Some videos from poetry evening in our home town last autumn (also, don't remember, maybe i already sent those links). There I made music for texts of some my favorite poets - W. Blake, R.M. Rilke, A. Rimbaud.
Vasha
- Poezijos ir muzikos vakaras: Vaidas Šadeika : "The Smile" by William Blake: http://www.youtube.com/watch?v=esSKPyZtmUo
Poezijos ir muzikos vakaras: Vaidas Šadeika : Rilke
http://www.youtube.com/watch?v=QWcacWumGsM&feature=related
- Poezijos ir muzikos vakaras: Vaidas Šadeika : Rimbaud
http://www.youtube.com/watch?v=JJ-3WMU1kh0
mercredi 30 juin 2010
Vasha & Egle: videos on the roads of Europe
Those videos are made by Egle, dureing their trip from Lithuania to Portugal in 2009:
- keliones pradzia http://www.youtube.com/watch?v=vdxekonmAw4
- keliones II dalis http://www.youtube.com/watch?v=qHf0p1R4qbk&feature=related
- keliones III dalis http://www.youtube.com/watch?v=_MJos87RWZc&feature=related
- keliones pradzia http://www.youtube.com/watch?v=vdxekonmAw4
- keliones II dalis http://www.youtube.com/watch?v=qHf0p1R4qbk&feature=related
- keliones III dalis http://www.youtube.com/watch?v=_MJos87RWZc&feature=related
Benoit Delaune: articles autour de William Burroughs
Benoit Delaune a rédigé une thèse de littératures comparées sur Burroughs, qui portait principalement sur le cut-up et la "trilogie nova". Il a participé en juillet dernier au colloque parisien pour les 50 ans du Festin nu, en tant que "parleur" et aussi en tant que musicien, avec le groupe dont il fait partie, Nouvelles Impressions d'Afrique.
Quelques uns des articles qu'il a écrits autour de Burroughs sont consultables en ligne :
- "Texte itératif et stéréotypes chez William Burroughs : de l’intertextualité à l’autostéréotypie":
http://revel.unice.fr/cnarra/index.html?id=1268 dans les Cahiers de Narratologie
- Collage, montage, cut-up, musique concrète : figures de l’intégration du chaos dans l’œuvre chez William Burroughs et Pierre Schaeffer : http://trans.univ-paris3.fr/spip.php?article276 : TRANS - Revue de littérature générale et comparée, N° 9: Pop-culture.
_________________________
Benoit Delaune has written a thesis of comparative literatures on Burroughs, particularly down the cut-up and "nova trilogy". In July 2009 he took part in the colloquium in Paris for the 50 yeats of Naked Lunch, as a lecturer as well as a musician, with the group he is a member of, " Nouvelles Impressions d'Afrique".
Some of the articles he wrote around Burroughs are available on line :
- "Texte itératif et stéréotypes chez William Burroughs : de l’intertextualité à l’autostéréotypie": http://revel.unice.fr/cnarra/index.html?id=1268 in the Cahiers de Narratologie.
- Collage, montage, cut-up, musique concrète : figures de l’intégration du chaos dans l’œuvre chez William Burroughs et Pierre Schaeffer : http://trans.univ-paris3.fr/spip.php?article276 : TRANS - Revue de littérature générale et comparée, N° 9: Pop-culture.
Quelques uns des articles qu'il a écrits autour de Burroughs sont consultables en ligne :
- "Texte itératif et stéréotypes chez William Burroughs : de l’intertextualité à l’autostéréotypie":
http://revel.unice.fr/cnarra/index.html?id=1268 dans les Cahiers de Narratologie
- Collage, montage, cut-up, musique concrète : figures de l’intégration du chaos dans l’œuvre chez William Burroughs et Pierre Schaeffer : http://trans.univ-paris3.fr/spip.php?article276 : TRANS - Revue de littérature générale et comparée, N° 9: Pop-culture.
_________________________
Benoit Delaune has written a thesis of comparative literatures on Burroughs, particularly down the cut-up and "nova trilogy". In July 2009 he took part in the colloquium in Paris for the 50 yeats of Naked Lunch, as a lecturer as well as a musician, with the group he is a member of, " Nouvelles Impressions d'Afrique".
Some of the articles he wrote around Burroughs are available on line :
- "Texte itératif et stéréotypes chez William Burroughs : de l’intertextualité à l’autostéréotypie": http://revel.unice.fr/cnarra/index.html?id=1268 in the Cahiers de Narratologie.
- Collage, montage, cut-up, musique concrète : figures de l’intégration du chaos dans l’œuvre chez William Burroughs et Pierre Schaeffer : http://trans.univ-paris3.fr/spip.php?article276 : TRANS - Revue de littérature générale et comparée, N° 9: Pop-culture.
mardi 29 juin 2010
dimanche 27 juin 2010
Ricardo Mbarkho: Soon the National Tabbouleh Day
THE NATIONAL TABBOULEH DAY 2010
http://www.nationaltabboulehday.com/
Since 2001, a yearly national day, celebrated the first Saturday of the month of July (this year the 3rd of July, 2010), is dedicated to TABBOULEH.
During this day, Lebanese and their friends everywhere in the world meet in private or in public around this king of the mezzé. This artistic, cultural, gastronomic and touristy feast presents them an opportunity to show and to reinforce their attachment to their country. In 2007, the Lebanese Ministry of Tourism granted its approval and its patronage officially for the NATIONAL TABBOULEH DAY.
Many events will take place all over the world! wherever there are Lebanese and friends. In downtown Beirut, for example, a big public gathering is organized at Souk el Tayeb in Saifi Village, where savoring and competitions of the best TABBOULEH will take place (www.soukeltayeb.com).
Let's celebrate all together the next NATIONAL TABBOULEH DAY that will take place on Saturday July 3, 2010. How? Here are some suggested ways:
In July 3, 2010
- Think about Tabbouleh
- Or do Tabbouleh alone or with friends
- Or do a public Tabbouleh event on your way
While doing so, know that you’re sharing these moments with all the others.
I all cases please take photos and share them on facebook for example. You can also send them to contact@nationaltabboulehday.com so we can publish them on the Website www.nationaltabboulehday.com and/or facebook…
Happy Tabbouleh Day!!!!!
http://www.facebook.com/#!/group.php?gid=121197891505
forward the good news!
http://www.nationaltabboulehday.com/
Since 2001, a yearly national day, celebrated the first Saturday of the month of July (this year the 3rd of July, 2010), is dedicated to TABBOULEH.
During this day, Lebanese and their friends everywhere in the world meet in private or in public around this king of the mezzé. This artistic, cultural, gastronomic and touristy feast presents them an opportunity to show and to reinforce their attachment to their country. In 2007, the Lebanese Ministry of Tourism granted its approval and its patronage officially for the NATIONAL TABBOULEH DAY.
Many events will take place all over the world! wherever there are Lebanese and friends. In downtown Beirut, for example, a big public gathering is organized at Souk el Tayeb in Saifi Village, where savoring and competitions of the best TABBOULEH will take place (www.soukeltayeb.com).
Let's celebrate all together the next NATIONAL TABBOULEH DAY that will take place on Saturday July 3, 2010. How? Here are some suggested ways:
In July 3, 2010
- Think about Tabbouleh
- Or do Tabbouleh alone or with friends
- Or do a public Tabbouleh event on your way
While doing so, know that you’re sharing these moments with all the others.
I all cases please take photos and share them on facebook for example. You can also send them to contact@nationaltabboulehday.com so we can publish them on the Website www.nationaltabboulehday.com and/or facebook…
Happy Tabbouleh Day!!!!!
http://www.facebook.com/#!/group.php?gid=121197891505
forward the good news!
Interzone report of April-May-June
This report is too big to be inserted here with the photos: you can read it on line at :
part 1 : http://sites.google.com/site/aubertisa/reportmay10-html and
part 2 : http://sites.google.com/site/aubertisa/reportmay10b-htm
In French: http://sites.google.com/site/aubertisa/reportmay10fr-htm and http://sites.google.com/site/aubertisa/reportmay10bfr-htm
Hi all,
Those two latest months have been very active: see the posts in the blog
Interzone news http://interzone-news.blogspot.com/ since the latest report
at
http://interzone-news.blogspot.com/2010/04/interzone-report-february-march-2010.html
As a result, this report, a special "beat generation", is so big I have to
make it in two pages.
New connections :
============
In April, thanks to Paul Hawkins , I have got in touch with Charles
Plymell and friends of him (see Georges Laughead's incredible page on them,
"Beats in Kansas: the Beat generation in the Heartland": at
http://www.vlib.us/beats/ for more info) . They have been bringing a ton of
energy , and forwarded info about their arts and creations, as well as the
doc they have been sending on the Beat and arts and literature more
generally: see in the blog Interzone News . In the French present context,
their input is a puff of oxygen.
So welcome to the Interzone, Charles and Pam Plymell, Mike Watt, Gerard
Malanga, A.D. Winans, Ginger Eades, Richard Krech, Phil Scalia and all !
Your friendship and interest for Interzone is the best recognition we could
get !
Bye Dennis Hopper and Peter Orlovsky
===========================
Dennis Hopper and Peter Orlovsky both died on May 30th .
Dennis Hopper
~~~~~~~~~~
On Dennis Hopper, see the article in Libération at
http://www.liberation.fr/culture/0101638430-dennis-hopper-est-mort , and the
very interesting videos of the program broadcasted by the channel Arte, on
line on Dailymotion :
part 1
http://www.dailymotion.com/video/xdfmsj_dennis-hopper-creer-ou-crever-1_webcam
part 2:
http://www.dailymotion.com/video/xdfn3l_dennis-hopper-creer-ou-crever-2_webcam
part 3
http://www.dailymotion.com/video/xdfnjp_dennis-hopper-creer-ou-crever-3_webcam
part 4
http://www.dailymotion.com/video/xdfnxr_dennis-hopper-creer-ou-crever-4_webcam
part 5
http://www.dailymotion.com/video/xdfru8_dennis-hopper-creer-ou-crever-5_webcam
part 6
http://www.dailymotion.com/video/xdfs9w_dennis-hopper-creer-ou-crever-6-et_webcam
See also the artwork by Dennis Hopper given to Charles Plymell for NOW NOW
magazine, 1963
http://interzone-news.blogspot.com/2010/05/artwork-by-dennis-hopper.html
Peter Orlovsky:
~~~~~~~~~~
Photo: http://famouspoetsandpoems.com/poets/peter_orlovsky/photo
Literature:
========
Interzone Editions:
~~~~~~~~~~~~
- The Time of the Naguals : first tomes on line in pdf:
I have converted in pdf and put on line the following books :
- "Le Temps des Naguals : Autour de Burroughs et Gysin": 134 pages
http://www.inter-zone.org/thetimeofthenaguals/TNFR.pdf : see the contents at
http://sites.google.com/site/aubertisa/tnbgfr-html
In the English anthology of Interzone, two tomes seem to be
ready now: Ordering and classing the huge amount of the texts in different
tomes is a hell of a work !
