Affichage des articles dont le libellé est Beat. Afficher tous les articles
Affichage des articles dont le libellé est Beat. Afficher tous les articles

mardi 23 juin 2015

ON “DEAD LIONS” BY A D WINANS

(Published by Punk Hostage Press)


REVIEWED BY NEELI CHERKOSKI


Poet A D Winans is a native San Franciscan who came of age during the heyday of the beat generation in His hometown. The beat poets along with Kenneth Patchen and Charles Bukowski had quite an influence on the direction he would take in his own poetry. It's a poetry of the streets and a poetry of the common language, going back to Walt Whitman. Over the years, Winans has written about some of his literary heroes, always with passion, always with a deep understanding of how the tradition of poetry is passed hand-to-hand down the generations. It is a great moment to see a few of his essays, or portraits, collected in one volume.
Dead Lions is aptly named. Winans has chosen to write of Alvah Bessie, that heroic screenwriter who was one of the Hollywood 10, a victim of the Communist scare of the 1950s engendered by Senator Joseph McCarthy and others. There are tributes to three poets as well, Bob Kaufman, Jack Micheline, and Charles Bukowski. One might read the text and feel as if they had been wandering through a portrait gallery. That is how keenly Winans does his job. I came away from reading this book with a new sense of all of these people. The three poets I knew well. Bessie is known to me only from a distance in the context of the persecution.
What really makes Dead Lions an important book is the intimacy Winans brings to the page. It’s that same sense of the intimate that is in his own poetry. Kaufman, Micheline, and Bukowski we're true literary outsiders. For each of them it was a long pull to be given notice from the literary Community. Winans knew Bukowski in the days when he was a creature of the little poetry journals and a major figure in the Mimeo revolution of the 1960s, which now seems so long ago. He knew Bob Kaufman in North Beach hanging out with him at bars and cafes. He was closest to Jack Micheline and that comes through in his book. For Winans Micheline's defiance of literary propriety was an important signal to younger poets. Once again, Whitman is echoed. Jack's "barbaric yelp" was the ticket to freedom from academe.
I was particularly taken with Winans’ portrait of Bob Kaufman. He offers a good deal of biographical information that one rarely finds. He writes, “Kaufman considered himself a Buddhist and believed that a poet had a call to a higher order.” As one of Bob’s intimate friends, I remember him quoting from ancient Buddhist texts as we sat around the kitchen table in my apartment. He was never loud about it. Winans tells us, “He was an oral poet who didn’t write for publication or expectations of fame and fortune, which is what drew me to him.’
This is romanticism and it is charming to witness. I think of Nelson Algren’s book title, “A Walk on the Wild Side.” It reminds me of the poets Winans admires. He wraps up the Kaufman piece with a description of the pubic outpouring after his death as more than one hundred people marched through North Beach in tribute to the poet’s life.
Winans has written extensively on Bukowski. Once again, it was the rebellion in "Buk" that Winans admires, and he pays him tribute. This piece is filled with up- close and personal recollection. Winans indulges in a bit of psychological profiling, including Bukowski’s mistrust of friends. In contrast, he writes: “His first book, Post Office, was written in nineteen days. The book is filled with laughter that shines through the pain of working at a dead-end job that kills a man’s spirit and physically breaks him down. I know! I worked for the San Francisco Post Office for five years.” It was after reading this novel that Winans became an avid fan. The snapshot of the times he spent hanging out with Bukowski are memorable, including a jaunt into one of the famous San Francisco watering holes, Gino and Carlos, a venerable poet’s haunt. He recounts taking Bukowski to the Caffe Trieste in North Beach. The L A. bard would not enter. He just commented that the habitués were sitting there waiting for something to happen. “Hank, “as Bukowski was known to his friends, comes through with full flavor. One finishes the essay and wishes for more. Perhaps Winans will find the time to expand this interesting portrait of the raucous poet.
Jack Micheline comes through as the quintessential literary barbarian. Some biographical information quickly gives way to anecdote. Jack is plunked onstage by Winans and we watch him in court and jail, in one bar after another amid quotes from the man himself. Winans has a good memory and may have scribbled some of Jacks words down in a notebook. Describing the old days to A D. Micheline said, “Poetry was everywhere. Every day Kaufman and I read a poem. It is not part of history, but I was arrested for pissing on a police car the same night Kaufman was arrested outside the Co-Existence Bagel Shop.” It was the fervor of Micheline’s attack on our safe and sound society that Winans admires, and it comes through remarkably well. It is another one of those useful handbooks of poetic sensibility, with the added bonus of having insights into the life of Alvah Bessie.


