho and Nadia to work on a studio version where the music is
arranged and distributed in his studio. Since, starting from January 2013, the
song continued its way to a new studio version that you are listening to in this
YouTube page. It was finally released in 2014.
Contact: Ricardo Mbarkho 03717703
Lyrics: Nadia__Khamsou_Daka2ek_fi_Bayrout__2014
dimanche 25 mai 2014
Lectures et performances à venir Jean Azarel
Bonjour à tous
Quelques dates et lieux conviviaux (bien improbables pour certains, c'est fait pour) où j'espère avoir le plaisir de vous rencontrer
Lectures des auteurs des éditions Gros Textes à 21 h 30 au café-restaurant "Soleil Bleu" : .http://www.soleil-bleu-lodeve.com/
Extraits et signature de mon nouveau recueil poétique "Love is everywhere" dédié à Alain Jégou. Avec l'ami Yves Artufel et d'autres amis poètes et écrivains
Mardi 29 juillet à l'épicerie / café culturel "la maison vieille" à Roiron (Rosières, Haute Loire)
RV chez Tania Tourjansky et Bruno Goffi pour une soirée lecture "Beat Generation" à 20 h 30, avec si tout va bien en 1è partie à 18 h la projection du documentaire d'Alice Gaillard et Céline Deransart "les Diggers de San Francisco" (détail à voir bientôt sur le site : http://lamaisonvieille.fr/contact.html)
Samedi 30 août (date et horaire à confirmer) aux Journées Richard Brautigan à Veynes (04)
Performance visuelle et sonore autour de « Love is everywhere », « Tassage du mortel », « Papy Beat Generation ». Renseignements à suivre : www.journees-brautigan.com
Septembre (date et horaire à confirmer), au café culturel "La Claranda" à Serres (Haute Vallée de l’Aude, près de Limoux).
Soirée cabaret poétique à l'invitation du maître des lieux Jean-Marie Fraysse, sur le thème de la "Beat Generation, plus d’infos à suivre sur : http://www.laclaranda.eu/
Jeudi 11 Décembre : soirée hommage au poète marin pêcheur Alain Jégou à la Maison de la Poésie de Rennes, lectures d'extraits de "Love is everywhere" et "Papy Beat Generation" écrit avec Alain (plus d'infos à suivre), en présence d'autres auteurs amis d'Alain
Bien amicalement à tous
Jean Azarel
William Burroughs sur France culture: WILL L'OBSCUR :Burroughs aurait cent ans
Mauvais genres
par François Angelier24.05.2014 - 22:00
http://www.franceculture.fr/emission-mauvais-genres-will-l-obscur-burroughs-aurait-cent-ans-2014-05-24
Avec ceux de Keaton ,d'Artaud et de Beckett, le visage de William Seward Burroughs est un des plus anxieusement beau du siècle dernier.Face rayonnante et harassée ,anonyme et scandaleuse. Sainte face d'un monde sans dieu.L'auteur du "Festin nu" et théoricien de la subversion généralisée, compatnon de route de la Beat Generation, chroniqueur dantesque de la drogue et de l'homosexualité, aurait cent ans aujourd'hui. L'occasion pour Mauvais Genres de s'immerger ,le temps d'une émission, dans cet univers infernal et kaléidoscopique. Une immersion que nous accomplirons en compagnie de Marc Dachy.
Historien de Dada et spécialiste internationalement connnu des avant-gardes, il a dirigé le récent numéro du Magazine litteraire consacré au grand Will.
Avec la participation de Celine du Chéné, Helène Frappat,Jean Baptiste Thoret et François l'Yvonnet..
Chronique de Christophe Bier.
Avec la participation de Celine du Chéné, Helène Frappat,Jean Baptiste Thoret et François l'Yvonnet..
Chronique de Christophe Bier.