- "Around Burroughs and Gysin" Tome 1, 86 pages,
http://www.inter-zone.org/thetimeofthenaguals/TN1AroundB&G.pdf contains the
original texts in English which were translated in the "Le Temps des
Naguals: Autour de Burroughs et Gysin", plus texts about them: see the
contents on line at : http://sites.google.com/site/aubertisa/tnbgen1-html
- "Research": 162 pages,
www.inter-zone.org/thetimeofthenaguals/TN2research.pdf
This tome gathers the researches conducted in different domains related to
those explored by Burroughs and Gysin, by Interzone members spread all over
the world, which they have continued them, with the tools of thinking we had
in 1997, when Interzone started, and when we started this anthology. See the
contents at : http://sites.google.com/site/aubertisa/tnenresearch-html
This anthology is an experiment of non-Aristotelian functions of writing
described by Alfred Korzybski and applied and developed by Burroughs and
Gysin:
1. Symbolic function of language * (Korzybski): a word is a symbol, a sign
which stands for something. Language is a map of reality.
2 Function of time-binding *: writing binds the author and his readers
through space-time:
"Whenever you use this bow I will be there," the Zen archery master tells
his students. And he means there-quite literally. He lives in his students
and thus achieves a measure of immortality. And the immortality of a writer
is to be taken literally. whenever anyone reads his words the writer is
there. He lives in his readers." William S. Burroughs, "The Place of Dead
Roads"
" Just before he signs off for good , many a man has picked up the distant
voice of his doctor saying: " He is dead". Remember, these words are
meaningless. When you read this I am alive. I am here on this page. I am
here. I am HERE!" .
3. Magic function : "Writing is about making it happen" (Brion Gysin) : a
writer writes a scenario of reality which his readers can make happen, and
this way, create a reality which fits them: "In fact, writers are
potentially very powerful. The write the scenario of the film of reality.
Jack Kerouac opened a million coffee bars and sold a million Levis to both
sexes." (Burroughs, "The Adding Machine: Selected Essays" ).
4. Through the link between the author and the reader, writing creates a
collaboration between them, which produces, according to mathematic
non-additivity *, a phenomenon called by Burroughs and Gysin "the
Third-Mind" : with regard to human collaboration, 1 + 1 = 3 :
" Gysin: when you associate two minds...
Burroughs: There is always a third mind...
Gysin: A third higher mind...
Burroughs: Like an invisible collaborator. "
("The Third Mind".)
This application of general semantics to writing is not an attempt to create
a new literary trend. It is an experiment to use writing according to our
present level of evolution in sciences. In the domains of sciences and
techniques, we got to a high level of evolution, but in human domains, we
are still stuck to the previous steps of evolution of our civilisation :
Aristotle and Descartes, and think and act with obsolete patterns.
- Le Taxidermiste / The Taxidermist on line:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Both comics by José ALTIMIRAS & François DARNAUDET were on line and
disappeared in October 2009 with all the free sites of Geocities. They now
are on line again, in French and English, in www.inter-zone.org/ at :
Le Taxidermiste : http://www.inter-zone.org/letaxidermiste/cover.html
The Taxidermist: http://www.inter-zone.org/thetaxidermist/cover.html
Both books are available in printed version , published by Interzone
Editions http://interzoneeditions.livres.officelive.com/letaxidermiste.aspx
:
- Le Taxidermiste : ISBN : 978-2-9531513-1-2, Format: 21x 29,7 cm, 46 pages,
22 ?
- The Taxidermist: ISBN : 978-2-9531513-2-9, Format: 21x 29,7 cm, 46 pages,
22 ?
Comix: New adventures of Z Craignos in Paris 70 !
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
New episodes of Z Craignos' adventures are on line, extracted from Jean
Rouzaud's albums: 'La Zone' and 'La Fin des Branchés', a good image of the
trend in the late seventies. http://paris70.free.fr/z-craignos.htm Good read
! Bernard Bacos http://paris70.free.fr/z-zone1.htm
Charles Plymell : Eat Not Thy Mind
~~~~~~~~~~~~~~~~~~~~~~~~
Charles Plymell has published "Eat not thy mind", a book of poetry and
texts, foreword by Mike Watt, at Glass Eye Books/Ecstatic Peace Library .
You can buy it here
http://yod.com/yodstuff/product_info.php?products_id=6469 : 374 trade copies
and 26 lettered and signed by Charles Plymell.
The making of the book is an artwork by itself, beautiful !
Paul Hawkins interview: "Charles Plymell : The Benzedrine Highway"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
In Ginger Eades's blog Even for the Hipsters, Hustlers Highjivers
http://hipstershustlersandhighjivers.blogspot.com/2010/04/eat-not-thy-mind-reviewed-by-paul.html
On line with photographs at
http://www.jackmagazine.com/interview-ch-paul.html
In French , translated by Jean-Marie Flémal at
http://interzone-news.blogspot.com/2010/06/te-bouffe-pas-la-teteest-une-uvre-dart.html
and
http://isabellebaudron.blog.lemonde.fr/2010/04/17/te-bouffe-pas-la-tete-de-charles-plymell-compte-rendu-de-paul-hawkins/
Sharon Anderson: Charles Plymell talks about his new volume of poetry, 'Eat
Not Thy Mind'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This interview by Sharon Anderson, Northside San Francisco is on line at
http://www.northsidesf.com/june10/ae_inhisowntime.html
Interview of Gérard Malanga in the site Smithonian.com:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"An associate of Andy Warhol, Gerard Malanga reflects on his subjects and
his carrer as a photographer." By Jeff Campagna, Smithonian.com
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html#
and
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html?c=y&page=2
Photos à http://artbook.typepad.com/artbook/
Richard Krech
~~~~~~~~~~
IBM cut-up: http://www.inter-zone.org/ibmcutup.html
A blog with a review of Richard Krech's work:
http://fitzroydreaming.blogspot.com/
Two poems at
http://interzone-news.blogspot.com/2010/06/richard-krech-two-poems.html
illustrated by Briana Miller.
Phil Baker : William S. Burroughs
~~~~~~~~~~~~~~~~~~~~~~~
Phil Baker
http://www.press.uchicago.edu/presssite/author.epl?fullauthor=Phil%20Baker
192 pages, 30 halftones 5 x 7 7/8
Series: Reaktion Books - Critical Lives
http://www.press.uchicago.edu/presssite/metadata.epl?mode=synopsis&bookkey=8932829
Mike Stevens: The Road to Interzone: interview by Paul Hawkins
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Road to Interzone: Reading William S. Burroughs Reading
http://realitystudio.org/criticism/the-blade-runner-and-the-shootist/
Second (Revised and Expanded) Edition by Michael Stevens available now
direct from the publisher:
http://www.suicidepress.com/
Suicide Press , P. O. Box 663 , Archer City, Texas 76351
Michael Stevens - The Road to Interzone Interview by Paul Hawkins
at
www.hesterglock.com/words/outsider/mikestevensroadtointerzone.htm
A.D. Winans
~~~~~~~~~~
A. D. Winans is a native San Francisco poet, writer and photographer. His
site is at
http://www.adwinans.mysite.com/
See his poem FOR WILLIAM BURROUGHS at
http://interzone-news.blogspot.com/2010/06/d-winans-website.html
Robert Hass: On Whitman's 'Song Of Myself'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.npr.org/templates/story/story.php?storyId=125789927 Listen to the
Story
Fresh Air from WHYY
"Papy Beat Generation" by Jean Azarel, Alain Jégou & Lucien Suel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://interzone-news.blogspot.com/2010/06/papy-beat-generation-de-jean-azarel.html
Price: 12 ? Order at : Hors Sujet, 35 rue Jules Simon, 56100 - Lorient
Jack Kerouac: Sur la Route
~~~~~~~~~~~~~~~~~~~
In France, the publication by Gallimard of Josée KAMOUN's new translation of
"On the road", from the rolls on which Kerouac wrote the book, is a literary
event and a success : see the doc in Interzone news :
Nouvel Obs: Jack Kerouac "Sur la Route" :
http://interzone-news.blogspot.com/2010/06/nouvel-obs-jack-kerouac-sur-la-route.html
and France culture: "Sur la Route" de Jack Kerouac :
http://interzone-news.blogspot.com/2010/06/nouvel-obs-jack-kerouac-sur-la-route.html
Claude Pelieu "Je suis un cut-up vivant"
~~~~~~~~~~~~~~~~~~~~~~~~~~
Subscription bulletin at
http://interzone-news.blogspot.com/2010/06/autour-de-claude-pelieu-je-suis-un-cut.html
Jim Morisson: "Wilderness" & "La nuit américaine"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Those two books by Jim Morisson are published by Christian Bourgois :
http://www.christianbourgois-editeur.com/titres.php?page=2Α=M
Music
======
Mike Watt:
~~~~~~~~
Mike Watt is a musician, bassist. He started with the Minutemen and is
presently playing with the Stooges:
http://www.youtube.com/watch?v=LZLT1aMQ--U
Sites: The Watt from Pedro show : http://twfps.com/ , MySpace :
http://www.myspace.com/wattfrompedro,
May 16, 2010 From 1 to 4 P.M. Live Remote Broadcast Of The Watt From Pedro
Show http://www.track16.com/track16nights/2010-05-14/index.php
Paul Kennedy: Sunrise Studio
~~~~~~~~~~~~~~~~~~~~
Sunrise Recording Studio offers a state of the art SSL recording and mixing
facility. Based in the vibrant center of Islington, in the heart of central
London, Sunrise is set in a relaxed and professional environment & is
staffed and equipped to the highest standard for recording artists and
record producers alike. With acoustics by award winning Andy Munro we are
proud to present this state of the art facility for your consideration.