*** The signed copy of the book can be purchased from the author (reserve yours by writing (ad1936@juno.com) at a discounted price of $14.29 that includes free shipping. An unsigned copy of the book is also available at Amazon at the same price plus whatever shipping they charge.


https://www.amazon.com/author/a.d.winans
ttp://winansfansite.blogspot.com
http://ackerawards.com

mercredi 27 mai 2015

A.D. Winans: Poem For An Unknown Soldier





Al Winans and Jack Micheline, Bernal Heights, San Francisco.
 
Poem For An Unknown Soldier
 
Now just a fading memory
on a blood drenched beach
in Normandy 
 
flies buzz around you
a sand crab feasts
on an open wound
Eighteen to young to drink
but old enough to die
 
faded memories relived once a year
like old time religion
 
no more war for you
no more dreams
no lover to hold in your arms
no family to embrace you
no friends to break bread with
your youth consumed spit-out
in the stink hole of the
immaculate war machine
 
your home an invisible grave where
you can’t hear the crying over the
counting of the money
on Wall Street 
 
 is there life after death
or does the mind become an atom
take residence in the black hole?

 
back home there are baseball games
hot dogs and beer
the singing of the National Anthem
families will gather around a barbecue
cats purr dogs wag their tail
boot camps turn out new recruits
for new wars
 
your reward duty to the master
a folded flag for next of kin
a grave at Arlington Cemetery
where worms feast at your bones
 

jeudi 12 mars 2015

ROBERT BRANAMAN In a Show this coming Saturday

https://scontent.xx.fbcdn.net/hphotos-xpf1/v/t1.0-9/10246772_10153557858803238_3692108138143747058_n.jpg?oh=5a95e6daa5548b32659dcf0f6e192484&oe=559494B1
COMBINES
March 14-28, 2015


Opening Reception: Saturday, March 14, 5:30-8:30pm

Closing Reception: Saturday, March 28, 5-7pm



Location: bG Gallery at Bergamot Station 2525, Michigan Avenue, Space G8A, Santa Monica, CA 90404.

Hours: Tuesday-Saturday 11:30am-6pm. Often open Sunday but call first to check.

T: 310-906-4211    E-mail: info@bgartdealings.com          Website: bgArtGalleries.com



Artists: Robert Rauschenberg, Frank Stella, Hundertwasser, Henry Miller, Bob Branaman, Philip Vaughan, Liz McGrath, Simone Gad, Holly Boruck, Linda Smith, Nathan Cartwright, Teresa Flowers, Mike Saijo, Shiri Mordechay, Ellen Schinderman, Carol Powell, David Brady, Joanna Sadowsky, Stephen Anderson, Melissa Meier, Lizzy Waronker, Susan Moss and Neal Varnes, David Quick, more to be announced.


bG Gallery presents COMBINES, inspired by Rauschenberg's term for works combining painting and sculpture. This exhibit includes historic and contemporary pioneers in bridging practices to create works that integrate divergent art forms.

--

Om Navon Bleicher



bG Gallery (BLEICHER/GORMAN)

bgArtGalleries.com

bG BERGAMOT STATION, 2525 Michigan Ave, Space #G8A, Santa Monica CA 90404, 310-9064211

Jack Micheline tribute album reading

Friends,
Please spread the word for this NYC reading in celebration of the Jack Micheline tribute album.
Thanks!


samedi 28 février 2015

A.D. Winans: we would have thought


 The Beat Museum has partnered with San Francisco's famed Top Of The Mark to begin a new poetry and jazz series running from 3/3 through 4/28. The March 17 theme is ""Poetry Through The Generations." I'll be reading with Neeli Cherkovski, William Taylor Jr and Cassandra Dallett. There will be two sets, the first beginning at 6:30 PM. Further details will be forthcoming
  

mercredi 10 décembre 2014

A.D. Winans: Captain Jack

CAPTAIN JACK
 
I know this poet who dances with words
who does the two-step political hustle
that lacks any real muscle
 
a Waltzing Matilda poet
who glides along the dance floor
like a skilled political whore
 
a poet weaned on the game of favors
who traded in his vision
for a poetry politicians hat
but dancing for an audience
isn’t like feeling the rhythm
that rubs up against the soul
 
