Allen Ginsberg, Charles Plymell
Charles Henri Ford and Charles Plymell
Huncke memorial
jeudi 13 mai 2010
mercredi 12 mai 2010
mardi 11 mai 2010
Paul Hawkins: The Road to Interzone: Reading William S. Burroughs Reading
The Road to Interzone: Reading William S. Burroughs Reading
Second (Revised and Expanded) Edition by Michael Stevens available now direct from the publisher:
www.suicidepress.com
Second (Revised and Expanded) Edition by Michael Stevens available now direct from the publisher:
www.suicidepress.com
Suicide Press
P. O. Box 663
Archer City, Texas
76351
The Road to Interzone is the result of a fascination with the works of William S. Burroughs and the literary influence that made his legendary canon of work possible. Here, the raw material of the shaping spirit of the imagination, is analyzed by presenting quotes and selections from Burroughs works (novels, interviews, criticism, etc.) alongside the primary literary sources that influenced him. Also contained herein are listings from the recorded archives of the books Burroughs read through most of his lifetime. Redacted from university archives and WSB s personal libraries, these listings attempt to catalog the source materials of what was to become Burroughs literary legacy. The Road to Interzone provides the skeleton for an interpretation of the operational processes of influence and the function of artistic inspiration.
Paperback: 282 pages
Publisher: Suicide Press; Second edition (September 1, 2009)
Language: English
ISBN-10: 0615302653
ISBN-13: 978-0615302652
Product Dimensions: 6.9 x 5 x 1.3 inches
"Michael Stevens has found the right vein, circulating raw material of the mind of visionary genius in post modern literature and art. His exhaustive compendia and matrix is like the fractal's pattern bringing similarities that could reveal whole equation. He has provided the reader with the sources of allusion, influences, critiques, and the spirit of scatological obsessions of the late William S. Burroughs, the well-read innovator, inventor, and investigator in literature, art, culture and cosmology. Ezra Pound once advised readers who thought the Cantos too obscure, to just think of them as people throughout history sitting around talking. This book allows me the conversations with Uncle Bill that I unfortunately neglected in his presence." --Charles Plymell
"A fascinating and richly helpful piece of literary archeology, tracing as broadly as possible the sources William Burroughs had available to him as he wrote. Both the title and the method echo the classic Road to Xanadu, John Livingston Lowes excavation of Coleridge s reading: Coleridge, like Burroughs, being more than a little interested in drugs. It is a work for which all Burroughs students should be grateful." --Larry McMurtry
“The scholarship surrounding the life and work of William Burroughs is in the midst of a renaissance. Students of Burroughs are turning away from myths, legends, and sensationalistic biographical detail in order to delve deeply into textual analysis, archival research, and explorations of literary and artistic history. Michael Stevens’ The Road to Interzone is an important part of this changing landscape. In a manner similar to Ralph Maud’s Charles Olson’s Reading, The Road to Interzone places the life and literature of “el Hombre Invisible” into sharper focus by listing and commenting on, in obsessive detail, the breadth of literary material Burroughs read, referred to, researched, and reviewed. Stevens reveals Burroughs to be a man of letters and of great learning, while simultaneously shedding light on the personal obsessions, pet theories, childhood favorites, and guilty pleasures, which make Burroughs such a unique and fascinating figure. Stevens’ book provides a wealth of new and important information for those deeply interested in Burroughs and will no doubt prove essential to future scholarship. Like Oliver Harris’ The Secret of Fascination and Robert Sobieszek’s Ports of Entry before it, The Road to Interzone is an indispensable addition to the canon of Burroughs Studies.”
-Jed Birmingham
“Michael Stevens has created a new kind of biography out of love for William S. Burroughs and love of books. Author worship and bibliophilia become one at the point of obsession, which of course is the point where they become interesting. Burroughs’ reading was intense and far flung, and Stevens has sleuthed out a portrait of that reading--the books Burroughs lent his name to in the form of introductions and blurbs, the books in his various libraries, the books he refers to, the books that found their way into his writing, and much more! Along with lively notes from Stevens, we have Burroughs throughout--his opinions, perceptions, the ‘grain of his voice.’ That in itself makes Stevens’ book a notable achievement. The Road to Interzone is a useful scholarly tool and a fascinating journey for anyone who loves contemporary literature.”