(More at http://www.sunrise-studio.co.uk/ )
For bookings & information please contact. Sunrise Studio Bookings Manager
Paul Kennedy, E-mail paul@12one.net , Tel:+44 (0) 207-685-8595, web:
http://www.sunrise-studio.co.uk/
Laki Vazakas: Music Video for Grant Hart's song "Nobody Rides For Free"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.youtube.com/watch?v=_oHMFcD7k8s&feature=channel_page
Shot in the exotic locales of Cherry Valley, Sharon Springs, Norwich,
Manhattan, Litchfield NH, Cambridge MA, and points in between and off the
map.
Charles Plymell, Bebop Plymell Lab Dog. Claude Pelieu, Charles Henri Ford;
Ray Bremser, et.al.
Laki Vazakas
BARDO POND playing with Lou Reed down in Australia
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Bardo Pond interview:
http://www.fasterlouder.com.au/features/23846/Bardo-Pond-.htm
Gig Bardo Pond http://www.altmedia.net.au/gig-bardo-pond/19691
Dan Cohoon nielad@hotmail.com
Amplitude Equals One Over Frequency Squared
http://www.frequencysquared.blogspot.com/
frequencysquared@hotmail.com
Moral Crayfish
http://www.moralcrayfish.blogspot.com/ http://www.myspace.com/moralcrayfish
moralcrayfish@hotmail.com
Exhibitions:
========
Dead Fingers Talk: The Tape Experiments of William S. Burroughs
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dead Fingers Talk (May 28 - July 12) is an exhibition presenting two
unreleased tape experiments by William Burroughs from the mid 60s alongside
responses by 23 artists, musicians, writers, composers and curators.
Few writers have exerted as great an influence over such a diverse range of
art forms as William Burroughs. One typically overlooked manifestation of
his radical ideas about manipulation, technology and society is found in his
extensive experiments with tape recorders in the 1960s and '70s. Dead
Fingers Talk: The Tape Experiments of William S. Burroughs is the first
exhibition to demonstrate the diversity of resonance in the arts of
Burroughs' theories of sound.
More at http://www.joeambrose.net/whatsup?wuID=55
The exhibition includes work by Alma/Joe Ambrose, Steve Aylett, Alex Baker &
Kit Poulson, Lawrence English, The Human Separation, Riccardo Iacono,
Anthony Joseph, Cathy Lane, Eduardo Navas, Negativland, o.blaat, Aki Onda,
Jörg Piringer, Plastique Fantastique, Simon Reuben White, Giorgio Sadotti,
Scanner, Terre Thaemlitz, Thomson & Craighead, Laureana Toledo and
Ultra-red, with performances by Ascsoms and Solina Hi-Fi.
http://www.imagemusictext.com/project-listing/deadfingerstalk
MINO DC: avec pas mal de vent...
~~~~~~~~~~~~~~~~~~~~~~~~
With a lot of wind, the installasson 4b et "scream" l'installavent. Photos
at
http://interzone-news.blogspot.com/2010/06/mino-dc-avec-pas-mal-de-vent.html
More in MINO DC's blog, l'atelier-jardin de mino d.c. at
http://ateliermino.free.fr/
Interzone galleries:
=============
Paul O'Donnovan:
~~~~~~~~~~~~
"The Soft Parade", "A Perfume of Oblivion" & "Tightrope City Blues" :
http://sites.google.com/site/interzonegalleries/odonovan61-htm
Galerie Ecritures:
~~~~~~~~~~~~
- FIN de PARTIE : Close to the last two weeks of his exhibition, Bruno
DANJOUX proposes with KADANSE a dancing Happening at the gallery ECRITURES
which will be an occation to present the elements of choregraphy which will
be presented at Athanor on saturday July 3rd within the framework of the
Rencontres Chorégraphiques Nationales.
Galerie ECRITURES 1 rue Pierre Petit 03 100 MONTLUCON.
- Exposition Rémy Pastor
Ginger K. Eades :
~~~~~~~~~~~~~
Photos of William Burroughs :
http://sites.google.com/site/interzonegalleries/williamburroughs-htm
Ginger Eades: PLYMELL & FRIENDS SLIDE SHOW : The Charles Plymell Reel Slide
Show
http://www.slide.com/r/k2zdoqn95z_vkFJhnVKRyQvsMGMPgsXt?previous_view=lt_embedded_url
Isabelle Aubert-Baudron & Baud :
~~~~~~~~~~~~~~~~~~~~~~~
Photos of William Burroughs :
http://sites.google.com/site/interzonegalleries/williamburroughs2-htm
Laurence Canciani:
~~~~~~~~~~~~~
Photos at
http://sites.google.com/site/interzonegalleries/laurence-canciani2-htm
Laurence is opening a tee-room rue St Médard :
It is situated in the shop where she had settled her painting workshop and
shop: see at
http://sites.google.com/site/interzonegalleries/laurence-canciani
Galerie Didier Devillez :
~~~~~~~~~~~~~~~~
stéphane mandelbaum - galerie didier devillez
http://interzone-news.blogspot.com/2010/06/stephane-mandelbaum-galerie-didier.html
interview Georges Meurant (exposition Galerie Didier Devillez)
Interview of Georges Meurant, for the RTBF (Pascal Goffaux) on may 29th 2010
:
http://www.rtbf.be/culture/non-classe/georges-meurant-espace-d'apparition-galerie-didier-devillez/
More at http://www.galeriedidierdevillez.be/
Philip Scalia photographs
~~~~~~~~~~~~~~~~~
Philip Scalia photographs http://philipscalia.com/
Gerard Malanga: photo gallery
~~~~~~~~~~~~~~~~~~~~~
Photo gallery at
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html#
Yony's Picasa Web Album - New Album 9/15/07
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
View Album http://picasaweb.google.com/yonilizer/NewAlbum91507402PM~
Play slideshow
http://picasaweb.google.com/yonilizer/NewAlbum91507402PM/photo#s5110524019006555106
Claude Pelieu/Mary Beach exhibit at John McWinnie Gallery, NYC.
Some attendees include: Grant Hart, Pam Beach-Plymell, June Barwick, Mary
Joan Waid; Jonathan Galassi; George Kimball, Indra, Gerard Malanga, Phil
Scalia, Laki,Ted Morgan, Thurston Moore, Byron Coley, Charles Plymell.
FESTIVAL ECSTATIQUE Nothampton Nov. 16th and 17th
Nov 18, 2007 All photos by Yony Leyser Nov. 2007
http://picasaweb.google.com/yonilizer/FESTIVALECSTATIQUENothamptonNov16thAnd17th?authkey=5Wemndfoy7Q
Mike Stevens' gallery: Charles Plymell books
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
On line at :
http://www.flickr.com/photos/michael_stevens/4651886078/in/photostream
Video
=====
Ricardo Mbarkho: Artists talk: video art by Björn Melhus at Beirut Art
Lounge
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Artists talk: video art by Björn Melhus
Beirut Art Lounge , Karantina River bridge, 09th April 2010, 19:30 clock
Homepage of Björn Melhus http://www.melhus.de/
4th INTERNATIONAL FESTIVAL OF CREATION FILM & VIDEO, BEYROUTH
New moving images, 11-14 MAY 2010, OPENING CEREMONY: MAY 10, 2010. AT 7 PM
AT ALBA
FULL PROGRAM DETAILS AT http://www.fifvc.com/
Anthony Rousseau: Combined Media:
~~~~~~~~~~~~~~~~~~~~~~~~~~
Anthony has presented from May 29th to June 12th the interactive work
"Combined media" at the Espace Pignon and Euratechnolgies in Lille. It has
been realized in his residence at the espace Pignon, with the collaboration
of the people of the area.
http://www.mairie-lille.fr/fr/Culture/Agenda_culturel/exposition-combined .
Combined media is part of the project TRAME by Anthony Rousseau :
http://www.dailymotion.com/video/xa160c_trame_creation
~
Laki Vazakas: Herbert Huncke at Cafe Nico, March 12, 1994
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.youtube.com/watch?v=X3xMtnpZcfo
Sites:
====
La sémantique générale pour tous:
~~~~~~~~~~~~~~~~~~~~~~~
The site http://semantiquegenerale.free.fr/ has been updated.
See, in the Institute of General Semantics : Henri Laborit: Alfred Korzybski
Memorial Lecture 1963: THE NEED FOR GENERALIZATION IN BIOLOGICAL RESEARCH :
ROLE OF THE MATHEMATICAL THEORY OF ENSEMBLES Henri Laborit, . MD Centre
d'Etudes Experimentales et Cliniques de Physio-Biologie, de Pharmacologie et
d'Eutonologie de la Marine Nationale, Paris, France (Institute of General
Semantics)
Interzone news
~~~~~~~~~~
New look for the blog.
This report is on line at
http://sites.google.com/site/aubertisa/reportmay10-htm &
http://sites.google.com/site/aubertisa/reportmay10b-htm and the French
version, at http://sites.google.com/site/aubertisa/reportmay10fr-htm &
http://sites.google.com/site/aubertisa/reportmay10bfr-htm
Between two reports, the news are updated in the blog Interzone news:
http://interzone-news.blogspot.com/
All the best for your holidays for those who have some.
Izzy: email: i.aubert[at]interpc.fr
* Alfred Korzybski: "Science and Sanity"
http://esgs.free.fr/uk/art/sands.htm
part 1 : http://sites.google.com/site/aubertisa/reportmay10-html and
part 2 : http://sites.google.com/site/aubertisa/reportmay10b-htm
In French: http://sites.google.com/site/aubertisa/reportmay10fr-htm and http://sites.google.com/site/aubertisa/reportmay10bfr-htm
Hi all,
Those two latest months have been very active: see the posts in the blog
Interzone news http://interzone-news.blogspot.com/ since the latest report
at
http://interzone-news.blogspot.com/2010/04/interzone-report-february-march-2010.html
As a result, this report, a special "beat generation", is so big I have to
make it in two pages.
New connections :
============
In April, thanks to Paul Hawkins , I have got in touch with Charles
Plymell and friends of him (see Georges Laughead's incredible page on them,
"Beats in Kansas: the Beat generation in the Heartland": at
http://www.vlib.us/beats/ for more info) . They have been bringing a ton of
energy , and forwarded info about their arts and creations, as well as the
doc they have been sending on the Beat and arts and literature more
generally: see in the blog Interzone News . In the French present context,
their input is a puff of oxygen.
So welcome to the Interzone, Charles and Pam Plymell, Mike Watt, Gerard
Malanga, A.D. Winans, Ginger Eades, Richard Krech, Phil Scalia and all !
Your friendship and interest for Interzone is the best recognition we could
get !
Bye Dennis Hopper and Peter Orlovsky
===========================
Dennis Hopper and Peter Orlovsky both died on May 30th .