William Burroughs © Radio France
Marc Dachy
Thème(s) : Arts & Spectacles| Littérature Contemporaine| Littérature Etrangère
Lien(s)
Encyclopédie pratique des Mauvais Genres par Céline du Chené Encyclopédie pratique des Mauvais Genres avec Jean Paul Marcheschi www.marcheschi.fr
Document(s)
Le festin nu William BurroughsL'imaginaire,
- La machine molleWilliam Burroughs Bourgois, 2014
Listen to the program: http://www.franceculture.fr/player/reecouter?play=4852270
jeudi 15 mai 2014
William Brandon III talking about books on the internet
Black Hill Press podcast interview: http://blackhillpress.com/thtw-019-black-hill-press-the-how-the-why-william-m-brandon-iii/
Black Hill Press presents The How & The Why: Documenting the Creative Process and the Creative Purpose hosted by Jon-Barrett Ingels. Interviews are structured as friendly conversations and conducted via telephone. Occasionally, episodes will be recorded live at special events and highlight multiple guest artists. Also available on iTunes and Stitcher.
Today we’re connected with William M Brandon III to talk about his novella Silence, the Black Hill Press family collaboration The Cost of Paper, and the Black Hill Press, JukePop, and California Public Library program entitled the Summer Writing Project.
And video/pics from book signings:
http://agentofdiscord.com/wmb/
Black Hill Press presents The How & The Why: Documenting the Creative Process and the Creative Purpose hosted by Jon-Barrett Ingels. Interviews are structured as friendly conversations and conducted via telephone. Occasionally, episodes will be recorded live at special events and highlight multiple guest artists. Also available on iTunes and Stitcher.
Today we’re connected with William M Brandon III to talk about his novella Silence, the Black Hill Press family collaboration The Cost of Paper, and the Black Hill Press, JukePop, and California Public Library program entitled the Summer Writing Project.
And video/pics from book signings:
http://agentofdiscord.com/wmb/
A.D. Winans: new poem: GHOST SHADOWS
ghosts appear
in my bedroom at night
they are faceless
and their moans are inaudible
one is as large as sidney greenstreet
he sits on the side of the bed
leans over like a sinking ship
his eyes anchors that weigh me down
in my bedroom at night
they are faceless
and their moans are inaudible
one is as large as sidney greenstreet
he sits on the side of the bed
leans over like a sinking ship
his eyes anchors that weigh me down
mock my 78 years
move like bulls in a bull ring
leave wreckage everywhere
move like bulls in a bull ring
leave wreckage everywhere
they mark the months on my calendar
with large X's, Sidney gets up from
my bed, plays the saxophone
in a wailing blues melody
with large X's, Sidney gets up from
my bed, plays the saxophone
in a wailing blues melody
one female ghost mocks Billie Holiday
sings the lyrics, "hanging fruit."
sings the lyrics, "hanging fruit."
a mortician appears
wearing a black beret
He looks a little like Ferlinghetti
walks in heavy boots to the sound
of John Sosa's marching band
walks in heavy boots to the sound
of John Sosa's marching band
I'm assigned a seat in Dante's hell
where Satan turns up the heat
my mind boils over
zombie women flirt with me
a tribal council is convened
finds me unfit for membership
a cannibal sizes me up
invites me to dinner
where Satan turns up the heat
my mind boils over
zombie women flirt with me
a tribal council is convened
finds me unfit for membership
a cannibal sizes me up
invites me to dinner
God weighs in admits
he did not create man
in his own image
that Adam's rib was a joke
the night engulfs me
the four walls collapse in the lap
of a defrocked priest who sings
me a lullaby
he did not create man
in his own image
that Adam's rib was a joke
the night engulfs me
the four walls collapse in the lap
of a defrocked priest who sings
me a lullaby
The dead sea comes to life
high tide battles low tide
a smattering of stars
fall from the sky
land at my pillow
like fairy dust
high tide battles low tide
a smattering of stars
fall from the sky
land at my pillow
like fairy dust
The Pope washes my feet
Jesus is not impressed
God lets out a yawn
The universe holds back
its laughter
Jesus is not impressed
God lets out a yawn
The universe holds back
its laughter
A.D. Winans
Quelques nouvelles de l’éclat
Bonjour,
Aujourd’hui dans Libération,
la Une et le dossier « événement» de 6 pages (concocté par Frédérique Roussel) sont consacrés au livre de la
Mauvaise troupe,
Constellations. Trajectoires révolutionnaires du jeune 21e siècle,
qui sera dès lundi 5 mai dans les librairies.