-Robert Gluck
“The Road To Interzone is a valuable piece of scholarly work which would prove of invaluable assistance to anyone interested in the work of William Seward Burroughs. Books maketh the man (and woman) said somebody and they obviously had a massive impact on the imagination of Burroughs, shaping the direction his writing life took. An examination of his library and reading habits is sure to give any student of the man vital clues as to his inspirations and launching off points.”
-Kevin Ring, Beat Scene
"Burroughs criticism in the 21st century is in the process of being shaped by material concerns. No longer are Burroughs' readers focused primarily on the legend of the "master" as wife-killing junkie expatriate-finally, the way that Burroughs went about producing his work has become as important as his mythos, and essentially to understanding it. In this crucial sense, Michael Stevens's The Road to Interzone offers an outstanding contribution to the newest work on Burroughs. His meticulously researched text stands as an absolutely invaluable accessory to a rich theoretical revival inaugurated by major critics in the field such as Timothy S. Murphy, Oliver Harris, and Jamie Russell."
-Davis Schneiderman
"Michael Stevens' work is as close to pure research as can be obtained. He provides a unique view of a unique writer through the lens of words in other writers' books. All authors read, and their reading habits inform their own writing. With the work of Michael Stevens, we now have a much better idea of the topics Burroughs was interested in, the subjects that intrigued him, and the minutiae of his personal library. It is a piece of scholarship that will enrich the study of Burroughs' life and work."
-Eric Shoaf
“To scan Michael Stevens' bibliography is to dream of entering into William Burroughs' head from a new angle -- not from his writings but from his readings. You can't live Burroughs' life but you can read the books he read. You can infect yourself with the same word virus he picked up in writers ranging from Abrahamson (Crime and the Human Mind) to Yeats (‘cast a cold eye on life, a cold eye on death…’) Will these get you any closer to the mutations Burroughs performed on the word virus? Doubtless you'll understand the man and his work better. And perhaps, with the help of the ‘creative reading’ Burroughs espoused, Road to Interzone will even put you in position to subject the same viral sources to a few new mutations of your own.”
-Supervert
“Michael Stevens’ The Road To Interzone is not only the most comprehensive Burroughs bibliography ever attempted, it is written and compiled with precisely the self-deprecating humor and unremitting attention to detail demanded by the occasion. This highly entertaining, intelligently organized and vastly informative tome is pre-ordained by the religious fascination William S. Burroughs masterfully instilled in his readers. An absolutely necessary reference work for the world of letters, The Road To Interzone offers the added advantage of belletristic assassins expertly perched at each bend, sewage drain and rooftop- the perfect snippet of literary criticism here, the single-sentence aphorism that annihilates doubt there. Stevens’ magnificent work is certain to prove useful to scholars and lay readers for many generations to come. It possesses all earmarks of an obsessive perfectionist’s life work. Utterly indispensable.”
-David Woodard
“Often, scholars base their argument or lineage of ideas on very thin evidence, such as one mention of so-and-so book in one of the works. This sort of comprehensive survey gives much more overall view on the whole cultural environment that the author worked in. I don't know if this sort of effort has been made for other authors, but if it has, then it's about time it was done for WSB. And if it hasn't, then this sort of thing has the potential to open up a whole new world of research material. I think it's simply great.”
-Hiroo Yamagata
Paul Hawkins
writer & culture vulture
http://www.hesterglock.com/
http://www.paulhesterglock.blogspot.com/
The Road to Interzone is the result of a fascination with the works of William S. Burroughs and the literary influence that made his legendary canon of work possible. Here, the raw material of the shaping spirit of the imagination, is analyzed by presenting quotes and selections from Burroughs works (novels, interviews, criticism, etc.) alongside the primary literary sources that influenced him. Also contained herein are listings from the recorded archives of the books Burroughs read through most of his lifetime. Redacted from university archives and WSB s personal libraries, these listings attempt to catalog the source materials of what was to become Burroughs literary legacy. The Road to Interzone provides the skeleton for an interpretation of the operational processes of influence and the function of artistic inspiration.