Dennis Hopper
~~~~~~~~~~
On Dennis Hopper, see the article in Libération at
http://www.liberation.fr/culture/0101638430-dennis-hopper-est-mort , and the
very interesting videos of the program broadcasted by the channel Arte, on
line on Dailymotion :
part 1
http://www.dailymotion.com/video/xdfmsj_dennis-hopper-creer-ou-crever-1_webcam
part 2:
http://www.dailymotion.com/video/xdfn3l_dennis-hopper-creer-ou-crever-2_webcam
part 3
http://www.dailymotion.com/video/xdfnjp_dennis-hopper-creer-ou-crever-3_webcam
part 4
http://www.dailymotion.com/video/xdfnxr_dennis-hopper-creer-ou-crever-4_webcam
part 5
http://www.dailymotion.com/video/xdfru8_dennis-hopper-creer-ou-crever-5_webcam
part 6
http://www.dailymotion.com/video/xdfs9w_dennis-hopper-creer-ou-crever-6-et_webcam
See also the artwork by Dennis Hopper given to Charles Plymell for NOW NOW
magazine, 1963
http://interzone-news.blogspot.com/2010/05/artwork-by-dennis-hopper.html
Peter Orlovsky:
~~~~~~~~~~
Photo: http://famouspoetsandpoems.com/poets/peter_orlovsky/photo
Literature:
========
Interzone Editions:
~~~~~~~~~~~~
- The Time of the Naguals : first tomes on line in pdf:
I have converted in pdf and put on line the following books :
- "Le Temps des Naguals : Autour de Burroughs et Gysin": 134 pages
http://www.inter-zone.org/thetimeofthenaguals/TNFR.pdf : see the contents at
http://sites.google.com/site/aubertisa/tnbgfr-html
In the English anthology of Interzone, two tomes seem to be
ready now: Ordering and classing the huge amount of the texts in different
tomes is a hell of a work !
- "Around Burroughs and Gysin" Tome 1, 86 pages,
http://www.inter-zone.org/thetimeofthenaguals/TN1AroundB&G.pdf contains the
original texts in English which were translated in the "Le Temps des
Naguals: Autour de Burroughs et Gysin", plus texts about them: see the
contents on line at : http://sites.google.com/site/aubertisa/tnbgen1-html
- "Research": 162 pages,
www.inter-zone.org/thetimeofthenaguals/TN2research.pdf
This tome gathers the researches conducted in different domains related to
those explored by Burroughs and Gysin, by Interzone members spread all over
the world, which they have continued them, with the tools of thinking we had
in 1997, when Interzone started, and when we started this anthology. See the
contents at : http://sites.google.com/site/aubertisa/tnenresearch-html
This anthology is an experiment of non-Aristotelian functions of writing
described by Alfred Korzybski and applied and developed by Burroughs and
Gysin:
1. Symbolic function of language * (Korzybski): a word is a symbol, a sign
which stands for something. Language is a map of reality.
2 Function of time-binding *: writing binds the author and his readers
through space-time:
"Whenever you use this bow I will be there," the Zen archery master tells
his students. And he means there-quite literally. He lives in his students
and thus achieves a measure of immortality. And the immortality of a writer
is to be taken literally. whenever anyone reads his words the writer is
there. He lives in his readers." William S. Burroughs, "The Place of Dead
Roads"
" Just before he signs off for good , many a man has picked up the distant
voice of his doctor saying: " He is dead". Remember, these words are
meaningless. When you read this I am alive. I am here on this page. I am
here. I am HERE!" .
3. Magic function : "Writing is about making it happen" (Brion Gysin) : a
writer writes a scenario of reality which his readers can make happen, and
this way, create a reality which fits them: "In fact, writers are
potentially very powerful. The write the scenario of the film of reality.
Jack Kerouac opened a million coffee bars and sold a million Levis to both
sexes." (Burroughs, "The Adding Machine: Selected Essays" ).
4. Through the link between the author and the reader, writing creates a
collaboration between them, which produces, according to mathematic
non-additivity *, a phenomenon called by Burroughs and Gysin "the
Third-Mind" : with regard to human collaboration, 1 + 1 = 3 :
" Gysin: when you associate two minds...
Burroughs: There is always a third mind...
Gysin: A third higher mind...
Burroughs: Like an invisible collaborator. "
("The Third Mind".)
This application of general semantics to writing is not an attempt to create
a new literary trend. It is an experiment to use writing according to our
present level of evolution in sciences. In the domains of sciences and
techniques, we got to a high level of evolution, but in human domains, we
are still stuck to the previous steps of evolution of our civilisation :
Aristotle and Descartes, and think and act with obsolete patterns.
- Le Taxidermiste / The Taxidermist on line:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Both comics by José ALTIMIRAS & François DARNAUDET were on line and
disappeared in October 2009 with all the free sites of Geocities. They now
are on line again, in French and English, in www.inter-zone.org/ at :
Le Taxidermiste : http://www.inter-zone.org/letaxidermiste/cover.html
The Taxidermist: http://www.inter-zone.org/thetaxidermist/cover.html
Both books are available in printed version , published by Interzone
Editions http://interzoneeditions.livres.officelive.com/letaxidermiste.aspx
:
- Le Taxidermiste : ISBN : 978-2-9531513-1-2, Format: 21x 29,7 cm, 46 pages,
22 ?
- The Taxidermist: ISBN : 978-2-9531513-2-9, Format: 21x 29,7 cm, 46 pages,
22 ?
Comix: New adventures of Z Craignos in Paris 70 !
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
New episodes of Z Craignos' adventures are on line, extracted from Jean
Rouzaud's albums: 'La Zone' and 'La Fin des Branchés', a good image of the
trend in the late seventies. http://paris70.free.fr/z-craignos.htm Good read
! Bernard Bacos http://paris70.free.fr/z-zone1.htm
Charles Plymell : Eat Not Thy Mind
~~~~~~~~~~~~~~~~~~~~~~~~
Charles Plymell has published "Eat not thy mind", a book of poetry and
texts, foreword by Mike Watt, at Glass Eye Books/Ecstatic Peace Library .
You can buy it here
http://yod.com/yodstuff/product_info.php?products_id=6469 : 374 trade copies
and 26 lettered and signed by Charles Plymell.
The making of the book is an artwork by itself, beautiful !
Paul Hawkins interview: "Charles Plymell : The Benzedrine Highway"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
In Ginger Eades's blog Even for the Hipsters, Hustlers Highjivers
http://hipstershustlersandhighjivers.blogspot.com/2010/04/eat-not-thy-mind-reviewed-by-paul.html
On line with photographs at
http://www.jackmagazine.com/interview-ch-paul.html
In French , translated by Jean-Marie Flémal at
http://interzone-news.blogspot.com/2010/06/te-bouffe-pas-la-teteest-une-uvre-dart.html
and
http://isabellebaudron.blog.lemonde.fr/2010/04/17/te-bouffe-pas-la-tete-de-charles-plymell-compte-rendu-de-paul-hawkins/
Sharon Anderson: Charles Plymell talks about his new volume of poetry, 'Eat
Not Thy Mind'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This interview by Sharon Anderson, Northside San Francisco is on line at
http://www.northsidesf.com/june10/ae_inhisowntime.html
Interview of Gérard Malanga in the site Smithonian.com:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"An associate of Andy Warhol, Gerard Malanga reflects on his subjects and
his carrer as a photographer." By Jeff Campagna, Smithonian.com
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html#
and
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html?c=y&page=2
Photos à http://artbook.typepad.com/artbook/
Richard Krech
~~~~~~~~~~
IBM cut-up: http://www.inter-zone.org/ibmcutup.html
A blog with a review of Richard Krech's work:
http://fitzroydreaming.blogspot.com/
Two poems at
http://interzone-news.blogspot.com/2010/06/richard-krech-two-poems.html
illustrated by Briana Miller.
Phil Baker : William S. Burroughs
~~~~~~~~~~~~~~~~~~~~~~~
Phil Baker
http://www.press.uchicago.edu/presssite/author.epl?fullauthor=Phil%20Baker
192 pages, 30 halftones 5 x 7 7/8
Series: Reaktion Books - Critical Lives
http://www.press.uchicago.edu/presssite/metadata.epl?mode=synopsis&bookkey=8932829
Mike Stevens: The Road to Interzone: interview by Paul Hawkins
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Road to Interzone: Reading William S. Burroughs Reading
http://realitystudio.org/criticism/the-blade-runner-and-the-shootist/
Second (Revised and Expanded) Edition by Michael Stevens available now
direct from the publisher:
http://www.suicidepress.com/
Suicide Press , P. O. Box 663 , Archer City, Texas 76351
Michael Stevens - The Road to Interzone Interview by Paul Hawkins
at
www.hesterglock.com/words/outsider/mikestevensroadtointerzone.htm
A.D. Winans
~~~~~~~~~~
A. D. Winans is a native San Francisco poet, writer and photographer. His
site is at
http://www.adwinans.mysite.com/
See his poem FOR WILLIAM BURROUGHS at
http://interzone-news.blogspot.com/2010/06/d-winans-website.html
Robert Hass: On Whitman's 'Song Of Myself'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.npr.org/templates/story/story.php?storyId=125789927 Listen to the
Story
Fresh Air from WHYY
"Papy Beat Generation" by Jean Azarel, Alain Jégou & Lucien Suel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://interzone-news.blogspot.com/2010/06/papy-beat-generation-de-jean-azarel.html
Price: 12 ? Order at : Hors Sujet, 35 rue Jules Simon, 56100 - Lorient
Jack Kerouac: Sur la Route
~~~~~~~~~~~~~~~~~~~
In France, the publication by Gallimard of Josée KAMOUN's new translation of
"On the road", from the rolls on which Kerouac wrote the book, is a literary
event and a success : see the doc in Interzone news :
Nouvel Obs: Jack Kerouac "Sur la Route" :
http://interzone-news.blogspot.com/2010/06/nouvel-obs-jack-kerouac-sur-la-route.html
and France culture: "Sur la Route" de Jack Kerouac :
http://interzone-news.blogspot.com/2010/06/nouvel-obs-jack-kerouac-sur-la-route.html
Claude Pelieu "Je suis un cut-up vivant"
~~~~~~~~~~~~~~~~~~~~~~~~~~
Subscription bulletin at
http://interzone-news.blogspot.com/2010/06/autour-de-claude-pelieu-je-suis-un-cut.html
Jim Morisson: "Wilderness" & "La nuit américaine"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Those two books by Jim Morisson are published by Christian Bourgois :
http://www.christianbourgois-editeur.com/titres.php?page=2Α=M
Music
======
Mike Watt:
~~~~~~~~
Mike Watt is a musician, bassist. He started with the Minutemen and is
presently playing with the Stooges:
http://www.youtube.com/watch?v=LZLT1aMQ--U
Sites: The Watt from Pedro show : http://twfps.com/ , MySpace :
http://www.myspace.com/wattfrompedro,
May 16, 2010 From 1 to 4 P.M. Live Remote Broadcast Of The Watt From Pedro
Show http://www.track16.com/track16nights/2010-05-14/index.php
Paul Kennedy: Sunrise Studio
~~~~~~~~~~~~~~~~~~~~
Sunrise Recording Studio offers a state of the art SSL recording and mixing
facility. Based in the vibrant center of Islington, in the heart of central
London, Sunrise is set in a relaxed and professional environment & is
staffed and equipped to the highest standard for recording artists and
record producers alike. With acoustics by award winning Andy Munro we are
proud to present this state of the art facility for your consideration.
