Frank Rynne: Brian Jones 40th Anniversary in Joujouka

Brian Jones 40th Anniversary Festival in Joujouka 29th July Tickets on sale Here

Brian Jones 40th Anniversary in Joujouka
A once-in-a-lifetime chance to experience a day and night in Joujouka as guests of the Master Musicians of Jououka and their families on 29th July 2008.

The story
On 29th July 1968 Brian Jones came to Joujouka with Brion Gysin, Mohamed Hamri and engineer George Chkiantz to record an album with the Master Musicians of Joujouka.
The resulting LP was the first release on Rolling Stones Records in 1971 "Brian Jones presents the Pipes of Pan at Joujouka".
To mark the 40th anniversary of this historic recording, the Master Musicians of Joujouka are staging a celebratory festival on 29th July 2008. The musicians will perform the Sufi healing music of Joujouka and, after dinner, the night will be filled with a full performance of the musicians' Boujeloud Rite, which is likened to the ancient Rites of Pan.
Joujouka is a farming community with strong Sufi traditions, located in the Ahl Srif Mountains some 80 km south of Chefchaouen and 20km from Ksar El Kebir.It is a halal village; therefore, both presence and consumption of alcohol is strictly forbidden.

Food and board
Accommodation will be provided in traditional Joujouka houses with the musicians' families. This is a unique opportunity to experience a festival in the village and Joujouka life.
Full board will be provided: lunch on arrival on the 29th, a celebratory meal in the evening, and breakfast on the morning of the 30th. All the dishes will be prepared by the villagers and will be traditional Moroccan fare for a celebratory feast.
The people of Joujouka are renowned for their music and their cooking.
Places are limitedThis once-in-a-lifetime experience is available to a strictly limited 50 places. This is due to accommodation limitations in the village, which is 20km from the nearest urban centre.

Travel arrangements
Ticket holders must make their own way to Ksar El Kebir.Ticket holders will be transported from Ksar El Kebir's main train station ("Mouley Mehdi") at a designated time on the morning of 29th. Return transport to Ksar El Kebir will be provided on 30th to meet connecting trains.Grand taxis, and buses also serve Ksar El Kebir.
The price for this unique experience is €250 per person.Information available from joujouka@gmail.comBooking at http://www.joujouka.net/


Brion Gysin on Joujouka and Boujeloud

From "Brian Jones presents the Pipes of Pan at Joujouka", Rolling Stones Records, October 1971.

MAGIC calls itself The Other Method for controlling matter and knowing space. In Morocco, magic is practised more assiduously than hygiene though, indeed, ecstatic dancing to music of the brotherhoods may be called a form of psychic hygiene. You know your own music when you hear it one day.You fall into line and dance until you pay the piper.
My own music turned out to be the wild flutes of the hill tribe, Ahl Serif whom I met through the Moroccan painter, Hamri. He turned me on to the Moorish fleshpots, the Magic and the misery of the Moors. The secret of his mother's tribe, guarded even from themselves, was that they were still performing the Rites of Pan under their ragged cloak of Islam.

Westermark, in his book on pagan survivals in Morocco forty years ago, recognized their patron: Bou Jeloud, the Father of Skins, to be Pan the little goat god with his pipes. An account of their dances led him to conclude they must be celebrating the Roman Lupercalia which once occurred in the first two weeks of February, but attached itself to the principal
Moslem feast when the Arab invaders turned the calendar back to the lunar year. Westermark
never saw the dances and believed they no longer took place. Pan may soon stop dancing in the Moroccan hills but I first saw him there in 1950. Later I ran several times in the panic of the Lupercalia. It is the "holy chase" of which Julius Caesar speaks in Act 1, Scene
2 of Shakespeare's play: "Forget not, in your haste, Antonius, to touch Calpurnia; for our elders say the barren, touched in this holy chase, shake off their sterile curse." Marc Antony should be wearing a fresh, foul-smelling goatskin. "I saw Marc Antony offer him a crown; yet 'twas not a crown neither, 'twas one of those coronets. .."