Paperback: 282 pages
Publisher: Suicide Press; Second edition (September 1, 2009)
Language: English
ISBN-10: 0615302653
ISBN-13: 978-0615302652
Product Dimensions: 6.9 x 5 x 1.3 inches
"Michael Stevens has found the right vein, circulating raw material of the mind of visionary genius in post modern literature and art. His exhaustive compendia and matrix is like the fractal's pattern bringing similarities that could reveal whole equation. He has provided the reader with the sources of allusion, influences, critiques, and the spirit of scatological obsessions of the late William S. Burroughs, the well-read innovator, inventor, and investigator in literature, art, culture and cosmology. Ezra Pound once advised readers who thought the Cantos too obscure, to just think of them as people throughout history sitting around talking. This book allows me the conversations with Uncle Bill that I unfortunately neglected in his presence." --Charles Plymell
"A fascinating and richly helpful piece of literary archeology, tracing as broadly as possible the sources William Burroughs had available to him as he wrote. Both the title and the method echo the classic Road to Xanadu, John Livingston Lowes excavation of Coleridge s reading: Coleridge, like Burroughs, being more than a little interested in drugs. It is a work for which all Burroughs students should be grateful." --Larry McMurtry
“The scholarship surrounding the life and work of William Burroughs is in the midst of a renaissance. Students of Burroughs are turning away from myths, legends, and sensationalistic biographical detail in order to delve deeply into textual analysis, archival research, and explorations of literary and artistic history. Michael Stevens’ The Road to Interzone is an important part of this changing landscape. In a manner similar to Ralph Maud’s Charles Olson’s Reading, The Road to Interzone places the life and literature of “el Hombre Invisible” into sharper focus by listing and commenting on, in obsessive detail, the breadth of literary material Burroughs read, referred to, researched, and reviewed. Stevens reveals Burroughs to be a man of letters and of great learning, while simultaneously shedding light on the personal obsessions, pet theories, childhood favorites, and guilty pleasures, which make Burroughs such a unique and fascinating figure. Stevens’ book provides a wealth of new and important information for those deeply interested in Burroughs and will no doubt prove essential to future scholarship. Like Oliver Harris’ The Secret of Fascination and Robert Sobieszek’s Ports of Entry before it, The Road to Interzone is an indispensable addition to the canon of Burroughs Studies.”
-Jed Birmingham
“Michael Stevens has created a new kind of biography out of love for William S. Burroughs and love of books. Author worship and bibliophilia become one at the point of obsession, which of course is the point where they become interesting. Burroughs’ reading was intense and far flung, and Stevens has sleuthed out a portrait of that reading--the books Burroughs lent his name to in the form of introductions and blurbs, the books in his various libraries, the books he refers to, the books that found their way into his writing, and much more! Along with lively notes from Stevens, we have Burroughs throughout--his opinions, perceptions, the ‘grain of his voice.’ That in itself makes Stevens’ book a notable achievement. The Road to Interzone is a useful scholarly tool and a fascinating journey for anyone who loves contemporary literature.”
-Robert Gluck
“The Road To Interzone is a valuable piece of scholarly work which would prove of invaluable assistance to anyone interested in the work of William Seward Burroughs. Books maketh the man (and woman) said somebody and they obviously had a massive impact on the imagination of Burroughs, shaping the direction his writing life took. An examination of his library and reading habits is sure to give any student of the man vital clues as to his inspirations and launching off points.”
-Kevin Ring, Beat Scene
"Burroughs criticism in the 21st century is in the process of being shaped by material concerns. No longer are Burroughs' readers focused primarily on the legend of the "master" as wife-killing junkie expatriate-finally, the way that Burroughs went about producing his work has become as important as his mythos, and essentially to understanding it. In this crucial sense, Michael Stevens's The Road to Interzone offers an outstanding contribution to the newest work on Burroughs. His meticulously researched text stands as an absolutely invaluable accessory to a rich theoretical revival inaugurated by major critics in the field such as Timothy S. Murphy, Oliver Harris, and Jamie Russell."