(More at http://www.sunrise-studio.co.uk/ )
For bookings & information please contact. Sunrise Studio Bookings Manager
Paul Kennedy, E-mail paul@12one.net , Tel:+44 (0) 207-685-8595, web:
http://www.sunrise-studio.co.uk/
Laki Vazakas: Music Video for Grant Hart's song "Nobody Rides For Free"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.youtube.com/watch?v=_oHMFcD7k8s&feature=channel_page
Shot in the exotic locales of Cherry Valley, Sharon Springs, Norwich,
Manhattan, Litchfield NH, Cambridge MA, and points in between and off the
map.
Charles Plymell, Bebop Plymell Lab Dog. Claude Pelieu, Charles Henri Ford;
Ray Bremser, et.al.
Laki Vazakas
BARDO POND playing with Lou Reed down in Australia
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Bardo Pond interview:
http://www.fasterlouder.com.au/features/23846/Bardo-Pond-.htm
Gig Bardo Pond http://www.altmedia.net.au/gig-bardo-pond/19691
Dan Cohoon nielad@hotmail.com
Amplitude Equals One Over Frequency Squared
http://www.frequencysquared.blogspot.com/
frequencysquared@hotmail.com
Moral Crayfish
http://www.moralcrayfish.blogspot.com/ http://www.myspace.com/moralcrayfish
moralcrayfish@hotmail.com
Exhibitions:
========
Dead Fingers Talk: The Tape Experiments of William S. Burroughs
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dead Fingers Talk (May 28 - July 12) is an exhibition presenting two
unreleased tape experiments by William Burroughs from the mid 60s alongside
responses by 23 artists, musicians, writers, composers and curators.
Few writers have exerted as great an influence over such a diverse range of
art forms as William Burroughs. One typically overlooked manifestation of
his radical ideas about manipulation, technology and society is found in his
extensive experiments with tape recorders in the 1960s and '70s. Dead
Fingers Talk: The Tape Experiments of William S. Burroughs is the first
exhibition to demonstrate the diversity of resonance in the arts of
Burroughs' theories of sound.
More at http://www.joeambrose.net/whatsup?wuID=55
The exhibition includes work by Alma/Joe Ambrose, Steve Aylett, Alex Baker &
Kit Poulson, Lawrence English, The Human Separation, Riccardo Iacono,
Anthony Joseph, Cathy Lane, Eduardo Navas, Negativland, o.blaat, Aki Onda,
Jörg Piringer, Plastique Fantastique, Simon Reuben White, Giorgio Sadotti,
Scanner, Terre Thaemlitz, Thomson & Craighead, Laureana Toledo and
Ultra-red, with performances by Ascsoms and Solina Hi-Fi.
http://www.imagemusictext.com/project-listing/deadfingerstalk
MINO DC: avec pas mal de vent...
~~~~~~~~~~~~~~~~~~~~~~~~
With a lot of wind, the installasson 4b et "scream" l'installavent. Photos
at
http://interzone-news.blogspot.com/2010/06/mino-dc-avec-pas-mal-de-vent.html
More in MINO DC's blog, l'atelier-jardin de mino d.c. at
http://ateliermino.free.fr/
Interzone galleries:
=============
Paul O'Donnovan:
~~~~~~~~~~~~
"The Soft Parade", "A Perfume of Oblivion" & "Tightrope City Blues" :
http://sites.google.com/site/interzonegalleries/odonovan61-htm
Galerie Ecritures:
~~~~~~~~~~~~
- FIN de PARTIE : Close to the last two weeks of his exhibition, Bruno
DANJOUX proposes with KADANSE a dancing Happening at the gallery ECRITURES
which will be an occation to present the elements of choregraphy which will
be presented at Athanor on saturday July 3rd within the framework of the
Rencontres Chorégraphiques Nationales.
Galerie ECRITURES 1 rue Pierre Petit 03 100 MONTLUCON.
- Exposition Rémy Pastor
Ginger K. Eades :
~~~~~~~~~~~~~
Photos of William Burroughs :
http://sites.google.com/site/interzonegalleries/williamburroughs-htm
Ginger Eades: PLYMELL & FRIENDS SLIDE SHOW : The Charles Plymell Reel Slide
Show
http://www.slide.com/r/k2zdoqn95z_vkFJhnVKRyQvsMGMPgsXt?previous_view=lt_embedded_url
Isabelle Aubert-Baudron & Baud :
~~~~~~~~~~~~~~~~~~~~~~~
Photos of William Burroughs :
http://sites.google.com/site/interzonegalleries/williamburroughs2-htm
Laurence Canciani:
~~~~~~~~~~~~~
Photos at
http://sites.google.com/site/interzonegalleries/laurence-canciani2-htm
Laurence is opening a tee-room rue St Médard :
It is situated in the shop where she had settled her painting workshop and
shop: see at
http://sites.google.com/site/interzonegalleries/laurence-canciani
Galerie Didier Devillez :
~~~~~~~~~~~~~~~~
stéphane mandelbaum - galerie didier devillez
http://interzone-news.blogspot.com/2010/06/stephane-mandelbaum-galerie-didier.html
interview Georges Meurant (exposition Galerie Didier Devillez)
Interview of Georges Meurant, for the RTBF (Pascal Goffaux) on may 29th 2010
:
http://www.rtbf.be/culture/non-classe/georges-meurant-espace-d'apparition-galerie-didier-devillez/
More at http://www.galeriedidierdevillez.be/
Philip Scalia photographs
~~~~~~~~~~~~~~~~~
Philip Scalia photographs http://philipscalia.com/
Gerard Malanga: photo gallery
~~~~~~~~~~~~~~~~~~~~~
Photo gallery at
http://www.smithsonianmag.com/arts-culture/Celebrity-Portraitist-Gerard-Malanga.html#
Yony's Picasa Web Album - New Album 9/15/07
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
View Album http://picasaweb.google.com/yonilizer/NewAlbum91507402PM~
Play slideshow
http://picasaweb.google.com/yonilizer/NewAlbum91507402PM/photo#s5110524019006555106
Claude Pelieu/Mary Beach exhibit at John McWinnie Gallery, NYC.
Some attendees include: Grant Hart, Pam Beach-Plymell, June Barwick, Mary
Joan Waid; Jonathan Galassi; George Kimball, Indra, Gerard Malanga, Phil
Scalia, Laki,Ted Morgan, Thurston Moore, Byron Coley, Charles Plymell.
FESTIVAL ECSTATIQUE Nothampton Nov. 16th and 17th
Nov 18, 2007 All photos by Yony Leyser Nov. 2007
http://picasaweb.google.com/yonilizer/FESTIVALECSTATIQUENothamptonNov16thAnd17th?authkey=5Wemndfoy7Q
Mike Stevens' gallery: Charles Plymell books
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
On line at :
http://www.flickr.com/photos/michael_stevens/4651886078/in/photostream
Video
=====
Ricardo Mbarkho: Artists talk: video art by Björn Melhus at Beirut Art
Lounge
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Artists talk: video art by Björn Melhus
Beirut Art Lounge , Karantina River bridge, 09th April 2010, 19:30 clock
Homepage of Björn Melhus http://www.melhus.de/
4th INTERNATIONAL FESTIVAL OF CREATION FILM & VIDEO, BEYROUTH
New moving images, 11-14 MAY 2010, OPENING CEREMONY: MAY 10, 2010. AT 7 PM
AT ALBA
FULL PROGRAM DETAILS AT http://www.fifvc.com/
Anthony Rousseau: Combined Media:
~~~~~~~~~~~~~~~~~~~~~~~~~~
Anthony has presented from May 29th to June 12th the interactive work
"Combined media" at the Espace Pignon and Euratechnolgies in Lille. It has
been realized in his residence at the espace Pignon, with the collaboration
of the people of the area.
http://www.mairie-lille.fr/fr/Culture/Agenda_culturel/exposition-combined .
Combined media is part of the project TRAME by Anthony Rousseau :
http://www.dailymotion.com/video/xa160c_trame_creation
~
Laki Vazakas: Herbert Huncke at Cafe Nico, March 12, 1994
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.youtube.com/watch?v=X3xMtnpZcfo
Sites:
====
La sémantique générale pour tous:
~~~~~~~~~~~~~~~~~~~~~~~
The site http://semantiquegenerale.free.fr/ has been updated.
See, in the Institute of General Semantics : Henri Laborit: Alfred Korzybski
Memorial Lecture 1963: THE NEED FOR GENERALIZATION IN BIOLOGICAL RESEARCH :
ROLE OF THE MATHEMATICAL THEORY OF ENSEMBLES Henri Laborit, . MD Centre
d'Etudes Experimentales et Cliniques de Physio-Biologie, de Pharmacologie et
d'Eutonologie de la Marine Nationale, Paris, France (Institute of General
Semantics)
Interzone news
~~~~~~~~~~
New look for the blog.
This report is on line at
http://sites.google.com/site/aubertisa/reportmay10-htm &
http://sites.google.com/site/aubertisa/reportmay10b-htm and the French
version, at http://sites.google.com/site/aubertisa/reportmay10fr-htm &
http://sites.google.com/site/aubertisa/reportmay10bfr-htm
Between two reports, the news are updated in the blog Interzone news:
http://interzone-news.blogspot.com/
All the best for your holidays for those who have some.