Bou Jeloud wears a yokel's big, floppy straw hat, bound round his face with a fillet of ivy. ". . . it was mere foolery; I did not mark it." Elizabethan "Morris" dances were Moorish .
Pan, Bou Jeloud, the Father of Skins, dances through eight moonlit nights in his hill village, Joujouka, to the wailing of his hundred Master Musicians. Down in the towns, far away by the seaside, you can hear the wild whimper of his oboe-like raïtas; a faint breath of panic borne on the wind. Below the rough palisade of giant blue cactus surrounding the village on its hilltop, the music flows in streams to nourish and fructify the terraced fields below.
Inside the village the thatched houses crouch low in their gardens to hide the deep cactus-lined lanes. You come through their maze to the broad village green where the pipers are piping; fifty raïtas banked against a crumbling wall below sheet lightning to shatter the air. Fifty wild flutes blow up a storm in front of them, while a platoon of small boys in long belted white robes and brown wool turbans drums like young thunder. All the villagers, dressed
in best white, swirl in great circles and coils around one wildman in skins.
Bou Jeloud leaps high in the air on the music, races after the women again and again, lashing at them fiercely with his flails. "Forget not in your speed, Antonius, to touch Calpurnia . . ." He is wild. He is mad. Sowing panic. Lashing at anyone; striking real terror into the crowd. Women scatter like white marabout birds all aflutter and settle on a little hillock for safety, all huddled in one quivering lump. They throw back their heads to the moon and scream with throats open to the gullet, lolling their tongues around their empty heads like the clapper in a bell.
Every mouth is wide open, frozen into an O. Head back and hot narrow eyes brimming with dangerous baby. Bou Jeloud is after you. Running. Over-run, Laughter and someone is crying. Wild dogs at your heels. Swirling around in one ring-a-rosy, around and around and around. Go! Forever! Stop! Never! More and No More and No! More! Pipes crack in your head. Ears popped away at barrier sound and you deaf. Or dead! Swirling around in cold moonlight, surrounded by wild men or ghosts. Bou Jeloud is on you, butting you, beating you, taking you, leaving you. Gone! The great wind drops out of your head and you hear the heavenly music again. You feel sorry and loving and tender to that poor animal whimpering, grizzling, laughing and sobbing there beside you like somebody out of ether .Who is that? That is you.

Who is Bou Jeloud? Who is he? The shivering boy who was chosen to be stripped naked in a cave and sewn into the bloody warm skins and masked with an old straw hat tied over his face, HE is Bou Jeloud when he dances and runs. Not Ali, not Mohamed, then he is Bou Jeloud. He will be somewhat taboo in his village the rest of his life. When he dances alone, his musicians blow a sound like the earth sloughing its skin. He is the Father of Fear. He is, too, the Father of Flocks. The good shepherd works for him. When the goats, gently grazing,
brusquely frisk and skitter away, he is counting his flock. When you shiver like someone just walked on your grave—that's him: that's Pan, the Father of Skins. Have you jumped out of your skin lately? I've got you under my skin.
Up there, in Joujouka. you sleep all day—if the flies let you. Breakfast is goat-cheese and honey on gold bread from the outdoor oven. Musicians loll about sipping mint tea, their kif pipes and flutes. They never work in their lives so they lie about easy. The last priests of Pan cop a tithe on the crops in the lush valley below. Blue kif smoke drops in veils from Joujouka at nightfall. The music picks up like a current turned on. The children are singing, "Ha, Bou Jeloud! Bou Jeloud the butcher met Aisha Homolka, Ha, Bou Jeloud!"