-Davis Schneiderman
"Michael Stevens' work is as close to pure research as can be obtained. He provides a unique view of a unique writer through the lens of words in other writers' books. All authors read, and their reading habits inform their own writing. With the work of Michael Stevens, we now have a much better idea of the topics Burroughs was interested in, the subjects that intrigued him, and the minutiae of his personal library. It is a piece of scholarship that will enrich the study of Burroughs' life and work."
-Eric Shoaf
“To scan Michael Stevens' bibliography is to dream of entering into William Burroughs' head from a new angle -- not from his writings but from his readings. You can't live Burroughs' life but you can read the books he read. You can infect yourself with the same word virus he picked up in writers ranging from Abrahamson (Crime and the Human Mind) to Yeats (‘cast a cold eye on life, a cold eye on death…’) Will these get you any closer to the mutations Burroughs performed on the word virus? Doubtless you'll understand the man and his work better. And perhaps, with the help of the ‘creative reading’ Burroughs espoused, Road to Interzone will even put you in position to subject the same viral sources to a few new mutations of your own.”
-Supervert
“Michael Stevens’ The Road To Interzone is not only the most comprehensive Burroughs bibliography ever attempted, it is written and compiled with precisely the self-deprecating humor and unremitting attention to detail demanded by the occasion. This highly entertaining, intelligently organized and vastly informative tome is pre-ordained by the religious fascination William S. Burroughs masterfully instilled in his readers. An absolutely necessary reference work for the world of letters, The Road To Interzone offers the added advantage of belletristic assassins expertly perched at each bend, sewage drain and rooftop- the perfect snippet of literary criticism here, the single-sentence aphorism that annihilates doubt there. Stevens’ magnificent work is certain to prove useful to scholars and lay readers for many generations to come. It possesses all earmarks of an obsessive perfectionist’s life work. Utterly indispensable.”
-David Woodard
“Often, scholars base their argument or lineage of ideas on very thin evidence, such as one mention of so-and-so book in one of the works. This sort of comprehensive survey gives much more overall view on the whole cultural environment that the author worked in. I don't know if this sort of effort has been made for other authors, but if it has, then it's about time it was done for WSB. And if it hasn't, then this sort of thing has the potential to open up a whole new world of research material. I think it's simply great.”
-Hiroo Yamagata
Paul Hawkins
writer & culture vulture
http://www.hesterglock.com/
http://www.paulhesterglock.blogspot.com/
lundi 10 mai 2010
BD: De nouvelles aventures de Z Craignos sur Paris 70 !
De nouveaux épisodes des aventures de Z Craignos sont en ligne, tirés des albums de Jean Rouzaud 'La Zone' et 'La Fin des Branchés', tout à fait représentatifs de la branchitude de la fin des années 70.
http://paris70.free.fr/z-craignos.htm
http://paris70.free.fr/z-craignos.htm
Bonne lecture !