Izzy: email: i.aubert[at]interpc.fr
* Alfred Korzybski: "Science and Sanity"
http://esgs.free.fr/uk/art/sands.htm
Two slide shows from Collage Art by Claude Pelieu & Mary Beach by Ginger Eades
Slide Show from Collage Art by Claude Pelieu & Mary Beach
http://realityandotherfantasies.blogspot.com/p/slide-show-of-claude-pelieu-mary-beach.html
& http://picasaweb.google.com/Highjiver/BeachPelieu?authkey=Gv1sRgCIDJ57rC8eTHCw#slideshow/5234270719383855442
http://realityandotherfantasies.blogspot.com/p/slide-show-of-claude-pelieu-mary-beach.html
& http://picasaweb.google.com/Highjiver/BeachPelieu?authkey=Gv1sRgCIDJ57rC8eTHCw#slideshow/5234270719383855442
Interview of Brion Coley
Interview by Jason Gross ,
Part 1 : www.furious.com/perfect/byroncoley.html
Part 2: http://www.furious.com/perfect/byroncoley2.html
Part 1 : www.furious.com/perfect/byroncoley.html
Part 2: http://www.furious.com/perfect/byroncoley2.html
jeudi 24 juin 2010
A. D. Winans' website
A. D. Winans is a native San Francisco poet, writer and photographer.
http://www.adwinans.mysite.com/
FOR WILLIAM BURROUGHS
You played the game out like a Mafia Don
Late for an appointment with the Godfather
Living life with the tenacity of a gunslinger
Looking for another notch on his gun
Your cinematic midnight cowboy dreams
Cut-up poster boy hero images
Walking the mind’s third eye
Traveling a time zone of drug induced mythologies
Grinding away the days the months the years
Like a frenzied lap-dancer
Seeking thrills in forbidden pleasure zones
FOR WILLIAM BURROUGHS
You played the game out like a Mafia Don
Late for an appointment with the Godfather
Living life with the tenacity of a gunslinger
Looking for another notch on his gun
Your cinematic midnight cowboy dreams
Cut-up poster boy hero images
Walking the mind’s third eye
Traveling a time zone of drug induced mythologies
Grinding away the days the months the years
Like a frenzied lap-dancer
Seeking thrills in forbidden pleasure zones
mercredi 23 juin 2010
Richard Krech: two poems
Illustrations: Briana Miller
Those poems are on line at http://www.inter-zone.org/richardkrech1.html
Plus IBM cut up at http://www.inter-zone.org/ibmcutup.html
mardi 22 juin 2010
lundi 21 juin 2010
“Te bouffe pas la tête” de Charles Plymell- Compte rendu de Paul Hawkins, traduction Jean-Marie Flémal
Traduction: Jean-Marie Flémal.
Te bouffe pas la tête est une œuvre d’art. Avec un collage de Claude Pélieu sur la première de couverture et un avant-propos de l’ami et bassiste Mike Watt. Ce recueil propose vingt-neuf poèmes contemporains du poète hors la loi qu’est Charles Plymell. C’est avec beaucoup d’amour et de soin que Byron Coley et Thurston Moore, les responsables de la collection Glasse Eye Books / Ecstatic Peace Library, ont produit ce bel objet. Et il ne s’agit que de l’emballage ! Charley Plymell est considéré à juste titre comme l’un des meilleurs poètes de l’underground littéraire américain. Il a vu beaucoup de choses depuis sa naissance en 1935 dans les hautes plaines du Kansas et depuis ses premiers souvenirs du bruit du vent dans la cabine d’un camion Reo Speedwagon. Son père était cow-boy, sa mère fut entre autres cascadeuse au volant. Charley s’empressa de quitter le Kansas en compagnie de gars comme Bob Branaman, S. Clay Wilson, Michael McClure, Bruce Connor et les punks de Wichita filant à tout berzingue à travers le Vortex, le fameux tourbillon, hurlant et rugissant tous azimuts, nord, sud, est et ouest.
Chemin faisant, Plymell et les punks de Wichita tâteront du speed, laisseront tomber le LSD, organiseront des rituels à la mescaline et feront des tas d’expériences dans le domaine de l’art et des autres formes de création des années cinquante. Tous étaient des dévoreurs de tarmac. Charley avait déjà derrière lui deux volumes de poèmes, Neon Poems et Apocalypse Rose quand, en 1971, City Lights publia son truculent roman, Le dernier des Mocassins. Ce roman agrippe, miroite et scintille, avec son style de prose hobohémien ; il débobine les faits marquants de sa vie à Wichita et environs, ses allers et retours entre la côte ouest et le Kansas, le long de la route 66, l’autoroute de la benzédrine, et bien au-delà encore, ses folles années hip et la vie de bâton de chaise de sa sœur aînée Betty. Ses mots se sont mués en étincelles d’énergie, en sparring-partners du cerveau. Le lexème de Te bouffe pas la tête resplendit de façon incandescente dans la sombre conscience du 21e siècle, devenant ainsi le lubrifiant avec lequel les délirants nuages spirituels se mettent en mouvement pour révéler un engagement dans la vie dénué de la moindre hésitation, mais toujours vibrant et astucieux.
D’emblée, les mots de Charley sont capiteux, charmeurs et descriptifs jusqu’à l’intoxication. Ses années hip se sont confondues avec sa période psychédélique avant qu’il enfonce le frein à main à San Francisco. Charley a vécu avec Ginsberg et Neal Cassady, il a imprimé le tout premier Zap Comix de Robert Crumb, puis il a écrit, écrit et écrit tant et plus. Après avoir brûlé le tarmac et vu clair dans le jeu de la Beats Inc., Charley panse ses plaies et monte sur Cherry Valley. Il y va d’une sévère diatribe contre le Fonds national des Arts et son analyse pénétrante et mûrement réfléchie est reprise dans le New York Times et d’autres journaux et publications. Avec sa femme Pam, il lance Cherry Valley Editions, publiant ainsi Herbert Huncke, William Burroughs, Roxie Powell, Claude Pélieu, Mary Beach, pour n’en citer que quelques-uns. Quoi qu’il en soit, Charley est et restera à jamais un poète. Et quel poète ! Sachant à tout moment où recouper les traces en provenance d’un âge lointain, dans Te bouffe pas la tête, Charley envoie des pulsions d’énergie qui prennent leur plein envol autour du cerveau du lecteur, à qui il fait partager la naissance d’une nouvelle conception de la folie actuelle, un autre champ d’interrogation, le souffle d’un vent de fraîcheur pour l’esprit et le cœur dont il faut s’emplir à fond avant de prendre son envol. Te bouffe pas la tête, de Charley Plymell, est une œuvre suprême.
Charles Plymell : Te bouffe pas la tête
Glass Eye Books / Ecstatic Peace Library
374 exemplaires destinés à la vente et 26 numérotés et signés par Charles Plymell
http://yod.com/yodstuff/product_info.php?products_id=6469Voir également l’interview de Charles Plymell par Paul Hawkins : “Charles Plymell : The Benzedrine Highway Interview” dans le blog de Ginger Eades à Even for the Hipsters, Hustlers & Highjivers http://hipstershustlersandhighjivers.blogspot.com/
dimanche 20 juin 2010
Interzone galleries: photos of William Burroughs
Two new galleries with pictures of William Burroughs:
- William S. Burroughs by Ginger EADES : page 1 , page 2
- Willliam S. Burroughs by Isabelle Aubert-Baudron & Baud
- William S. Burroughs by Ginger EADES : page 1 , page 2
- Willliam S. Burroughs by Isabelle Aubert-Baudron & Baud
Optical sound: june newsletter
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NEW RELEASE / NOUVELLE EDITION
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JG THIRLWELL & FRED BIGOT : "Hydroze Plus" (OS.045)~10" LP
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Hydroze Plus (OS.045) JG Thirlwell (Foetus) and Fred Bigot (Electronicat) 10" LP Clear Vinyl + 4 colors Silkscreen on transparent + Offset R/V Print All in Clear Hard PVC Plasticbag
Definitively a rare and unique release !
Buy here 10 euros + Postage
Face A 1. Overcoat (4'18) 2. Belladonna (5'36) (CalmCalm remix by Fred Bigot)
Face B 3. Epi-Dose (4'45) (Overcoat remix by JG Thirlwell) 4. CalmCalm (4'18)
Hydroze Plus is Fred Bigot : instruments & music / JG Thirlwell : vocals & lyrics Composed by Fred Bigot (GEMA) and JG Thirlwell (Ectopic Music) Recorded at Nolite Studio, Berlin, 2005-2009 with additional recording at Self Immolation Studios, Brooklyn. Sleeve designed by JG Thirlwell Mastered by Norscq Merci à Jeff Fisher, Catriona Shaw, Can Oral, Laura Lindgren, Ken Swezey, Heung-Heung Chin.
http://www.foetus.org/
http://www.electronicat.com/
www.optical-sound.com Produced by Hydroze Plus OS-045, 2010
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NOW ! PIERRE BELOÜIN : "Playing You (Nothing Inside is Real)"
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GALERIE FREDERIC GIROUX (Paris)
Dernier jour ce Samedi 19 JUIN 2010 ! ~ de 18H00 à 21H00
La vitrine par OLIVIER HUZ & ARIANE BOSSHARD
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SOON ! COLLECTIVE SHOW : "Previously on Optical Sound..."
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GALERIE FREDERIC GIROUX (Paris)
Vernissage le 3 JUILLET 2010~ de 18H00 à 21H00
La vitrine par EDDIE LADOIRE
Commissariat Pierre Beloüin, Olivier Huz et P.Nicolas Ledoux, + GUESTS, Ototoï, Black Sifichi, and :
J.G. Thirlwell, Barbara Breitenfellner, Rebecca Bournigault, Pascal Broccolichi, Pierre-Laurent Cassière, Jérôme Poret, Sophie Sommerlatt, Marjolaine Bourdua, Cathryn Boch, Emeline Girault , Cendrillon Bélanger, Philippe Perreaudin, Claire Moreux, Lydie Jean Dit Pannel, Serge Comte, Loïg R, Goran Vejvoda, Ian Simms, Emmanuel Lagarrigue, Nicolas Simonin,Jill Gasparina, Frederic Nogray, Frédéric Post, Alain Declercq, Stéphane Sautour, Claude Lévêque, Rainier Lericolais, Christian Vialard, Guillaume Ollendorf, Simon Fisher Turner, Isabella Turner, Sébastien Roux, Eddie Ladoire, Lionel Marchetti, Black Sifichi, Norscq, Cocoon aka Christophe Demarthe, Stéphane Thidet, David Michael Clarke, Anabelle Hulaut, Philippe Lepeut, Christophe Bailleau, Olivia Louvel, Thierry Weyd, Samuel Ruchot, Julien Sirjacq, Cécile Babiole, Gilles Berquet, Mirka Lugosi, Mathias Delplanque, Alia Daval, Dorota Kleszcz , François Ronsiaux,Wild Shores, Hervé TTrioreau, Laurent Faulon, Davide Bertocchi, Alex andre Bianchini, Dominique Blais, Vincent Epplay, Gérôme Nox, Scanner…
& MORE INFO SOON
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dimanche 13 juin 2010
stéphane mandelbaum - galerie didier devillez
la Galerie Didier Devillez a le plaisir de vous proposer une nouvelle oeuvre de
Stéphane Mandelbaum
Autoportrait, stylo à bille sur papier, 50 x 70 cm, 1980
GALERIE DIDIER DEVILLEZ53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935devillez@skynet.be • http://www.galeriedidierdevillez.be
Review of POEMS OF MADNESS & ANGEL By Ray Bremser
(Ray Bremser, Charles Plymell and Grant Hart in front of Allen Ginsberg's farmhouse at the Committee on Poetry, Cherry Valley, NY, August 1998.