Buffy Saint-Marie
Phil Ochs, Woody Guthrie,
Pete Seeger, Billy Bragg
were living proof of this
 
power corrupts
the spiritual truth
the scriptures tell us this
the true poet knows this
stands tall above the dancing
with word poets
who are little more than
an instrument of a poem
far greater than themselves
*
bar room revolution talk
is little more than
an exercise in futility
take it to the streets
be like Walt Whitman
walk blood stained battlefields
real and imagined
tend to the spiritual wounds
of your comrades
quit trading favors
in twenty-eight
Baskin and Robbin flavors
 
be like the people of Egypt
who risked life and limb
for their beliefs
be like the anonymous poets of Poland
who during the height
of government tyranny
tossed poems into the public square
for the people to read
giving them hope in desperate times
 
sitting at Spec’s bar in North Beach
downing shots of vodka
and shouting,” I hate America,
is cheap political theater
 
be like your sisters and brothers
in the workers struggle in Wisconsin
marching for worker rights
love them become one with them
shout your poems from town squares
and from rooftops in solidarity
with them.
 
poet laureate’s come and go
inmates die on death row
words can not be danced with
they need to b lived
 
Whitman was the Heavyweight
champion of poetry
stood tall and fearless
among the enemy
which is never really man
but the poison in his soul
 
pride envy ego
lust for power
how can those inflicted
with this disease
write from the soul
one column of media praise
is of less value
than a single tear-drop on a poem
from a waitress in a greasy
road stop diner
 
a poet who dances with words
dances a solo dance
in a barroom with no jukebox
 
the true poet’s topic
is the people
not the poet.
*

mardi 18 novembre 2014

Lectures croisées Karin Huet / Yves Artufel / Jean Azarel le 6 décembre à Boulbon

Chères toutes et tous,
 Retenez d'ores et déjà la date !
Le 6 décembre prochain à 17 h 30, je vous donne rendez vous avec Karin et Yves à La Petite Librairie des Champs à Boulbon pour donner à entendre les poètes de la Beat Generation et nos derniers recueils, avec un hommage particulier à Alain Jégou pour qui j'ai écrit "Love is everywhere" aux éditions Gros Textes
A très bientôt
Jean
*
*
* Zone d'Autonomie Littéraire 2013 - SQUEEZE - interview Jean Azarel



jeudi 13 novembre 2014

A.D. Winans on Amazon

A.D. Winans Biography:

A. D. Winans is a native San Francisco award winning poet and writer.
He is the author of sixty books and chapbooks of poetry and prose, including North Beach Poems, North Beach Revisited, Drowning Like Li Po in a River of Red Wine, In The Dead Hours of Dawn, San Francisco Poems, and Dead Lions. He is a graduate of San Francisco State College (now University).
In 2014 he won a Kathy Acker Poetry and Publishing Award. In 2006 He won a PEN Josephine Miles Award for Excellence in Literature. In 2009 PEN Oakland awarded him a lifetime achievement award.
From 1972 to 1989 Winans edited and published Second Coming Press, which produced a large number of books and anthologies, among them the highly acclaimed California Bicentennial Poet's Anthology, which included poets like David Meltzer, Jack Micheline, Lawrence Ferlinghetti, Ishmael Reed, Josephine Miles, Bob Kaufman, and William Everson.
He worked as an editor and writer for the San Francisco Art Commission, from 1975 to 1980, during which time he produced the Second Coming 1980 Poets and Music Festival, honoring the late Josephine Miles and John Lee Hooker.
He has read his poetry with many acclaimed poets, including Diane DiPrima, Bob Kaufman, Jack Micheline, Harold Norse, Lawrence Ferlinghetti, and all of the past and current San Francisco Poet Laureates.
His work has appeared in over 1500 literary magazines and anthologies, including City Lights Journal, Exquisite Corpse, Poetry Australia, Confrontation, The New York Quarterly, The Patterson Literary Review, The San Francisco Chronicle, and The Outlaw Bible of American Poetry.
In April 2002 a poem of his was set to music By William Bolcom, a Pulitzer Prize winning composer, and performed at New York's Alice Tully Hall. In January 2009 Sound Street Tracks released a mastered CD of Winans reading from his book, The Reagan Psalms.
In 2012 The Louisiana University at Lafayette recorded a CD of Song Cycles by American Composers, and included in the CD is the song cycle of nationally acclaimed William Bolcom. Old Addresses, with song poems by Winans, Oscar Wilde, Ezra Pound, Langston Huges, C.P. Cavafy, Kenneth Koch and others.
Writers like Colin Wilson, Studs Terkel, James Purdy, Peter Coyote, Herbert Gold, and the late Jack Micheline and Charles Bukowski have praised his work.
He has worked at a variety of jobs, most recently with the U.S. Dept. of Education as an Equal Opportunity Specialist, investigating claims of discrimination against minorities, women and the disabled.
Winans is a member of PEN, and has served on the Board of Directors of various art organizations, including the now defunct Committee of Small Magazine Editors and Publishers (COSMEP). He is currently on the advisory board of the San Francisco International Poetry Library.
He is listed in Who's Who International Poetry Directory, Who's Who in America, the Gale Research Contemporary American Authors series, and the Gale Research Contemporary authors autobiography series.
Most recently he served on the host committee for the 2012 San Francisco International Poetry Festival.
His essay on the late Bob Kaufman was published in the American Poetry Review and was republished in 2007 by The Writer's Research Group. In September 2009 the article was again re-published along with a poem of his for Bob Kaufman, as part of a booklet produced by the Los Angeles Afro American Museum.