On the third night he meets Aisha Homolka who drifts around after dark, cool and casual, near springs and running water. She unveils her beautiful blue-glittering face and breasts and coos. And he who stammers out an answer is lost. He is lost unless he touches
the blade of his knife or, better still, plucks it out and plunges it into the grcund between her goatish legs and forked hooves. Then Aisha Homolka, Aisha Kandisha, alias Asherat, Astarte, Diana in the Leaves Greene, Blest Virgin Miriam bar Levy, the White Goddess, in short, will be his. She must be a heavy Stone
Age matriarch whose power he cuts off with his Iron Age knife-magic.
The music grooves into hysteria, fear and fornication. A ball of laughter and tears in the throat gristle. Tickle of panic between the legs. Gripe of slap-stick cuts loose in the bowels. The Three Hadji. Man with Monkey. More characters coming on stage. The Hadji joggle around under their crowns like Three Wise Kings. Monkey Man comes on hugely pregnant with a live boy in his baggy pants. Monkey Man goes into
birth pangs and the Hadji deliver him of a naked boy with an umbilical halter around his neck. Man leads
Monkey around, beating him and screwing him for hours to the music. Monkey jumps on Man's back and screws him to the music for hours. Pipers pipe higher into the air and panic screams off like the wind intothe woods of silverolive and black oak, on into the Rif mountains swimming up under the moonlight.

BRION GYSIN. Copyright 1964 Brion Gysin.

Paul O'Donovan: three new illustrations

Three new illustrations by Paul O'Donovan in Interzone Galleries at http://interzone.galleries.googlepages.com/odonovan50.htm

Stéphan Barron : Steo-o-o & re-transmission : Photos + audio

o-o-o
english
(Version concert par Stéphan et Balthazar Barron)
o-o-o, transforme en temps réel en voix chantées- les mesures de l'ozone du satellite GOME qui tourne autour de la terre. - les mesures de la pollution par l'ozone dans le lieu d'exposition.

version concert du 11 avril 2008 :Photos Charlie Bonallack
re-Transmission
(remix live par James Taylor - Swayzak - de la bande sonore du film Transmission)
Photos Charlie Bonallack (g) François Labastie (2d)

Versions exposition :
o-o-o installation sonore de Stéphan et Balthazar Barron
Projection de deux films inédits de Stéphan Barron
A perte d'entendre - 2008 - 12 mn
Transmission - 2008 - 2 h 07

Le FRUC - Montpellier
Du 15 mars au 12 avril 2008.
Communiqué de presse
articles de presse
Photos Charlie Bonallack
Les partenaires de l'oeuvre o-o-o
programmation Stéphane Cousot

Remerciements à Françoise Pages et Christophe Héral pour o-o-o
James Taylor, Heure Exquise ! Pharos Productions et France Bleu Hérault pour re-Transmission.
et aux photographes Charlie Bonallack et François Labastie.

Ricardo Mbarkho "Arameans" at LOOP Festival, Barcelona

ENGLISH
=======
"Arameans" by Ricardo MbarkhoLebanon (2007), video, color, 3 min 36 secwill be screened at LOOP Festival Barcelona. The sixth edition, LOOP'08 will open its doors from May 6th to 18th, 2008.http://www.loop-barcelona.com/This video questions the mobility of the Arameans in the Lebanese social context; this is through the example of an Assyrian woman who has undergone one of the explosions in Beirut. Since they moved from Iraq, until their departure from Syria, are the Arameans who hold their language and their religion pursued again by terrorism in Lebanon?« Arameans » is already screened at:- International Festival Sarajevo Winter "Barricades without borders", Video-Salon 3 at the galerie10m2, Sarajevo. From 7 to 21 of March 2008- transmediale.08, House of World Culture, Berlin, Germany. January 30, 2008- Goethe-Institut, Beirut, Lebanon. October 29, 2007 to November 1, 2007

FRANCAIS
========
"Arameans" de Ricardo Mbarkho Liban (2007), vidéo, 3 min 36 secpassera au festival LOOP à Barcelone. La 6ème édition de LOOP sera du 6 au 18 mai 2008.http://www.loop-barcelona.com/Cette vidéo questionne la mobilité du peuple Araméen dans le contexte social libanais, et cela à travers l'exemple d'une femme Assyrienne qui a subit une des explosions à Beyrouth. Depuis qu'ils ont quitté l'Iraq, jusqu'à leur départ de la Syrie, les Araméens qui tiennent leur langue et leur religion, sont ils encore poursuivis par le terrorisme au Liban ?Déjà parue à :- Festival International Sarajevo Winter "Barricades without borders", Video-Salon 3 à la galerie10m2, Sarajevo. Du 7 au 21 mars 2008- transmediale.08, House of World Culture, Berlin, Allemagne. 30 janvier 2008- Goethe-Institut, Beyrouth, Liban. Du 29 octobre 2007 au 1 novembre 2007