FESTIVAL ECSTATIQUE Nothampton Nov. 16th and 17th
FESTIVAL ECSTATIQUE Nothampton Nov. 16th and 17th
Grant Hart, Mike Watt,Charles Plymell,Thurston Moore, Yony: reading at Northampton
Grant Hart, Mike Watt,Charles Plymell,Thurston Moore, Yony: reading at Northampton
 | FESTIVAL ECSTATIQUE Nothampton Nov. 16th and 17th Nov 18, 2007 by Yony All photos by Yony Leyser Nov. 2007 |
Mike Watt and tiny phone in Florida
"Are people tinier in Florida or what?" Mike Watt
Charles Plymell & Mike Watt 8/09/08 @ amplitude-photography
http://amplitude-photography.blogspot.com/2008/08/charles-plymell-mike-watt-80908.html
samedi 8 mai 2010
Williams S. Burroughs: A Man Within :: MICA FALVEY HALL
http://www.missiontix.com/events/product/8880/williams-s-burroughs-a-man-within--mica-falvey-hall
Yony Leyser
Running time: 87 minutes
A documentary about William S. Burroughs as told by the people who knew and loved him, including John Waters, Iggy Pop, and Andy Warhol.Williams S. Burroughs: A Man Within :: MICA FALVEY HALL
Venue:Maryland Film Festival
Time:2:30PM
Ages:All Ages
Price: $10.00 Price:$10.00
Event #:20100507.01-mff
Yony Leyser
Running time: 87 minutes
A documentary about William S. Burroughs as told by the people who knew and loved him, including John Waters, Iggy Pop, and Andy Warhol.Williams S. Burroughs: A Man Within :: MICA FALVEY HALL
Venue:Maryland Film Festival
Time:2:30PM
Ages:All Ages
Price: $10.00 Price:$10.00
Event #:20100507.01-mff
vendredi 7 mai 2010
Optical Sound: nothing inside is real
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EXHIBITION / EXPOSITION
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PIERRE BELOÜIN : "Playing You" (Nothing Inside is real)
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GALERIE FREDERIC GIROUX (Paris)
Vernissage le 20 MAI 2010~ de 18H00 à 21H00
La vitrine par ARIANE BOSSHARD & OLIVIER HÜZ
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Exposition personnelle du 20 Mai au 19 Juin 2010
Après son exposition collective « Sound by artists » en 2009, la galerie Frédéric Giroux entame en 2010
une série d’expositions personnelles d’artistes sonores :
Pascal Broccolichi du 20 mars au 15 mai,
Pierre Beloüin du 22 mai au 19 juin
Optical Sound du 3 au 30 juillet
Jérôme Poret du 4 septembre au 30 octobre
et Pierre-Laurent Cassière du 6 novembre au 23 décembre.
"L'histoire de l'art récente a connu successivement des artistes « sans » œuvres (dématérialisées) et d'autres « sans » art (où « tout est art »),
ou bien encore des œuvres « sans » auteur (voir les appropriationistes)...
Le travail de Pierre Beloüin pourrait sans doute revendiquer ici quelques-unes de ses filiations et trouver naturellement sa place sur ce grand
échiquier du rapport ambiguë de l'artiste à l'art.
Car ce qui fait l'une des spécificités de son œuvre, outre le fait qu'elle s'appuie également sur une connaissance pointue des contre-cultures,
c'est le statut que défend son auteur, un statut plus volontiers associé au monde de la musique ou du cinéma, à savoir celui de producteur.
Producteur d'artistes, de musiciens, d'œuvres, de produits... Revendiquant la pratique de l'art comme moyen de collaborations,
Pierre Beloüin devient le cœur d'un réseau ouvert multipliant les ramifications et le développement de projets en tout genre
(du partenariat au commissariat en passant par l'édition de disques, de badges, l'organisation de concert...).
Ce qui signe d'emblée ce travail, c'est le désir affirmé de multiplier les champs plutôt que de les soustraire et d'inscrire ainsi sa pratique
au sein du label Optical Sound (dont il est le créateur) dans sa production plastique.
Qu'elle soit jouée ou citée, la musique, son actualité et son histoire, ses codes et ses croisements, constitue donc le socle à partir duquel tout s'élabore.
Et c'est alors en Homme orchestre, que l'artiste se présente, autoportrait à la cravate blanche sur chemise rouge aussi décalé
et faussement naïf que le morceau « exotica » qui tourne en boucle et accompagne l'installation.
C'est sans doute parce que la musique dépasse son seul territoire, qu'elle emporte avec elle un lifestyle et appelle la conscience et la révolte,
le plaisir et le jeu, qu'elle fascine.
Pierre Beloüin semble annoncer son désir de faire basculer définitivement dans le champ de l'art cette attitude frondeuse et résistante.
Aux manettes d'un projet dont un des buts pourrait être celui d'affirmer le rapprochement, voire la fusion, des disciplines artistiques,
il met en œuvre les moyens d'une attitude dans la forme."