Books by A.D. Winans:

http://www.amazon.com/s/ref=la_B00J7RSGKS_af?rh=n:283155,p_82:B00J7RSGKS

Kindle edition:

This Land Is Not My Land by A.D. Winans (Sep 4, 2014) - $ 3,92


Visit Amazon's A.D. Winans Page

jeudi 10 juillet 2014

Jean Azarel: Avis de parution « Love is everywhere »

Azarel.jpg

Gros Textes / Editions du Buëch
Avis de Parution

Love is everywhere

De 

Jean AZAREL




"Il y avait du crack dans les narines
Des G.I’s et des Marines
Tombant à Saigon
C’était « Subterranean Homesick Blues »
On avait cinq sens et la peau
Le dégoût dans nos bouches
Coursait les baisers
On avait la rage en Eastmancolor
Pour brûler les drapeaux
Et faire sauter les verrous"




« Les années Beat, Pop Rock, la Route, les Amours et l’Amitié, défilent vivantes et libres dans ce recueil illustré de photos inédites qui est aussi un hommage au poète marin pêcheur Alain Jégou » (J.A)
ISBN : 978-2-35082-261-7
70 pages au format 14 x 21, orné de 2 pages couleur (recto non paginé) photos,
10 € (+ 2 € de port – port compris à partir de l’achat de 2 exemplaires)
Commande à :
Gros Textes
Fontfourane
05380 Châteauroux-les-Alpes
(Chèque à l’ordre de Gros Textes)
 « LOVE IS EVERYWHERE » en lectures et surprises : 18 juillet à 21 h 30 à Lodève, Restaurant « Le Soleil Bleu », 29 juillet à partir de 18 h à Roiron (Haute Loire), café librairie « La Maison Vieille », 30 août à Veynes, aux 4è Journées Richard Brautigan, 26 septembre à 21 h à Serres (Haute vallée de l’Aude), café culturel « La Claranda », 11 décembre à Rennes, Maison de la Poésie, soirée Alain Jégou.

jeudi 3 juillet 2014

Gerard Malanga Official: facebook




https://www.facebook.com/GerardMalangaFans

A.D. Winans: Press Release from NYQ

NYQ Press is proud to announce the Publication of On My Way to Becoming a Man by award winning poet A. D. Winans
 
Publication Information: 5½ x 8½ in.; 116 Pages; ISBN: 978-1-935520-25-2 Library of Congress Control Number: 2014934950
 
Publication Date: May 31, 2014. Website: http://books.nyq.org/author/adwinans
Retail: 14.95, plus postage and shipping.
 
Availability: Amazon, Barnes and Noble, Powell’s, Small Press Distribution (SPD). To the Trade: Ingram Distribution, SPD
 
Winans is an award-winning poet and a 2014 recipient of a Kathy Acker poetry award. He is a member of PEN and the author of over sixty books of poetry and prose. He edited and published Second Coming for seventeen years. He worked for the San Francisco Arts Commission for five years as an editor and writer. His work has been published internationally in over 1,500 literary journals and anthologies. In 2002 a poem of his was set to music and performed at Alice Tully Music Hall. The New England Conservatory of Music accepted several of his poems to be set to music and performed at a later date. In 2006 he won a PEN Josephine Miles award for excellence in literature and in 2009 PEN Oakland presented him with a Lifetime Achievement Award. He has served on the Board of Directors of several literary and art organizations, and is currently an advisory board member for the proposed San Francisco International Poetry Library.
 