Le 6 mai à partir de 19h, une rencontre avec le collectif est organisée à la librairie de L'Atelier (75019 Paris) (rencontre croisée avec Jérôme Baschet).
Le 13 mai à partir de 18h, une fête aura lieu à La Parole errante à Montreuil, pour la sortie de ce livre-événement. Discussions, buffet, expo, "boum" avec la playlist du jeune 21e siècle... Venez nombreux...
D'autres rencontres auront lieu plus tard à Rennes, Lyon, Toulouse, Marseille, Montpellier, Dijon.... (et les libraires qui voudraient inviter la Mauvaise Troupe peuvent nous contacter par mail).
Quelques liens en attendant :
Paraît aussi quelques textes du jeune 20e siècle, Mieux vaut moins, mais mieux du vieux Lénine, avec une préface de Dominique Colas...
Après ce sera l'été! et sous la plage... les pavés!
Merci de votre fidélité et de votre soutien. Faites circuler l'information.
L'éclat
Archéologie du copier-coller: Plagiat universitaire: Paris 8 et les belles entourloupes
Chers collègues,
Bonjour,
Je viens de mettre en ligne sur le blog Archéologie du copier-coller le texte :
Bonjour,
Je viens de mettre en ligne sur le blog Archéologie du copier-coller le texte :
La situation présentée n'est que le prolongement des affaires de plagiat universitaire à l'origine du texte Refusons de fermer les yeux sur le plagiat dans la recherche que vous aviez signé.Rien n'a changé... où plutôt, le pire est à venir comme le prouve la tenue le 20 mai prochain du colloque "Approche éthique (sic) du plagiat" à Paris 8.
Vos commentaires seront les bienvenus.
Cordialement,
Jean-Noël Darde
MAY 7 DADA @LPR
Three Rooms Press presents Part 2 of the 7th Annual
Maintenant 8: A Journal of Contemporary Dada Writing & Art
Modern day Dada poets, collagists, performers and artists are creating disruptive, controversial and thrilling works that continue the spirit of the avant garde art movement sprung from the horror of World War I. Their work will be featured the 2nd of two NYC Dada Poetry and Performance Salons on May 7 in The Gallery at Le Poisson Rouge. Additional information and reservations: info@threeroomspress.com. Costumes encouraged! The event will feature readings and performances by Los Angeles-based performance artist Doug Knott, British-American sound-visual poet Jane Ormerod, world-renowned beat-jazz poet Steve Dalachinsky, DADA-NYC founders Robert Hieger and Joanie Hieger Fritz Zosike, the Dude of Dada Peter Carlaftes, art by avant-garde photographer Philip Scalia plus a silent auction of original artwork by famed French/American artist Mary Beach.
Original drawing by Mary Beach to be auctioned 5/7
Claude Pélieu and Mary Beach met in 1962 and, until Claude's unfortunate passing in December of 2002, shared an exemplary rich and creative life. Traveling extensively while living primarily in Paris, New York and San Francisco, their existence was a bohemian adventure during which they ceaselessly explored and continuously created: With a keen and graceful eye they deconstruct, critique and reinterpret the classical and contemporary worlds of art and media, while creating striking new works of wit and beauty -- drawing subconscious associations that are both mysterious and poetic. Long hailed in Claude's native France as the natural inheritors of the Surrealist legacy (a direct line has been drawn by French critics from Picasso and Braque to Schwitters and Duchamp to Warhol and Pélieu), their works are highly prized and respected. However, in Mary's native America, the pair remains relatively unknown, their work still awaits discovery by both mainstream critics and collectors. Additional information about Claude Pélieu and Mary Beach here.