Guillaume Mansart
Galerie Frédéric Giroux
galerie frédéric giroux
8 rue Charlot - 75003 Paris
tel.: 01 42 71 01 02 - fax: 01 42 71 05 11
info@fredericgiroux.com / www.fredericgiroux.com
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NEW RELEASES / NOUVELLES EDITIONS
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Pierre Beloüin : "L'homme Orchestre V.2" (Exotica Version)
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(OS.030) 10" VINYL PICTURE DISC
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Face A : Yann Jaffiol : "L'homme Orchestre" (©2005)
Face B : Norscq : "Amokka Lu" composé, interprété et produit par Norscq (©2010)
Graphic Design by Ariane Bosshard & Olivier Hüz
Limited Signed & Numbered Edition of 23 ex
Only Available / Disponible exclusivement à la galerie Frédéric Giroux
OS.030
Produit avec le concours de la DRAC Provence Alpes Côte d'Azur
Bande sonore de l'installation : "L'homme Orchestre V.2" (Exotica Version)
par Pierre Beloüin
www.optical-sound.com / ©2010
Masterised by norscq
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Pierre Beloüin : "Casino'23"
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LIVRE D'ARTISTE (36 Pages format 21x29,7)
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Graphic Design & Editorial : Olivier Hüz et Ariane Bosshard
Limited Signed & Numbered Edition of 23 ex
Only Available / Disponible exclusivement à la galerie Frédéric Giroux
__________
OTHERS RELEASES / AUTRES EDITIONS Section Releases
NEW RELEASE Les échos de l'étale Vol.1. Echoes From The Foreshore V/a
Thanks for reading - Pierre Beloüin ~ Optical Sound
105 rue des Volubilis 83190 Ollioules
18 Rue de Stosswihr 67100 Strasbourg
25 rue des Cascades 75020 Paris
Season of Mist is the official French distro of Optical Sound in France / Distribution France Season of Mist
Vente format numérique OTOTOÏ
The Optical Sound CD's are always available in regular store, on-line it's better for us / les éditions Optical Sound sont disponibles
chez tous les disquaires, et sur la boutique en ligne Buy on-line with Paypal, quick and secure sending.
Invitation to view Yony's Picasa Web Album - New Album 9/15/07
View Album
Play slideshow
Claude Pelieu/Mary Beach exhibit at John McWinnie Gallery, NYC.
Some attendees include: Grant Hart, Pam Beach-Plymell, June Barwick, Mary Joan Waid; Jonathan Galassi; George Kimball, Indra, Gerard Malanga, Phil Scalia, Laki,Ted Morgan, Thurston Moore, Byron Coley, Charles Plymell.
Play slideshow
Claude Pelieu/Mary Beach exhibit at John McWinnie Gallery, NYC.
Some attendees include: Grant Hart, Pam Beach-Plymell, June Barwick, Mary Joan Waid; Jonathan Galassi; George Kimball, Indra, Gerard Malanga, Phil Scalia, Laki,Ted Morgan, Thurston Moore, Byron Coley, Charles Plymell.
jeudi 6 mai 2010
mardi 4 mai 2010
dimanche 2 mai 2010
First Zap comix
First Zaps by Crumb published by Charles Plymell
Robert Crumb, Lorraine & S.Clay Wilson
jeudi 29 avril 2010
Ginger Eades: PLYMELL & FRIENDS SLIDE SHOW
 |  highjiver just sent you a Slide Show with the following message: The Charles Plymell Reel Slide Show by Ginger Eades |
Sent from Slide -- Click here to make a Slide Show from your pictures! | |
http://www.slide.com/r/k2zdoqn95z_vkFJhnVKRyQvsMGMPgsXt?previous_view=lt_embedded_url
THE PLYMELL REEL
http://www.slide.com/r/AQOtSZJs6T8AgQWrVjq7udj52tRUG_66?previous_view=lt_embedded_url
Ginger K. Eades site and blog
Blog at Even for the Hipsters, Hustlers & Highjivers
Myspace: http://www.myspace.com/highjiver
Ginger K. Eades
Myspace: http://www.myspace.com/highjiver
Ginger K. Eades
The Dirt 
Mike Watt with the Stooges
http://www.youtube.com/watch?v=LZLT1aMQ--U
DanceDreamDance — 18 mars 2007 — The Stooges play live at Waterloo Records in Austin Texas March 16th 2007 during SXSW. The store was at capacity, hundreds trying to get in, pretty awesome. Footage is a little shaky but the spirit is there.