 
NYQ Books™ was established in 2009 as an imprint of The New York Quarterly Foundation, Inc. Its mission is to augment the New York Quarterly poetry magazine by providing an additional venue for poets who are already published in the magazine.  
 

Charles Plymell: photos, Buffalo Springfield

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IMG_4287

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Photos: Phil Scalia

A.D. Winans: Poem

Back from an MRI
Brain Scan
I listen to a Miles Davis album
Black Hawk San Francisco 1962
Where a young Latina and I
Grooved on the vibes
Here at home
Jazz in my head jazz in my bed
Jazz waking up the dead
Miles, Charlie Parker, and Lester Young
Serenade an army of poets
Sitting on my bookshelf
 
T.S. Eliot playing the banker
Walt Whitman walking the battlefields
Williams Carlos Williams suturing wounds
 
Kaufman walking the streets of New York
Juggling a “Golden Sardine”
Sings a duet with Billie Holiday
Blake playing cards with God
Lorca playing Russian Roulette
Micheline dancing with Mingus
Gary Snyder building word bridges
Me doing a tango with a fallen angel
And suddenly I’m not alone anymore
The words falling like hard rain
In a winter green garden 
 

dimanche 25 mai 2014

Lectures et performances à venir Jean Azarel


Bonjour à tous
 
Quelques dates et lieux conviviaux (bien improbables pour certains, c'est fait pour) où j'espère avoir le plaisir de vous rencontrer
 

 jean_azarel
Vendredi 18 juillet à Lodève durant le festival Voix de la Méditerranée
Lectures des auteurs des éditions Gros Textes à 21 h 30 au café-restaurant "Soleil Bleu" : .http://www.soleil-bleu-lodeve.com/
Extraits et signature de mon nouveau recueil poétique "Love is everywhere" dédié à Alain Jégou. Avec l'ami Yves Artufel et d'autres amis poètes et écrivains


Mardi 29 juillet à l'épicerie / café culturel "la maison vieille" à Roiron (Rosières, Haute Loire)
RV chez Tania Tourjansky et Bruno Goffi pour une soirée lecture "Beat Generation" à 20 h 30, avec si tout va bien en 1è partie à 18 h la projection du documentaire d'Alice Gaillard et Céline Deransart "les Diggers de San Francisco" (détail à voir bientôt sur le site : http://lamaisonvieille.fr/contact.html)


Samedi 30 août (date et horaire à confirmer) aux Journées Richard Brautigan à Veynes (04)
Performance visuelle et sonore autour de « Love is everywhere », « Tassage du mortel », « Papy Beat Generation ». Renseignements à suivre : www.journees-brautigan.com
Septembre (date et horaire à confirmer), au café culturel "La Claranda" à Serres (Haute Vallée de l’Aude, près de Limoux).
Soirée cabaret poétique à l'invitation du maître des lieux Jean-Marie Fraysse, sur le thème de la "Beat Generation, plus d’infos à suivre sur : http://www.laclaranda.eu/
Jeudi 11 Décembre : soirée hommage au poète marin pêcheur Alain Jégou à la Maison de la Poésie de Rennes, lectures d'extraits de "Love is everywhere" et "Papy Beat Generation" écrit avec Alain (plus d'infos à suivre), en présence d'autres auteurs amis d'Alain
Bien amicalement à tous
Jean Azarel

William Burroughs sur France culture: WILL L'OBSCUR :Burroughs aurait cent ans

Mauvais genres

Syndiquer le contenu par François Angelier
24.05.2014 - 22:00
http://www.franceculture.fr/emission-mauvais-genres-will-l-obscur-burroughs-aurait-cent-ans-2014-05-24

Avec ceux de Keaton ,d'Artaud et de Beckett, le visage de William Seward Burroughs est un des plus anxieusement beau du siècle dernier.Face rayonnante et harassée ,anonyme et scandaleuse. Sainte face d'un monde sans dieu.L'auteur du "Festin nu" et théoricien de la subversion généralisée, compatnon de route de la Beat Generation, chroniqueur dantesque de la drogue et de l'homosexualité, aurait cent ans aujourd'hui. L'occasion pour Mauvais Genres de s'immerger ,le temps d'une émission, dans cet univers infernal et kaléidoscopique. Une immersion que nous accomplirons en compagnie de Marc Dachy.
Historien de Dada et spécialiste internationalement  connnu des avant-gardes, il a dirigé le récent numéro du Magazine litteraire consacré au grand Will.