NYC Dada Poetry and Performance Salon
featuring the NYC launch of
Maintenant 8: A Journal of Contemporary Dada Writing & Art
PLUS
Silent Auction of Original Drawing
by French/American Artist MARY BEACH
Wednesday, May 7, 7 pm in The Gallery at Le Poisson Rouge
Admission freeModern day Dada poets, collagists, performers and artists are creating disruptive, controversial and thrilling works that continue the spirit of the avant garde art movement sprung from the horror of World War I. Their work will be featured the 2nd of two NYC Dada Poetry and Performance Salons on May 7 in The Gallery at Le Poisson Rouge. Additional information and reservations: info@threeroomspress.com. Costumes encouraged! The event will feature readings and performances by Los Angeles-based performance artist Doug Knott, British-American sound-visual poet Jane Ormerod, world-renowned beat-jazz poet Steve Dalachinsky, DADA-NYC founders Robert Hieger and Joanie Hieger Fritz Zosike, the Dude of Dada Peter Carlaftes, art by avant-garde photographer Philip Scalia plus a silent auction of original artwork by famed French/American artist Mary Beach.
Original drawing by Mary Beach to be auctioned 5/7
About the SILENT AUCTION of Mary Beach original artwork
ORIGINAL DRAWING by MARY BEACH (1989) will be available at Silent Auction on Wednesday May 7th at The Gallery @LPR (7-9:30pm). Three Rooms Press is excited and honored to present this rare opportunity to own an original work of art from one of the most accomplished women artists of the latter-part of the 20th Century. The bidding will start at $500.Claude Pélieu and Mary Beach met in 1962 and, until Claude's unfortunate passing in December of 2002, shared an exemplary rich and creative life. Traveling extensively while living primarily in Paris, New York and San Francisco, their existence was a bohemian adventure during which they ceaselessly explored and continuously created: With a keen and graceful eye they deconstruct, critique and reinterpret the classical and contemporary worlds of art and media, while creating striking new works of wit and beauty -- drawing subconscious associations that are both mysterious and poetic. Long hailed in Claude's native France as the natural inheritors of the Surrealist legacy (a direct line has been drawn by French critics from Picasso and Braque to Schwitters and Duchamp to Warhol and Pélieu), their works are highly prized and respected. However, in Mary's native America, the pair remains relatively unknown, their work still awaits discovery by both mainstream critics and collectors. Additional information about Claude Pélieu and Mary Beach here.
About MAINTENANT 8: A Journal of Contemporary Dada Writing and Art
A stunning annual collection of contemporary Dada writing and art by an international array of sensational artists. Provocative, disruptive and essential for collectors of contemporary radical art. Maintenant 8: A Journal of Contemporary Dada Writing & Art (ISBN: 978-0-9895125-1-0, Three Rooms Press, $15.95) is the seventh edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. Since 2008, the Three Rooms Press series has collected outsider art, poetry, mail art, collages and more from around the world. Maintenant 8 features art and visual poetry by a wide range of internationally recognized creators and provocateurs including William S. Burroughs, Jerome Rothenberg, Charles Plymell, Grant Hart, Mike Watt, Exene Cervenka, Pontus Carle, Irene Caesar, Volodymyr Bilyk, John M. Bennett, Giovanni Fontana, S.A. Griffin, Fausto Grossi, Patrice Lerochereuil, Gerard Malanga, Kazunori Murakami, Paolo Pelosini, Johan Reisser, Poul Weile and many more. The series has been recognized worldwide as a leading source of contemporary Dada art and writing, with editors invited to present material from the journal with contributors at events in New York, Los Angeles, London, Paris and Berlin.What the heck is Dada?