Photo by Betsy Kirschbaum. © 1998 Water Row Books.)
Review of POEMS OF MADNESS & ANGEL By Ray Bremser. Published by Water Row Press Sudbury, Mass.
The Back Beat of Bremser. — Charles Plymell ( From postcript of the book)
Post War America grooved on the big band era. (Krupa was no slouch). The golden age of sound was hitting every major city. Charley Parker practiced his sax in a shack across the tracks in Kansas City. The great sub-culture was growing from hep to hip to bebop tossing seeds to hip hop. The great Lord Buckley laid down the word riff when scat was pre-natal rap. Jazz heads and Benzedrine made the scene while ageless rounders, pimps, whores, ex-cons, street-wise youth and creative kids ventured toward the iconic “angry fix” and things illegal. Ray Bremser was already a member of that bohemian sub-culture. His Hoboken nose broken profile and Jersey flat land rasp was the perfect voice and look for Hollywood casting. He was proud of his presence.
Naturally, he uses the vernacular of the time to begin a philosophical soliloquy, “So let me lay it to you gently, Mr. Gone!” And, continues sarcastically, in his poetic brilliance, to explore his humanity, his history; and ends with, “It is a little / let us say, too much, man too much!” The language here needs to be appreciated in it own flavor, its own freshness, to savor its import and save it from cliché. In that setting, the familiar jive is literary ... yes, Shakespearean. It would probably take an actor now to restore the familiar charm and sound of a Bremser or a Huncke in their day. To etymologize further… the words and jazz in the culture of that time. When Huncke hitchhiked into town and repeated a common refrain: ”Man I’m beat,” it was quickly picked up by alert middle-class students of the avant-guard to define a generation of poets and writers. When people talk of the veracity and authenticity of figures like Ray Bremser and Herbert Huncke in the Beat Generation, I think of them as having been entrenched in a rudimentary sub-culture from which whole generations could derive and be named.
In this respect, I think Bremser adopted the beat influence and lifestyle as a later and much welcomed shelter from the street to which he could contribute his provenance. It is obvious in his Poems of Madness that he spent a great deal of scholarly time alone with the poetry of Hart Crane, Pound, and Shakespeare. He doesn’t try to disguise them as his own, but writes as an equal with a healthy influence one can detect; for instance, from the surreal inspiration of Hart Crane:
For I have strung up streamers
and inhaled a wild unpatriotic rebel attitude
of position out of the air where life begins/
confetti and cascades of violent pure-bred hair!
If Shakespeare were to appear, he would thoroughly enjoy the figure here, as would Chaucer. The image/idiom is timeless as well as the philosophical inquiry:
Shit up a rope, for all I care,
But watch how
sometimes, when the horizontal dreams
of a little life gone hither come to bear
dualities of weight over the head.
Bremser can uncannily tweak the prosody and myth a bit to go from Pound to perfect pitch:
saw Anubis & terror
saw motion of witchery there,
saw bone of filthy embalmer
saw seven league boots on the feet of those birds
more soarey than Bela Lugosi
And if the academic mainstream non-poets of numb nuts and nothingness don’t like it, he leaves them with something less absurd:
take your museums, marijuana!!!
stick them in high & go haywire....
--Charles Plymell
*Ray Bremser (February 22, 1934 – 1998) was an American poet.
Bremser was born in Jersey City, New Jersey. When he was 17 he went AWOL from the United States Air Force and was briefly imprisoned. The next year he was sent to Bordenstown Reformatory for 6 years for armed robbery. He began writing poetry there and sent copies to Allen Ginsberg, Gregory Corso and LeRoi Jones who published his poems in "Yugen" and threw a big party for him when he got out of jail in 1958.
He had five books of his poetry published and featured in a film, The Beat Generation: An American Dream (1987) IMDb.
He died in 1998 of lung cancer.
As part of the Beat Generation, Bremser was strongly influenced and mentored by Allen Ginsberg and Gregory Corso, as he illustrates with his catchy language and rhythmic motion in Poems of Madness."
He was the best reader of his own work I ever heard and taught me much more than the Iowa Writers Workshop. I let him sleep on our couch when he was temporarily homeless, but this upset my wife as he didn't bathe. He had no teeth and said he could eat everything but a peanut. He didn't drive. When I put on Soft Machine 6, he hated it. He preferred Be-Bop and claimed McCoy Tyner would "play" his poems on the piano. Will Schmitz
(Ray Bremser, Charles Plymell and Grant Hart in front of Allen Ginsberg's farmhouse at the Committee on Poetry, Cherry Valley, NY, August 1998.
Photo by Betsy Kirschbaum. © 1998 Water Row Books.)
Review of POEMS OF MADNESS & ANGEL By Ray Bremser. Published by Water Row Press Sudbury, Mass.
The Back Beat of Bremser. — Charles Plymell ( From postcript of the book)
Post War America grooved on the big band era. (Krupa was no slouch). The golden age of sound was hitting every major city. Charley Parker practiced his sax in a shack across the tracks in Kansas City. The great sub-culture was growing from hep to hip to bebop tossing seeds to hip hop. The great Lord Buckley laid down the word riff when scat was pre-natal rap. Jazz heads and Benzedrine made the scene while ageless rounders, pimps, whores, ex-cons, street-wise youth and creative kids ventured toward the iconic “angry fix” and things illegal. Ray Bremser was already a member of that bohemian sub-culture. His Hoboken nose broken profile and Jersey flat land rasp was the perfect voice and look for Hollywood casting. He was proud of his presence.
Naturally, he uses the vernacular of the time to begin a philosophical soliloquy, “So let me lay it to you gently, Mr. Gone!” And, continues sarcastically, in his poetic brilliance, to explore his humanity, his history; and ends with, “It is a little / let us say, too much, man too much!” The language here needs to be appreciated in it own flavor, its own freshness, to savor its import and save it from cliché. In that setting, the familiar jive is literary ... yes, Shakespearean. It would probably take an actor now to restore the familiar charm and sound of a Bremser or a Huncke in their day. To etymologize further… the words and jazz in the culture of that time. When Huncke hitchhiked into town and repeated a common refrain: ”Man I’m beat,” it was quickly picked up by alert middle-class students of the avant-guard to define a generation of poets and writers. When people talk of the veracity and authenticity of figures like Ray Bremser and Herbert Huncke in the Beat Generation, I think of them as having been entrenched in a rudimentary sub-culture from which whole generations could derive and be named.
In this respect, I think Bremser adopted the beat influence and lifestyle as a later and much welcomed shelter from the street to which he could contribute his provenance. It is obvious in his Poems of Madness that he spent a great deal of scholarly time alone with the poetry of Hart Crane, Pound, and Shakespeare. He doesn’t try to disguise them as his own, but writes as an equal with a healthy influence one can detect; for instance, from the surreal inspiration of Hart Crane:
For I have strung up streamers
and inhaled a wild unpatriotic rebel attitude
of position out of the air where life begins/
confetti and cascades of violent pure-bred hair!
If Shakespeare were to appear, he would thoroughly enjoy the figure here, as would Chaucer. The image/idiom is timeless as well as the philosophical inquiry:
Shit up a rope, for all I care,
But watch how
sometimes, when the horizontal dreams
of a little life gone hither come to bear
dualities of weight over the head.
Bremser can uncannily tweak the prosody and myth a bit to go from Pound to perfect pitch:
saw Anubis & terror
saw motion of witchery there,
saw bone of filthy embalmer
saw seven league boots on the feet of those birds
more soarey than Bela Lugosi
And if the academic mainstream non-poets of numb nuts and nothingness don’t like it, he leaves them with something less absurd:
take your museums, marijuana!!!
stick them in high & go haywire....
--Charles Plymell
*Ray Bremser (February 22, 1934 – 1998) was an American poet.
Bremser was born in Jersey City, New Jersey. When he was 17 he went AWOL from the United States Air Force and was briefly imprisoned. The next year he was sent to Bordenstown Reformatory for 6 years for armed robbery. He began writing poetry there and sent copies to Allen Ginsberg, Gregory Corso and LeRoi Jones who published his poems in "Yugen" and threw a big party for him when he got out of jail in 1958.
He had five books of his poetry published and featured in a film, The Beat Generation: An American Dream (1987) IMDb.
He died in 1998 of lung cancer.
As part of the Beat Generation, Bremser was strongly influenced and mentored by Allen Ginsberg and Gregory Corso, as he illustrates with his catchy language and rhythmic motion in Poems of Madness."
He was the best reader of his own work I ever heard and taught me much more than the Iowa Writers Workshop. I let him sleep on our couch when he was temporarily homeless, but this upset my wife as he didn't bathe. He had no teeth and said he could eat everything but a peanut. He didn't drive. When I put on Soft Machine 6, he hated it. He preferred Be-Bop and claimed McCoy Tyner would "play" his poems on the piano. Will Schmitz
Christian bourgois: Jim Morrison sur les écrans et dans le texte
Chers amis,
Tandis que sort demain sur les écrans le documentaire "When you're strange", que Tom DiCillo a consacré au groupe The Doors, n'oubliez pas d'approfondir votre découverte ou redécouverte de l'univers de Jim Morrison par la lecture de ses écrits, de nouveau disponibles au format de poche dans la collection Titres: "Wilderness" et "La nuit américaine", traduits par Patricia Devaux. Car Jim Morrison n'était pas uniquement le leader de ce groupe mythique. Grand lecteur de romans et de poésie, il a lui-même beaucoup écrit.