DanceDreamDance — 18 mars 2007 — The Stooges play live at Waterloo Records in Austin Texas March 16th 2007 during SXSW. The store was at capacity, hundreds trying to get in, pretty awesome. Footage is a little shaky but the spirit is there.
Robert Branaman video by UGROOK06 — 25 avril 2010
http://www.youtube.com/watch?v=VpToxlkVCLQ
UGROOK06 — 25 avril 2010 — Beat Generation poet, painter, and film producer Bob Branaman continues to make avant garde art today. Branaman joined the Beatniks in San Francisco in the 1950s, part of the Kansas Vortex, which included Charles Plymell and Michael McClure, and soon made his name as a hep cat. He outlived many of his bohemian contemporaries, despite his bad habits. In Spring 2010 he had a show of his paintings at Beyond Baroque in Los Angeles.
UGROOK06 — 25 avril 2010 — Beat Generation poet, painter, and film producer Bob Branaman continues to make avant garde art today. Branaman joined the Beatniks in San Francisco in the 1950s, part of the Kansas Vortex, which included Charles Plymell and Michael McClure, and soon made his name as a hep cat. He outlived many of his bohemian contemporaries, despite his bad habits. In Spring 2010 he had a show of his paintings at Beyond Baroque in Los Angeles.
mercredi 28 avril 2010
mardi 27 avril 2010
Charles Plymell : The Benzedrine Highway Interview
Interview by Paul Hawkins :
On line with phtographs at http://www.jackmagazine.com/interview-ch-paul.html
On line with phtographs at http://www.jackmagazine.com/interview-ch-paul.html
Bill and friends
Neal Cassady, 1963
Paul Kennedy: Sunrise Studio
Welcome to Sunrise SSL Studio
Sunrise Recording Studio offers a state of the art SSL recording and mixing facility. Based in the vibrant center of Islington, in the heart of central London, Sunrise is set in a relaxed and professional environment & is staffed and equipped to the highest standard for recording artists and record producers alike. With acoustics by award winning Andy Munro we are proud to present this state of the art facility for your consideration.
For bookings & information please contact.
Sunrise Studio Bookings Manager
Paul Kennedy E-mail paul@12one.net>
Tel:+44 (0) 207-685-8595
Control room
Acoustics: Andy Munro.
Monitors: Yamaha NS10, KRK RP8, Dynaudio Acoustics M1.
Amps: Quad 520F Power Amplifier, Bryston 600, Chord SPA1032.
Work station:
Keyboards: Korg M3 Music Work Station, Yamaha Motif Rack X5, Waldorf Q Synthesiser, Roland XP- 60 Work Station, Novation Remote 37 5L, Nord C1, Micro Korg, NI Kore Hardware
Outboard:
Reverbs: Lexicon 480L Reverb, Lexicon 224X Reverb, The Great British Spring Reverb.
Effects: Sherman Filterbank, Evantide DSP4000 Ultra Harmoniser, AMS DMX 15-80s Delay, AMS DM 2-20 Tape Phase Simulator, Bel Electronics Flanger BF-20, Watkins Copicat Tape Delay, Roland SDE-330 Space Delay, Roland SDE-3000 Digital Delay, Yamaha SPX 90x2, Drawmer Dual Gate DS 201, Music Coder Barth Vocoder, Line 6 Pod XT Pro, TC Helicon Voice Harmony Vocal Effect.