The original Dada movement peaked from 1916-1922, primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchist in nature.Ramuntcho Matta: disque en préparation
A.D. Winans: 3 POEMS in Children’s Anthology
I’m pleased to announce I have three poems in a new poetry anthology for Children:A unique and culturally diverse anthology of poetry for children and youth by over 50 San Francisco poets. It Includes an appendix of 26 poetry lessons for teachers and parents based on poems in the book. Copies of the book have been distributed free of charge to all the public elementary and middle schools in San Francisco as well as all the branch libraries of the city system through a public fundraising campaign.
A portion of the proceeds from sales goes to support poetry workshops in schools and community centers.
A portion of the proceeds from sales goes to support poetry workshops in schools and community centers.
Feather Floating on the Water is fully illustrated with black and white drawings by Jack Micheline, Adrian Arias, Claire Bain, Virginia Barrett, and Ravenna Osgood. The cover image is by San Francisco artist Marius Starkey.
Feather Floating on the Water-poems for our children
published by Jambu Press-Studio Saraswati
San Francisco, California, 2014
ISBN: 978-0-9824673-8-1
Library of Congress Catalogue Number: 2014932647
Paperback. 212pp.
published by Jambu Press-Studio Saraswati
San Francisco, California, 2014
ISBN: 978-0-9824673-8-1
Library of Congress Catalogue Number: 2014932647
Paperback. 212pp.
$15 (normal retail price is $18), plus $3 shipping and handling.
Payment may be made through Pay Pal.
If shipping address is different than pay pal account information, or you wish to order internationally, please email publisher at: saraswati.sf@gmail.com
Payment may be made through Pay Pal.
If shipping address is different than pay pal account information, or you wish to order internationally, please email publisher at: saraswati.sf@gmail.com
mardi 6 mai 2014
Site de Boris Darnaudet
http://borisdarnaudet.jimdo.com/
En 2013, j'ai sorti Projet Obis, un roman de science-fiction inspiré par mes lectures de Philip K. Dick, certains films de Carpenter ainsi que de mon experience vidéo-ludique.
Lors de la rédaction de ce texte, j'ai bénéficié des nombreux conseils de Philippe Ward, le directeur de collection de Rivière Blanche, la collection SF de Black Coat Press créée par Jean-Marc Lofficier.
Gerard Malanga: The Poetry Club, Glasgow – live review by BMX Bandit Duglas T. Stewart
http://louderthanwar.com/gerard-malanga-the-poetry-club-glasgow-live-review-by-bmx-bandit-duglas-t-stewart/
Posted on April 8, 2014 by Duglas T. Stewart
Gerard Malanga
The Poetry Club, Glasgow
April 4th 2014
Gerard Joseph Malanga is an American poet, photographer, filmmaker, curator and archivist most famous, perhaps, for his work with Andy Warhol during the artist’s most creative period in the mid-Sixties. He was recently in Glasgow as the “official poet” of that city’s International Festival and while there he visited The Poetry Club to exhibit some of his photographic work, show a short documentary and to recite some poetry. For Louder Than War, BMX Bandit and long time fan of Gerard Malanga’s work, Duglas T. Stewart, describes how the evening unfolded.
- See more at: http://louderthanwar.com/gerard-malanga-the-poetry-club-glasgow-live-review-by-bmx-bandit-duglas-t-stewart/#sthash.D1g9wsjL.dpuf
Posted on April 8, 2014 by Duglas T. Stewart
Gerard Malanga
The Poetry Club, Glasgow
April 4th 2014
Gerard Joseph Malanga is an American poet, photographer, filmmaker, curator and archivist most famous, perhaps, for his work with Andy Warhol during the artist’s most creative period in the mid-Sixties. He was recently in Glasgow as the “official poet” of that city’s International Festival and while there he visited The Poetry Club to exhibit some of his photographic work, show a short documentary and to recite some poetry. For Louder Than War, BMX Bandit and long time fan of Gerard Malanga’s work, Duglas T. Stewart, describes how the evening unfolded.