Tous les détails concernant ses publications sont disponibles sur le site des éditions Bourgois auquel vous pouvez accéder en cliquant sur le lien suivant:
http://www.christianbourgois-editeur.com/titres.php?page=2Α=M
Bonne lecture à tous
Tandis que sort demain sur les écrans le documentaire "When you're strange", que Tom DiCillo a consacré au groupe The Doors, n'oubliez pas d'approfondir votre découverte ou redécouverte de l'univers de Jim Morrison par la lecture de ses écrits, de nouveau disponibles au format de poche dans la collection Titres: "Wilderness" et "La nuit américaine", traduits par Patricia Devaux. Car Jim Morrison n'était pas uniquement le leader de ce groupe mythique. Grand lecteur de romans et de poésie, il a lui-même beaucoup écrit.
Tous les détails concernant ses publications sont disponibles sur le site des éditions Bourgois auquel vous pouvez accéder en cliquant sur le lien suivant:
http://www.christianbourgois-editeur.com/titres.php?page=2Α=M
Bonne lecture à tous
Northside article for "Eat Not Thy Mind"
In his own time: Charles Plymell talks about his new volume of poetry,
‘Eat Not Thy Mind’
By Sharon Anderson
http://www.northsidesf.com/june10/ae_inhisowntime.html
‘Eat Not Thy Mind’
By Sharon Anderson
http://www.northsidesf.com/june10/ae_inhisowntime.html
samedi 12 juin 2010
Autour de Claude Pelieu "Je suis un cut-up vivant"
Le livre "La Crevaille" n'est plus offert aux acheteurs du collectif, car le tirage limité était réservé aux personnes qui avaient souscrit avant la parution.
jeudi 10 juin 2010
mercredi 9 juin 2010
mardi 8 juin 2010
dimanche 6 juin 2010
On Indra Tamang : Rags to riche$
In the Berkshire Eagle :
Indra Tamang is photographing Charles Henri Ford on his 90th birthday at party that Grant Hart took.
Charles Henri ford and Gerard Malanga
Grant Hart and Pam Plymell
See also Yony's Picasa Web Album
Mike Watt and the Missingmen
The may 30, 2010 edition of the watt from pedro show w/guest peak live from bangkok, thailand up for another three days at: http://twfps.com/
last gig with the missingmen until autumn!
saturday, june 5 at 9:30 pm at the smell http://www.thesmell.org/ 247 s. main st. (enter in back) los angeles, ca (213) 625-4325
last gig with the missingmen until autumn!
saturday, june 5 at 9:30 pm at the smell http://www.thesmell.org/ 247 s. main st. (enter in back) los angeles, ca (213) 625-4325
Joe Boon, Mike Watt and Nels Cline
interview Georges Meurant (exposition Galerie Didier Devillez)
une interview accordée à la rtbf (Pascal Goffaux), le dimanche 29 mai 2010
retrouvez Georges Meurant sur http://www.galeriedidierdevillez.be
GALERIE DIDIER DEVILLEZ53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935devillez@skynet.be • http://www.galeriedidierdevillez.be
GALERIE DIDIER DEVILLEZ53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935devillez@skynet.be • http://www.galeriedidierdevillez.be
didier devillez: lecture dominicale
didier devillez souhaite vous faire partager deux récentes lectures...
GALERIE DIDIER DEVILLEZ53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935devillez@skynet.be • http://www.galeriedidierdevillez.be
GALERIE DIDIER DEVILLEZ53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935devillez@skynet.be • http://www.galeriedidierdevillez.be
Nouvel Obs: Jack Kerouac "Sur la Route"
http://bibliobs.nouvelobs.com/20100514/19470/kerouac-reprend-la-route
La version complète, enfin !
«Comment je vais adapter Kerouac»
Un extrait du «rouleau» original de «Sur la route» de Jack Kerouac
Téléphone rouge
Un inédit de Kerouac écrit en français
Kerouac, le clochard de l'Amérique 
La version complète, enfin !
Kerouac reprend la route
Par Didier Jacob
On croyait connaître « Sur la route ». Jack Kerouac avait écrit ce roman phare de la Beat generation au début des années 1950. Une nouvelle édition, conforme à l'original, montre qu'on n'avait encore rien lu
Nous sommes en 1951. L'Amérique s'emmerde comme jamais. Le sénateur McCarthy vient d'être nommé président de la commission d'enquête sur les activités antiaméricaines. L'espionnite règne, on surveille son voisin, sa femme, ses amis. On peut être quelqu'un de bien en début de semaine, et puis non, cette crapule communiste, cette vermine rouge, c'est vous, là, avec votre air de père peinard, de gentil con d'Américain. Stars de l'époque ? Les époux Rosenberg. Ils sont condamnés à la peine capitale (seront exécutés en 1953). Un type inconnu, quasiment sorti de nulle part, un petit gars qui aime le jazz et les filles, la glande et la défonce, se met à sa machine et, dans un état second, shooté à la benzédrine et à l'inspiration, pond un roman en une vingtaine de jours. Ca s'appelle « Sur la route ». C'est un pétard, dans tous les sens du terme. C'est le chef-d'oeuvre qui va changer pour toujours le visage de l'Amérique.
Une belle histoire, donc. Mais fausse. Embellie à l'eau de rose de la légende. Kerouac, saint patron du « Guide du routard » ? Peut-être, mais c'était d'abord un bosseur-né. Et son livre, ce grand roman exaltant les valeurs de la jeunesse et de la liberté, qui a déformé, dans son édition portative, tant de jeans délavés (la poche arrière), mettez-vous bien ceci dans le crâne : vous l'avez peut-être lu, mais dans une version expurgée, censurée, étouffée. Allen Ginsberg, poète beat et l'un des héros de cette Bible, le déplore : le livre publié (en 1957) est à Kerouac ce que l'aspartame est au sucre. Et d'ajouter qu'un jour, «quand tout le monde sera mort », « Sur la route » sera enfin rendu à sa «folie » originale. Nous y voilà.
Tordons le cou, d'abord, aux idées le plus ordinairement reçues. Kerouac n'était pas le king de la défonce, façon Hunter Thompson. Hobo, pas gonzo. S'il met vingt et un jours, entre le 2 et le 22 avril 1951, à liquider son affaire, l'accouchement dura quatre ans, et les douleurs furent intenses. C'est le 23 août 1948 que, dans son Journal, l'écrivain évoque pour la première fois le livre qu'il a en chantier : « «Sur la route», qui m 'occupe l'esprit en permanence, est le roman de deux gars qui partent en Californie en auto-stop, à la recherche de quelque chose qu'ils ne trouvent pas vraiment, au bout du compte, qui se perdent sur la route, et reviennent à leur point de départ pleins d'espoir dans quelque chose d'autre. » En octobre 1948, il confie que son projet l'habite «même dans les bars, en présence de parfaits inconnus ».
The road, donc. La traversée de l'Amérique idolâtrée. Mais la route, ce n'est pas seulement une histoire de point A et de point B. C'est une manière d'être, une philosophie, une présence au monde, c'est Walt Whitman et Jack Daniel's réunis dans une même gourde, bue après l'amour, sous le ciel étoilé. Un vocabulaire aussi : de nouveaux mots, qui font fureur encore aujourd'hui, s'inventent sous nos yeux, «cool», «it», «pulse», «hip », «hot», «beat». La marge. Les marginaux. Le sexe ? Oui, même le sexe. Homo/hétéro, selon la météo du jour. On n'avait pas fait l'amour aussi bien depuis le néolithique. L'homme de Neandertal n'était-il pas, au fait, ce voyou déjà «speed» très porté sur la branlette ? Le premier beatnik qui ait marché sur la croûte terrestre.
29 septembre 1948 : «Je dois bien le reconnaître, je bloque avec «Sur la route».» Octobre 1949 : «Je n'ai toujours pas le sentiment que «Sur la route» a commencé. » Brouillons, faux départs. 20 décembre 1950. Il se remet au travail sur un manuscrit intitulé « Souls on the Road ». Panier. Fatigue, désespoir. Mais lecture de Dashiell Hammett, de William Burroughs. Et ça vient. Printemps fou, gloire mystique. Après quatre ans de notes, de brouillons, de tentatives avortées et d'essais infructueux, ce sont les célèbres trois semaines d'avril 1951. Kerouac est à New York. Il a introduit dans le rouleau de sa machine à écrire un rouleau de papier à dessin retaillé aux dimensions voulues. Et vas-y que je t'écris Le Grand Roman Américain.
Philip Whalen, un témoin, raconte : « Il s'asseyait à sa machine, avec tous ses calepins posés ouverts sur la table, à sa gauche, et il tapait. Je n'ai jamais vu personne taper aussi vite. On entendait le chariot revenir sans trêve, avec un claquement. Le petit grelot faisait ding dong, ding dong, ding dong. » Kerouac, ajoute Whalen, « s'amusait comme un fou ». Sauf que, l'orgasme consommé, il lui faudra attendre six ans pour que son manuscrit soit publié : tous les éditeurs approchés se rebiffent, craignant le scandale et les poursuites judiciaires. L'un d'eux, Robert Giroux, voit débarquer Kerouac dans son bureau, son rouleau sous le bras qu'il dit avoir pris sous la dictée du Saint-Esprit. Giroux aime le livre, mais se dégonfle. Accusé d'illisibilité, Kerouac décide de retaper le texte sous une forme plus conventionnelle. Après de nombreuses relectures par les avocats et les éditeurs de chez Viking, et d'invraisemblables tripatouillages de dernière minute, Kerouac voit enfin son livre publié le 5 septembre 1957, sous la forme tronquée qu'on lui connaîtra si longtemps.
Le rouleau ? Attaqué par le cocker d'un ami (les dernières phrases, trop mâchouillées par l'animal, n'ont pu être reconstituées), c'est miracle s'il a pu être retrouvé. En 2001, il réapparaît dans une vente à New York (chez Christie's). Le propriétaire des Colts, l'équipe de football américain d'Indianapolis, emporte l'enchère, et signe un chèque de 2,5 millions de dollars. Ironie du sort (première partie) : on n'a jamais payé aussi cher pour le manuscrit d'un écrivain aussi fauché. Ironie du sort (deuxième partie) : c'est son premier éditeur, Viking, principal responsable du massacre, qui va publier le rouleau - et procéder à la récupération des données effacées.
Sipa
Jack Kerouac
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