http://www.ricardombarkho.com

Brian Jones festival in Joujouka on sale from later tonight

Brian Jones 40th Anniversary in Joujouka

A once-in-a-lifetime chance to experience a day and night in Joujouka as guests of the Master Musicians of Jououka and their families 28th July 2008.
The storyOn 28th July 1968 Brian Jones came to Joujouka with Brion Gysin, Mohamed Hamri and engineer George Chkiantz to record an album with the Master Musicians of Joujouka.
The resulting LP was the first release on Rolling Stones Records in 1971 "Brian Jones presents the Pipes of Pan at Joujouka".
To mark the 40th anniversary of this historic recording, the Master Musicians of Joujouka are staging a celebratory festival on 28th July 2008. The musicians will perform the Sufi healing music of Joujouka and, after dinner, the night will be filled with a full performance of the musicians' Boujeloud Rite, which is likened to the ancient Rites of Pan.
Joujouka is a farming community with strong Sufi traditions, located in the Ahl Srif Mountains some 80 km south of Chefchaouen and 20km from Ksar El Kebir.It is a halal village; therefore, both presence and consumption of alcohol is strictly forbidden.
Food and boardAccommodation will be provided in traditional Joujouka houses with the musicians' families. This is a unique opportunity to experience a festival in the village and Joujouka life.
Full board will be provided: lunch on arrival on the 28th, a celebratory meal in the evening, and breakfast on the morning of the 29th. All the dishes will be prepared by the villagers and will be traditional Moroccan fare for a celebratory feast.
The people of Joujouka are renowned for their music and their cooking.
Places are limitedThis once-in-a-lifetime experience is available to a strictly limited 50 places. This is due to accommodation limitations in the village, which is 20km from the nearest urban centre.
Travel arrangementsTicket holders must make their own way to Ksar El Kebir.Ticket holders will be transported from Ksar El Kebir's main train station ("Mouley Mehdi") at a designated time on the morning of 28th. Return transport to Ksar El Kebir will be provided on 29th to meet connecting trains.Grand taxis, and buses also serve Ksar El Kebir.
The price for this unique experience is €250 per person.Information available from joujouka@gmail.com
Booking www.joujouka.net
Frank Rynne

Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs

http://www.imma.ie/en/page_170634.htm
Joujouka Black Eyes by The Master Musicians of Joujouka is the soundtrack to the Dreamachine in this show

Frank Rynne
_______________________________________________________

Focusing on the cut-outs and cut-ups of Hans Christian Andersen and William Seward Burroughs, Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs is the first exhibition to compare these legendary writers and fascinating, but little-known, visual artists. Hailing from different origins and different periods, Hans Christian Andersen (1805-1875) and William Seward Burroughs (1914-1997) nevertheless shared many significant connections. Both were highly productive and revolutionary writers, intrepid travelers and larger-than-life personalities who developed important collaborative relationships. They were visionaries, who had a deep and long engagement with the visual arts.