- See more at: http://louderthanwar.com/gerard-malanga-the-poetry-club-glasgow-live-review-by-bmx-bandit-duglas-t-stewart/#sthash.D1g9wsjL.dpuf
lundi 5 mai 2014
The Center for the Humanities: William S. Burroughs Centennial Conference
http://centerforthehumanities.org/conference/william-s-burroughs-centennial-conference
John M. Bennett
Ann Douglas
Oliver Harris
Barry Miles
Jed Birmingham
Charles Plymell
Geoffrey D. Smith
Anne Waldman
Regina Weinreich
Jan Herman
John M. Bennett has published over 400 books and chapbooks of poetry and other materials.
Barry Miles is an English author known for his participation in and writing on the subject of the...
Charles Plymell is a poet, novelist, and small press publisher.
Anne Waldman has been an active member of the “Outrider” experimental poetry
While working at City Lights Books as the poet-publisher Lawrence Ferlinghetti's assistant, Jan Herman...
Cosponsored by the English Students Association, Lost & Found: The CUNY Poetics Document Initiative, the PhD Program in English, the Center for Lesbian and Gay Studies, the Doctoral Students' Council, and the WSB@100 Festival.
John M. Bennett
Ann Douglas
Oliver Harris
Barry Miles
Jed Birmingham
Charles Plymell
Geoffrey D. Smith
Anne Waldman
Regina Weinreich
Jan Herman
Held in honor of the centennial of William S. Burroughs's birth, and the WSB@100 Festival in New York City scheduled for the entirety of the month of April, 2014, this conference will explore the life and works of one of the most innovative and influential twentieth-century American writers and artists. Join us for a series of talks and roundtables by editors, artists, and scholars on a range of issues from the problem of gender in Burroughs's writings to his role in postwar America little magazines, his still unpublished archival materials, cut-up experiments and novels, and his photography.
"Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you power powers behind what filth deals consummated in what lavatory to take what is not yours. To sell the ground from unborn feet. Listen. What I have to say is for all men everywhere. I repeat for all. No one is excluded. Free to all who pay. Free to all who pain pay." - William S. Burroughs
This conference is free and open to the public.
This event will be livestreamed. For viewing during the event, please see here: https://videostreaming.gc.cuny.edu/videos/livestreams/page1/
Join this event on Facebook.
SCHEDULE:
9:30AM Coffee
10:00AM
Editing Burroughs with John Bennett and Geoffrey Smith
11:00AM
Burroughs and Literary Magazines with Jed Birmingham, Charles Plymell, and Jan Herman
12:30PM Lunch
2:00PM
Biography and Photography: Barry Miles in conversation with Oliver Harris
3:30PM
Gender Trouble with Anne Waldman, Regina Weinreich, and Ann Douglas
5:15PM Coffee Break
5:30PM
Keynote: Oliver Harris Cutting up the Trilogy
"Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you power powers behind what filth deals consummated in what lavatory to take what is not yours. To sell the ground from unborn feet. Listen. What I have to say is for all men everywhere. I repeat for all. No one is excluded. Free to all who pay. Free to all who pain pay." - William S. Burroughs
This conference is free and open to the public.
This event will be livestreamed. For viewing during the event, please see here: https://videostreaming.gc.cuny.edu/videos/livestreams/page1/
Join this event on Facebook.