House Engineer "Savvas"
Our in house Engineer Savvas comes with a great track record after just completing the now platinum Peter Andre album amongst many many other projects. The Studio can be booked with or with out our house engineer.Savvas has worked for the past 15 years with some of the UK's and US's top artists at some of London's top studios.Having graduated from Master Rock studio he worked with many top producers. Savvas then went on to work as a house engineer at Mayfair studios. Savvas continues to produce top results for big number of UK and international Producers, Labels, Writers and Artists.
Paul Kennedy
Sunrise Recording Studio
E-Mail paul@12one.net
Phone: +44 (0) 207-685-8595
web: http://www.sunrise-studio.co.uk/
Sunrise Recording Studio offers a state of the art SSL recording and mixing facility. Based in the vibrant center of Islington, in the heart of central London, Sunrise is set in a relaxed and professional environment & is staffed and equipped to the highest standard for recording artists and record producers alike. With acoustics by award winning Andy Munro we are proud to present this state of the art facility for your consideration.
For bookings & information please contact.
Sunrise Studio Bookings Manager
Paul Kennedy E-mail paul@12one.net>
Tel:+44 (0) 207-685-8595
Control room
Desk: SSL 6000E G+ 60 CH
Acoustics: Andy Munro.
Monitors: Yamaha NS10, KRK RP8, Dynaudio Acoustics M1.
Amps: Quad 520F Power Amplifier, Bryston 600, Chord SPA1032.
Work station:
Computers: Apple G5 Tower Quad Core, Pro Tools HD3 System, Prism Dream ADA - 8xR Plus 2x192 Digidesign, Total of 40 Ins And Outs, Apple G5 Tower Dual Core, Protools7, Logic Pro 8.
Keyboards: Korg M3 Music Work Station, Yamaha Motif Rack X5, Waldorf Q Synthesiser, Roland XP- 60 Work Station, Novation Remote 37 5L, Nord C1, Micro Korg, NI Kore Hardware
Outboard:
Compressors:EMI TGI2413 Zener Limiter Stereo, Urei 1176N x2, Manley Elop, Tube Tech Stereo Multiband compressor SMC2B, Manley Massive Passive Stereo Equaliser, Tube Tech Program Equaliser PE1B, Emperical Labs EL8X Distressor, DBX 160 Compressor Limiter x2, DBX 165 Over Easy Compressor Limiter x2, JoeMeek Channel VC2, Waves Platinum 6.
Reverbs: Lexicon 480L Reverb, Lexicon 224X Reverb, The Great British Spring Reverb.
Effects: Sherman Filterbank, Evantide DSP4000 Ultra Harmoniser, AMS DMX 15-80s Delay, AMS DM 2-20 Tape Phase Simulator, Bel Electronics Flanger BF-20, Watkins Copicat Tape Delay, Roland SDE-330 Space Delay, Roland SDE-3000 Digital Delay, Yamaha SPX 90x2, Drawmer Dual Gate DS 201, Music Coder Barth Vocoder, Line 6 Pod XT Pro, TC Helicon Voice Harmony Vocal Effect.
House Engineer "Savvas"
Our in house Engineer Savvas comes with a great track record after just completing the now platinum Peter Andre album amongst many many other projects. The Studio can be booked with or with out our house engineer.Savvas has worked for the past 15 years with some of the UK's and US's top artists at some of London's top studios.Having graduated from Master Rock studio he worked with many top producers. Savvas then went on to work as a house engineer at Mayfair studios. Savvas continues to produce top results for big number of UK and international Producers, Labels, Writers and Artists.
Paul Kennedy
Sunrise Recording Studio
E-Mail paul@12one.net
Phone: +44 (0) 207-685-8595
web: http://www.sunrise-studio.co.uk/
4EME FESTIVAL INTERNATIONAL DE FILM ET VIDEO DE CREATION, BEYROUTH
FIFVC 2010
New moving images
11-14 MAY 2010
OPENING CEREMONY: MAY 10, 2010. AT 7 PM
AT ALBA
FULL PROGRAM DETAILS AT
http://www.fifvc.com/
New moving images
11-14 MAY 2010
OPENING CEREMONY: MAY 10, 2010. AT 7 PM
AT ALBA
FULL PROGRAM DETAILS AT
http://www.fifvc.com/
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