Though Andersen and Burroughs are known largely for their literary masterpieces, their visual work, has to date received little exposure. Key to the 124 works in this exhibition is the artists’ mutual engagement with cutting-out pictures and stencils which involve silhouettes and shadows. Their use of brilliant colours and metallic surfaces relate closely to their writings. The Andersen material consists of a wide range of drawings, cut-outs and picture books containing his original collages. The Burroughs artworks include paintings on paper and wood, collaborative projects with lifelong friend, the artist Brion Gysin – these include pages for The Third Mind, 1978, as well as their legendary Dreamachine.
Hans Christian Andersen was born in Odense, Denmark, in 1805, the son of a washerwoman and a shoemaker. At the age of 14 he moved to Copenhagen to pursue an acting career. Between 1822 and 1827 he attended the Slagelse and Helsingør Grammer Schools. Throughout his life he wrote a number of plays and travel books inspired by his ongoing travels in Europe, and is best known for his popular fairytales such as The Little Mermaid, The Red Shoes and The Ugly Duckling. The majority of his visual works, including the picture books, date from the 1850s to his death in Copenhagen in 1875. William Seward Burroughs was born in 1914 in St Louis to a wealthy family. He studied at Harvard and travelled to Mexico, Colombia, Peru and Morocco between 1945 and 1950. Appropriating the cut-up technique developed by Gysin in the 1950s, Burroughs produced some of his most influential writings, extending the language first developed in his groundbreaking novel Naked Lunch, 1959. While living in Paris, London, New York and Lawrence, Kansas - where he died in 1997 - Burroughs never stopped experimenting with writing, film, sound and visual art.
The exhibition is curated by Hendel Teicher, independent curator and art historian.
A fully-illustrated catalogue accompanies the exhibition. Contributors include notable Andersen and Burroughs scholars Jens Andersen, Francine Prose, Raymond Foye and José Ferez Kuri. The catalogue also includes texts by Hans Christian Andersen and William Seward Burroughs, an essay by Hendel Teicher and a foreword by Enrique Juncosa, Director, IMMA.

Related Links

Press Release

The exhibition features music by the Master Musicians of Joujouka. Further information may be found at www.joujouka.net

Contra la trata - la lesbianbanda en neuquen - por favor difundir

en epet 8 olascoaga y la ruta este viernes a las 20 hs.

The Whirling Dervish: a tale of two rock shows... 4/25 & 5/10

a tale of two rock shows... 4/25 & 5/10
RED PLANET RECORDS6192 Magnolia Ave., Riverside, California 925075$ - ALL AGES9PM
the whirling dervish http://www.myspace.com/thewhirlingdervish

turkish techno http://www.myspace.com/turkishtechno

japanese monsters http://www.myspace.com/mechazilla1
cheap times http://www.myspace.com/cheaptimes1

RED PLANET RECORDS http://www.myspace.com/redplanettheallagesvenue

THE CREST1625 Cabrillo Ave., Torrance, CAFREE - 21+the whirling dervish http://www.myspace.com/thewhirlingdervishA

Crooked Deal for the Deaf http://www.myspace.com/acrookeddealforthedeaf

The Fabulous FuckersTHE CREST http://www.myspace.com/worldfamouscrest

CHELSEA HOTEL MANHATTAN : HEY HO LETS GO! Chelsea Hotel Video. Watch it here...

Chelsea Hotel Manhattan, by Joe Ambrose

see the video in You Tube at http://www.youtube.com/watch?v=CHCEc7gYJ40
Chelsea Hotel Manhattan

Optical Sound: Persistence is all Derniers jours

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EXPOSITION / EXHIBITIONVENDREDI 18 AVRIL DERNIERS JOURS / LAST DAYS!IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII


PIERRE BELOÜIN : "PERSISTENCE IS ALL-
"(Exposition personnelle du 18 janvier au 18 Avril 2008 F.R.A.C Provence Alpes Côte d'Azur Marseille)
Ouvert du mardi au samedi de 14h à 18h, entrée libre

En partenariat avec la revue Semaines

"L'exposition est placée sous le signe de Coil, groupe de musique industrielle anglais : la courte phrase [...] est le titre d'un live du groupe, en 2000. Persistence is all, sentence à la fois défiitive et mystérieuse, ne signifie peut-être rien d'autre que le nécessité d'être tenace et exigeant, ou plus directement encore, de résister au suicide programmé des objets dans la culture commerciale"Jill Gasparina, extrait de la monographie de Pierre Beloüin Persistence is all-

Communiqué de presse

Images de l'exposition

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RELEASES / EDITIONS

PERSISTENCE IS ALL-(Monographie sélective Pierre Beloüin~96 p. ill. en coul., 12 x 18cm)IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