Avec la participation de Celine du Chéné, Helène Frappat,Jean Baptiste Thoret et François l'Yvonnet..
Chronique de Christophe Bier.


William Burroughs © Radio France
Invité(s) :
Marc Dachy
Thème(s) : Arts & Spectacles| Littérature Contemporaine| Littérature Etrangère

Lien(s)

Encyclopédie pratique des Mauvais Genres par Céline du Chené Encyclopédie pratique des Mauvais Genres avec Jean Paul Marcheschi www.marcheschi.fr

Document(s)

Podcast: http://www.franceculture.fr/podcast/4685238


Listen to the program:  http://www.franceculture.fr/player/reecouter?play=4852270

mardi 6 mai 2014

Gerard Malanga: The Poetry Club, Glasgow – live review by BMX Bandit Duglas T. Stewart

http://louderthanwar.com/gerard-malanga-the-poetry-club-glasgow-live-review-by-bmx-bandit-duglas-t-stewart/

Posted on April 8, 2014 by Duglas T. Stewart


Gerard Malanga
The Poetry Club, Glasgow
April 4th 2014


Gerard Joseph Malanga is an American poet, photographer, filmmaker, curator and archivist most famous, perhaps, for his work with Andy Warhol during the artist’s most creative period in the mid-Sixties. He was recently in Glasgow as the “official poet” of that city’s International Festival and while there he visited The Poetry Club to exhibit some of his photographic work, show a short documentary and to recite some poetry. For Louder Than War, BMX Bandit and long time fan of Gerard Malanga’s work, Duglas T. Stewart, describes how the evening unfolded.
- See more at: http://louderthanwar.com/gerard-malanga-the-poetry-club-glasgow-live-review-by-bmx-bandit-duglas-t-stewart/#sthash.D1g9wsjL.dpuf

lundi 5 mai 2014

The Center for the Humanities: William S. Burroughs Centennial Conference

http://centerforthehumanities.org/conference/william-s-burroughs-centennial-conference


John M. Bennett
Ann Douglas
Oliver Harris
Barry Miles
Jed Birmingham
Charles Plymell
Geoffrey D. Smith
Anne Waldman
Regina Weinreich
Jan Herman


Held in honor of the centennial of William S. Burroughs's birth, and the WSB@100 Festival in New York City scheduled for the entirety of the month of April, 2014, this conference will explore the life and works of one of the most innovative and influential twentieth-century American writers and artists. Join us for a series of talks and roundtables by editors, artists, and scholars on a range of issues from the problem of gender in Burroughs's writings to his role in postwar America little magazines, his still unpublished archival materials, cut-up experiments and novels, and his photography.
"Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you power powers behind what filth deals consummated in what lavatory to take what is not yours. To sell the ground from unborn feet. Listen. What I have to say is for all men everywhere. I repeat for all. No one is excluded. Free to all who pay. Free to all who pain pay." - William S. Burroughs
This conference is free and open to the public.
This event will be livestreamed. For viewing during the event, please see here: https://videostreaming.gc.cuny.edu/videos/livestreams/page1/  
Join this event on Facebook.


SCHEDULE:
9:30AM  Coffee
10:00AM
Editing Burroughs with John Bennett and Geoffrey Smith

11:00AM
Burroughs and Literary Magazines with Jed Birmingham, Charles Plymell, and Jan Herman

12:30PM Lunch
2:00PM
Biography and Photography: Barry Miles in conversation with Oliver Harris

3:30PM
Gender Trouble with Anne Waldman, Regina Weinreich, and Ann Douglas

5:15PM Coffee Break
5:30PM
Keynote:  Oliver Harris Cutting up the Trilogy

 
John M. Bennett has published over 400 books and chapbooks of poetry and other materials.
Charles Plymell is a poet, novelist, and small press publisher.
Anne Waldman has been an active member of the “Outrider” experimental poetry
While working at City Lights Books as the poet-publisher Lawrence Ferlinghetti's assistant, Jan Herman...
Cosponsored by the English Students Association, Lost & Found: The CUNY Poetics Document Initiative, the PhD Program in English, the Center for Lesbian and Gay Studies, the Doctoral Students' Council, and the WSB@100 Festival.