SCHEDULE:
9:30AM Coffee
10:00AM
Editing Burroughs with John Bennett and Geoffrey Smith
11:00AM
Burroughs and Literary Magazines with Jed Birmingham, Charles Plymell, and Jan Herman
12:30PM Lunch
2:00PM
Biography and Photography: Barry Miles in conversation with Oliver Harris
3:30PM
Gender Trouble with Anne Waldman, Regina Weinreich, and Ann Douglas
5:15PM Coffee Break
5:30PM
Keynote: Oliver Harris Cutting up the Trilogy
Cosponsored by the English Students Association, Lost & Found: The CUNY Poetics Document Initiative, the PhD Program in English, the Center for Lesbian and Gay Studies, the Doctoral Students' Council, and the WSB@100 Festival.
jeudi 10 avril 2014
France culture: Ramuntcho Matta + Philippe Baudouin pour les écrits radiophoniques de Walter Benjamin
http://www.franceculture.fr/emission-l-atelier-du-son-ramuntcho-matta-%20-philippe-baudouin-pour-les-ecrits-radiophoniques-de-walt
Ramuntcho Matta prépare une exposition à la galerie Anne Barrault, Paris 3e, qui commence la semaine prochaine. Il fait paraître un livre, L'usage du temps, qui porte le même titre que l'exposition, chez Manuella Editions. Et il a sorti un disque, Météorismes, il y a quelques jours. Pourtant, nous avions lancé l'invitation sans savoir cette actualité pléthorique. Ramuntcho Matta, artiste plurisdisciplinaire, vient du son. Il le dit lui-même. Il dit voir le son quand il ferme les yeux, des formes, des sculptures. Le son, mieux qu'une drogue ! Le fils du peintre Roberto Matta, qui compte une quarantaine de disques à sa production, a un parcours fait de rencontres, d'ouverture à l'autre, d'écoute dans tous les sens du terme. Il y a des noms qui croisent sa route - John Cage, Laurie Anderson, Don Cherry, Brion Gysin, quatre parmi tant d'autres. On en parlera sans doute. Il y a aussi cette attention au "parfois", quand on fait "parfois" ceci ou "parfois" cela, qui donne le nom de sa galerie "SometimeStudio". Enfin, il y a Lizières, lieu pour artistes qu'il a fondé il y a quelques années, connu pour ses résidences d'artistes autant que pour ses pique-niques d'artistes ! Le chemin libre de Ramuntcho Matta passe par l'Atelier du son, ce soir. 04.04.2014 - 23:00
Enregistrement: http://www.franceculture.fr/player/reecouter?play=4827936
Exposition:
Ramuntcho Matta prépare une exposition à la galerie Anne Barrault, Paris 3e, qui commence la semaine prochaine. Il fait paraître un livre, L'usage du temps, qui porte le même titre que l'exposition, chez Manuella Editions. Et il a sorti un disque, Météorismes, il y a quelques jours. Pourtant, nous avions lancé l'invitation sans savoir cette actualité pléthorique. Ramuntcho Matta, artiste plurisdisciplinaire, vient du son. Il le dit lui-même. Il dit voir le son quand il ferme les yeux, des formes, des sculptures. Le son, mieux qu'une drogue ! Le fils du peintre Roberto Matta, qui compte une quarantaine de disques à sa production, a un parcours fait de rencontres, d'ouverture à l'autre, d'écoute dans tous les sens du terme. Il y a des noms qui croisent sa route - John Cage, Laurie Anderson, Don Cherry, Brion Gysin, quatre parmi tant d'autres. On en parlera sans doute. Il y a aussi cette attention au "parfois", quand on fait "parfois" ceci ou "parfois" cela, qui donne le nom de sa galerie "SometimeStudio". Enfin, il y a Lizières, lieu pour artistes qu'il a fondé il y a quelques années, connu pour ses résidences d'artistes autant que pour ses pique-niques d'artistes ! Le chemin libre de Ramuntcho Matta passe par l'Atelier du son, ce soir. 04.04.2014 - 23:00
Enregistrement: http://www.franceculture.fr/player/reecouter?play=4827936
Exposition:
RAMUNTCHO MATTA I Galerie Anne Barrault
Exposition RAMUNTCHO MATTA 10 avril - 17 mai 2014 51 rue des Archives, Paris 3ème N° DE TELEPHONE : 33(0)9 51 70 02 43
10/04/2014 - 17/05/2014
dimanche 6 avril 2014
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