Persistence is all, première exposition personnelle de l’artiste, est elle aussi placée sous le signe de la référence, plus précisément à Coil, groupe de musique industrielle anglais : sa courte phrase de titre est en effet tirée d’un néon (une sculpture ?) disposé dans le salon de Threshold house, la maison du groupe qu’on peut apercevoir dans un documentaire anglais de 2001, « Hello Culture ». Et c’est aussi le titre d’un live du groupe, en 2000. « Persistence is all », sentence à la fois définitive et mystérieuse, ne signifie peut-être rien d’autre que la nécessité d’être tenace et exigeant, ou plus directement encore, de résister au suicide programmé des objets dans la culture commerciale. Multi-plateforme, plasticien, chef de label, curateur, Pierre Beloüin joue sur tous les fronts de la résistance underground. The exhibition is precisely marked under the symbol of Coil: its short title taken from a neon sign (a sculpture ?) situated in the living room of Threshold house, the home of the group, which we can be seen in the English documentary, Hello Culture (2001). It is also the title of a live by Coil (2000). "Persistence Is All", a phrase which is at the same time precise and mysterious, it might not mean anything more than the need to be tenacious and demanding, or still more directly, to resist the planned suicide of objects in commercial culture. Jill Gasparinaextrait de la monographie disponible : Persistence is all– Pierre Beloüin

La monographie de Pierre Beloüin, Persistence is all– éditée par le FRAC Provence-Alpes-Côte d’Azur. texte Jill Gasparina, graphisme Claire Moreux et Olivier Huz, www.digitalbaobab.net, traduction Black Sifichi, diffusion & distribution : www.rc-diffusion.org . 96 p. ill. en coul., 12 x 18cm, 15 euros, ISBN 978-2-9527796-4-7
Les 23 premiers exemplaires de tête contiennent un collage original de l'artiste numéroté et signé format 16,5 cm X 8,5 cm, 50 euros.

AVAILABLE ! DISPONIBLE !
Buy here ~ Acheter ici
Librairies R-Diffusion
Pierre Beloüin ~ Documents D'artistes

Thanks for reading - Pierre Beloüin - Optical Sound
SECTION SOUTH--->105 rue des Volubilis 83190 Ollioules
SECTION CENTER--->41 Rue des Trois Frères 75018 ParisS
ECTION EAST--->18 Rue de Stosswihr 67100 Strasbourg

The Whirling Dervish : Our first review!

http://www.unsignedthemagazine.com/brandnew/theheat.html

Caveat Emptor -The Whirling Dervish

By: Corbyn Bricie

Can't describe this one. And that's a sure sign of dopeness. I don't know what it is or how they do it but The Whirling Dervish have converted me to their brand of rock, er emo, er um punk....geeze I don't know. Definitely socially driven in their song making the drums and guitars fuse together in a wall of song that comes at you in a hectic, aggressive and harmonious barrage of sounds that ebbs and swells in all the unexpected places that make that make their music hard to define but for sure easy to fall for. All of this is punctuated by earnest vocals that exude an intangible energy.

3 ½ Signatures

william brandon

Ricardo Mbarkho: EUROPEAN MEDIA ART FESTIVAL - OSNABRUECK – GERMANY

EUROPEAN MEDIA ART FESTIVALOSNABRUECK - GERMANY// CONGRESS //
Haus der Jugend (HdJ) // FRI. 25. APR 2008 // 17:30 H
www.emaf.de

ENGLISH
=======
"Beirut and Media Art todayPresentation by Ricardo Mbarkho
In his lecture, Ricardo Mbarkho talks about today's media art scene in Beirut. He also shows a selection of videos where many approaches are tackled to question the identity crisis in today's Lebanese socio-political and cultural sphere. The war on Lebanon since 1975 remains a major concern for the multicultural Lebanese society. Today, Lebanon is witnessing one of its tensest political divisions, and failed to elect a president able to bridge the gap between the current government and the opposition. The impact between the Middle East conflict, the media system and art is raised by Mbarkho from the geographical and the historical angles."

FRANCAIS
========
" Beyrouth et l'art des médias aujourd'hui Présentation par Ricardo Mbarkho
Dans sa conférence, Ricardo Mbarkho parle de la scène de l'art utilisant les médias aujourd'hui à Beyrouth. Il montre aussi une sélection de vidéos où plusieurs approches d'artistes questionnent la crise de l'identité dans le Liban aujourd'hui. La guerre sur le Liban depuis 1975 restes une inquiétude majeure pour la société multiculturelle libanaise. Aujourd'hui, le Liban témoigne une de ses divisions politiques les plus tendues, et a manqué de choisir un président capable de remplir le vide entre les progouvernementaux et l'opposition. L'impact entre le conflit au Moyen-Orient, le système médiatique et l'art est soulevé par Mbarkho des angles géographique et historiques. "

more 'whirling dervish in the news....

http://www.liascottprice.com/sbprnetscape.jpg

The Whirling Dervish - THE DELI online Magazine

http://www.thedelimagazine.com/la/kitchen/

mise à jour du site de l' atelier jardin de mino

mise à jour du site de l' atelier jardin de mino

http://ateliermino.free.fr/

Shocker TV : show April 26th

new show april 26th show will be a shit
love us, wanka tanka
http://www.myspace.com/shockertv



for printing: http://www.foe4foe.net/image/042608flier-print.jpg
for the web: http://www.foe4foe.net/image/042608flier-web.jpg

THE WHIRLING DERVISH: APRIL 11TH LIVE at CHARLIE O's

Remind :

APRIL 11TH LIVE at CHARLIE O's9PM - 5th & Spring St. Downtown Los Angeles, Ca
w/ The Radio Sweetheart & Epic Debauchery
http://www.myspace.com/charlieos_la
http://www.myspace.com/thewhirlingdervis
hhttp://www.myspace.com/theradiosweetheart
http://www.myspace.com/epicdebauchery

(see previous post below on March 20th at http://interzone-news.blogspot.com/2008/03/william-brandon-emerging-from-cocon.html)

From Frank Rynne: William Burroughs Master Musicians Of Joujouka Brion Gysin Hans Christian Andersen Art Show

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=58849694&blogID=375795699

08 avr. 2008, 00:00

William Burroughs Master Musicians Of Joujouka Brion Gysin Hans Christian Andersen Opening

Today the show of Cut Up works by William Seward Burroughs and Hans Christian Anderson opened in Dublin, Ireland. One of the exhibits is the Brion Gysin and Ian Sommerville "Dreamachine" courtesy of the The Musée d' Art moderne de la Ville de Paris.

The soundtrack for this experience is the Master Musicians of Joujouka's 1995 release Joujoujka Black Eyes. This Dreamachine is one of nine created by Gysin and Sommerville.

The Master Musicians of Joujouka are proud to be associated with this exibition.

Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs

Writers' Less Famous Works in PaperThe Irish Museum of Modern Art is delighted to announce the opening of the new exhibition Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs, in the New Galleries on Wednesday April 9th.
This exhibition is the first to compare these legendary writers and fascinating, but little-known, visual artists. Hailing from different origins and different periods, Hans Christian Andersen (1805-1875) and William Seward Burroughs (1914-1997) nevertheless shared many significant connections. Both were highly productive and revolutionary writers, intrepid travellers and larger-than-life personalities who developed important collaborative relationships. Key to the 124 works in this exhibition is the artists' mutual engagement with cutting-out pictures and stencils which involve silhouettes and shadows. Their use of brilliant colours and metallic surfaces relate closely to their writings.
The Andersen material consists of a wide range of drawings, cut-outs and picture books containing his original collages. The Burroughs artworks include paintings on paper and wood, and collaborative projects with lifelong friend, artist Brion Gysin, including their legendary Dreamachine. The exhibition continues until June 29th.

Date: 09 April 2008 - 29 June 2008
Time:
Venue:
Irish Museum of Modern Art
The Royal Hospital
Kilmainham
Dublin 8
Phone: +353 1 612 9900
Fax: +353 1 612 9999
Email: info@imma.ie
Website: http://www.imma.ie

Rapport d'Interzone: février-mars 2008

Il est en ligne dans le nouveau site Interzone reports

Bonne lecture.

Ramuntcho Matta: "Lucidité" : Exposition galerie Anne Barrault 19 avril